Fuse Magazine Index of Names
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
18:5— "Making the Terrain: New Genre Public Art" (Bay Press). Review by Deborah Root, pp. 41-42.
19:1— The Chill Continues: Artists after Bill C-128. Column by Elaine Carol, pp. 12-17.
20:3— Ingrid Bachmann: A Portrait in Three Parts. Review by Lorraine Oades, pp. 20-27. (available online)
23:1— "Material Matters: The Art And Culture of Contemporary Textiles" (YYZ Books, Toronto). Book Review by Janice Andreae, pp. 51-53.
27:1— "Ingrid Bachmann: Digital Crustaceans v.0.2 Homesteading on the Web" (Articule, Montreal). Review by Jessica Carpenter, pp. 36-37. (available online)
19:4— "Straight Up" and the Politics of Boredom (Alliance Communications/Back Alley Film Production Ltd.). Review by Scott Treleaven, pp. 41-42.
22:2— Shani Mootoo: Shifting Perceptions, Changing Practices. Interview by Sarindar Dhaliwal, pp. 18-25. (available online)
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
24:4— The Politics of Curating. The Trouble with Normal: Queering Our Identities. Column by Elleni Centime Zeleki, pp. 16-18. (available online)
17:4— "Pierre Moliner: The Precurser" (TPW and Plugin). Review by Elaine Carol, pp. 40.
22:3— Dire Straits: The situation of contemporary visual arts funding in Korea. Column by Joan Kee, pp. 19-23. (available online)
23:3— "Fresh Paint" (Meg Gallery, Toronto). Review by Anne Kim, pp. 37-38. (available online)
20:3— The great hope of culture .... Artist project by Buseje Bailey, pp. 06-7. (available online)
16:1— Letter to the editor. Letter by Rita Davies, pp. 06.
16:3— Letter to the editor. Letter by M. Nourbese Philip, pp. 03.
16:3— Letter to the Editor. Letter by Cameron Bailey, pp. 03-04.
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
21:3— Diary of a Queen Street Negro. Column by Peter Hudson, pp. 13-16.
17:5&6— Harlem State of Mind: A Conversation with Greg Tate. Interview by Victor Bains Marshall, pp. 32-34.
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
24:1— "Practice, Practise, Praxis: Serial Reception, Organizational Behaviour, and Strategic Action in Architecture" (YYZ books). Review by Emily Andreae and Janice Andreae, pp. 40-43.
16:3— Gathering: The Memorial Project (A Space). Review by Christopher Eamon, pp. 40-41.
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
28:3— Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah. Roundtable by Art and Cold Cash Collective, pp. 20-28. (available online)
22:3— "Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness" by Kyo Maclear (Albany: SUNY Press, 1999). Review by Lang Baker, pp. 53-55. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
16:3— Gathering: The Memorial Project (A Space). Review by Christopher Eamon, pp. 40-41.
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
17:4— You're Beautiful Man, You're Beautiful: "Beauties and Monstrosities" (Damn Straight, Toronto). Review by Brent Cehan, pp. 41-42.
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
19:2— Film & Video News. News by Karen Tisch, pp. 06.
20:5— Dreams of Bones and Wires. Feature by Michael Balser, pp. 09-13. (available online)
21:3— "Out of the Frame" -- a collective show of new lesbian photography. Review by Michael Balser, pp. 51-53.
22:4— "Ohm: Dance Through an Electric Eye" (Bravo! TV). Review by Michael Balser, pp. 47-48. (available online)
23:1— "Stamina" (Red Head Gallery, Toronto). Review by Darien Taylor, pp. 47-48.
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
26:1— Michael Balser (August 14th, 1952 - October 4th, 2003). Obituary by Sharon Switzer, pp. 40-41. (available online)
26:1— Baltic Interventions. Review by Bill Leeming, pp. 45-48. (available online)
24:1— Banff: Utopian Memeplex Machine Making The Invisible Visible. Feature by Oliver Hockenhull, pp. 17-25.
27:4— Sounding the Border/Echoes and Transmissions from the Morley Reserve: Cheryl L'Hirondelle and Candice Hopkins. Interview by Janna Graham, pp. 27-35. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
17:1— "Returning the Gaze" (Sister Vision Press). Book Review by Hazelle Palmer, pp. 39-40.
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
18:1— "The State of Asian America" (South End Press). Book Review by Xiaoping Li, pp. 28-29.
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
27:3— "Black Hair/Her-Stories" and Joscelyn Gardner's Inverted Portraits (Barbados Museum and Historical Society, Barbados). Review by Charmaine Nelson, pp. 45-48. (available online)
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
26:1— on Bruce Barber's Diddley Squat. ShortFuse by Tamara Stone, pp. 52. (available online)
26:2— A Diddly Squat Response from Bruce Barber. ShortFuse by Bruce Barber, pp. 48. (available online)
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
21:1— The Intimate Peculiarities of Communal Travel. Editorial by Michael Barker, pp. 11-15.
19:1— Not Holding Still: "AlterNative (McMichael Canadian Art Collection). Review by Caroline Stevens, pp. 34-35.
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
25:2— Three Short Essays on Growning Up. Feature by Terence Dick, pp. 28-37. (available online)
18:5— Re-Orienting Asian: "Millie Chen: Cook and Crave" (YYZ). Review by Jamelie Hassan, pp. 30-31.
16:4— "Black Popular Culture" A project by Michele Wallace, edited by Gina Dent (Bay Press). Review by karen augustine, pp. 29-30.
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
18:5— "Making the Terrain: New Genre Public Art" (Bay Press). Review by Deborah Root, pp. 41-42.
20:3— Ignoring the Role of Violence in Fanon, Playing with the Bones of an Exumed Hero. "The Fact of Blackness" (ICA, Bay Press). Book Review by Julian J Samuel, pp. 44-46. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
28:4— Carl Beam: 1943-2005. Obituary by Richard William Hill, pp. 07. (available online)
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
16:3— Refusing Censorship. News by Kika Thorne, pp. 07-08.
28:4— Cri de Coeur: The 59th Avignon Theatre Festival. Review by Barry Edwards, pp. 46-48. (available online)
17:4— Public Art, Public Process: Vancouver Community Fence Project. Column by Charlene Mulin, pp. 09.
17:1— "Island of the Damned" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 29.
18:1— "Rosalie Favell: Living Evidence" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 46-47.
22:1— "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998). Book Review by Peter Hudson, pp. 53-54. (available online)
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
16:2— Solidarity Mural. News by Carole Beaulieu, pp. 09. (available online)
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 2). Review by Randi Spires, pp. 60-62. (available online)
28:2— The Numbers Game: Evaluating Public Art Collections in Canada. Feature by Josephine Mills, pp. 28-37. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
19:2— What's in a Name?: Critical Misreadings, Conservative Values and Rereading Victim Art. Column by Tom Folland, pp. 07-10.
24:4— High Tech Storyteller: A Conversation with Performance Artist Lori Blondeau. Interview by Lynne Bel and Janice Williamson, pp. 27-34. (available online)
28:1— On the Fightin' Side of Me: an interview with Rebecca Belmore. Interview by Lori Blondeau and Lynne Bell, pp. 25-33. (available online)
16:3— Refusing Censorship. News by Kika Thorne, pp. 07-08.
18:1— On ne peut pas voir l'image. Artist project by Shannon Bell, Scott Mcleod, and Kathy Daymond, pp. 26-27.
27:4— On the Misrecognition of Images. Column by Amish Morrell, pp. 07-10. (available online)
27:4— On the Misrecognition of Images. Column by Amish Morrell, pp. 07-10. (available online)
20:1— Reformation: Michael Belmore (Garnet Press Gallery, Toronto). Review by R. William Hill, pp. 39-40. (available online)
21:2— Untitled. Artist project by Michael Belmore, pp. 28-29.
18:5— A Newer Laocoon: Towards a Defense of Artists' Self-Determination Through Public Arts Funding. Feature by Robert Labossiere, pp. 14-19.
19:2— Fantasies of Conquest: "If Only I Were An Indian" (Zemma Pictures/NFB) and "Indian Princesses and Cowgirls: Stereotypes from the Frontier" (Oboro, Montreal). Review by Deborah Root, pp. 46-47.
19:5— Ritual Practices: Projecting Art and Magic Across Borders. Feature by Deborah Root, pp. 14-22.
24:1— It's Very Interesting If It Works: James Luna and Rebecca Belmore talk to Richard William Hill about the possibility of bringing it all back home. Interview by Richard William Hill, pp. 28-33.
28:1— On the Fightin' Side of Me: an interview with Rebecca Belmore. Interview by Lori Blondeau and Lynne Bell, pp. 25-33. (available online)
29:1— Building on Running Water: Rebecca Belmore's "Fountain". Review by Richard William Hill, pp. 49-51. (available online)
23:4— Of Moose And Mel: Recent Disasters In Toronto's Public Art. Column by Kate Stevens, pp. 12-17. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
28:2— Of Virgins in Blenders and Rats that Sing. ShortFuse by Dot Tuer and Alberto Gomez, pp. 52. (available online)
18:1— India Now! (Toronto International Film Festival). Review by Raghu Krishnan, pp. 33-36.
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
18:1— "Anne-Marie Beneteau: Insomnia" (Workscene Gallery, Toronto). Review by Sandra Vida, pp. 41-42.
22:1— Caribana: A Diasporic Dub. Feature by Ramabai Espinet, pp. 18-25. (available online)
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
19:3— "Ron Benner: All That Has Value" (Edmonton Art Gallery, Edmonton and Presentation House Gallery, Vancouver). Review by Joan Richardson, pp. 41-42.
20:5— The Commodification of Life. Artist project by Ron Benner, pp. 14-15. (available online)
27:2— On the Destruction of an Artwork (Ron Benner's Gardens). Column by Andy Patton, pp. 11-15. (available online)
23:2— "Multicultural States: Rethinking Difference And Identity" (Routledge). Review by Carmela Murdocca, pp. 54-55. (available online)
26:3— Light of return. Column by Amish Morrell, pp. 21-23. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
17:5&6— Community Radio at Odds with 'Community Standards'?. Column by Denise Benson, pp. 05-10.
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
28:3— A Failure of Ideas: "Communism" in Dublin . Review by Gemma Tippin, pp. 49-51. (available online)
29:3— Memoria y Resistencia: Dispatch on Cultural Resistance and Reclamation in Argentina. Column by Florencia Berenstein, pp. 08-11. (available online)
27:1— The Moorings of Art and Activism: An Australian Example. Column by Florencia Berinstein, pp. 06-9. (available online)
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
21:4— The Magnifying Eye of Andy Warhol (AGO, Toronto). Review by Rosa Berland, pp. 56-58. (available online)
19:4— Berlinale 1996. Review by Robin Curtiss, pp. 35-37.
21:4— From Silent Comedy to Delirium in the Landscape: A Partial View of Current British Video. Column by Catherine Elwes, pp. 24-26. (available online)
28:3— Reflections of a Former Community Arts Officer. Column by Melanie Fernandez, pp. 09-14. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection: A Rambling Fireside Commentary on the Seven Dukes of Kleinberg. Feature by Andy Fabo, pp. 29-30. (available online)
21:2— "Big-Box Knockout: Community vs. Consumerism" (Ed Video). Review by Sherri Telenko, pp. 41-42.
16:3— bell hooks' "Black Looks: Race and Representation" (Between the Lines Press). Book Review by Dennis Lewis, pp. 25-26.
16:3— Joyce Nelson's "Sign Crimes/Road Kill: From Mediascape to Landscape" (Between the Lines Press). Book Review by Laura U. Marks, pp. 27-28.
17:3— "Queer Looks: Perspectives on Lesbian and Gay Film and Video" (Between the Lines Press, Toronto). Book Review by Lloyd Wong, pp. 34-35.
28:2— A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press). Book Review by Sally McKay, pp. 38-40. (available online)
21:2— Art and Community in Argentina. Feature by Karl Beveridge, pp. 30-37.
22:2— Bored Bedmates: Art Criticism, Political vs. Critical. Feature by Gary Kibbins, pp. 35-42. (available online)
22:3— Almost a Union: CARFAC is certified under federal Status of the Artist legislation. Column by Karl Beveridge, pp. 24-26. (available online)
23:3— Barbara Ramos, Patient Care Assistant (SEIU, 1199 Upstate). Artist project by Karl Beveridge and Carole Conde, pp. 28-29. (available online)
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
26:1— It's not a rave, officer. Feature by tobias c. van Veen, pp. 30-39. (available online)
26:1— Addressing Infrastructure: Portable initiatives, collapsible forms. Feature by Craig Buckley, pp. 20-29. (available online)
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
23:2— "Multicultural States: Rethinking Difference And Identity" (Routledge). Review by Carmela Murdocca, pp. 54-55. (available online)
17:4— Portrait of the Colonized in Gurinder Chadha's "Baji on the Beach". Column by Rozena Maart and Shruti Tanna, pp. 10-12.
23:2— "Multicultural States: Rethinking Difference And Identity" (Routledge). Review by Carmela Murdocca, pp. 54-55. (available online)
16:1— White Skin, Black Makeup. Feature by Kwame Dawes, pp. 19-23.
27:2— Letter about Bill C-12. Letter by John Greyson, pp. 10. (available online)
19:1— The Chill Continues: Artists after Bill C-128. Column by Elaine Carol, pp. 12-17.
28:3— Working across communities. Editorial by FUSE, pp. 06. (available online)
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
28:4— Owning Something: "The Interventionists" (MassMOCA). Review by Marc Herbst, pp. 43-45. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
20:5— Mining the Media Archive: When history meets simulation in the recent work of Dara Birnbaum and Stan Douglas. Feature by Dot Tuer, pp. 21-29. (available online)
27:3— Ellipsis and Insurrection: Argentina, Media, Experiment and Liberation. Feature by David McIntosh, pp. 18-29. (available online)
21:2— To Knit the Country with Iron Bars: Art and Politics in Contemporary Turkey. Column by Deborah Root, pp. 20-27.
22:2— Bored Bedmates: Art Criticism, Political vs. Critical. Feature by Gary Kibbins, pp. 35-42. (available online)
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
23:4— "Private Thoughts/Public Moments" (AGO, Toronto). Review by Germaine Koh, pp. 43-44. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
16:4— Hybrids and Hyphens: Black Writers' Panel Discussion in Toronto. News by Dennis Lewis, pp. 03-05.
18:5— A Newer Laocoon: Towards a Defense of Artists' Self-Determination Through Public Arts Funding. Feature by Robert Labossiere, pp. 14-19.
16:3— Kiss and Tell's "True Inversions" (Vancouver East Cultural Centre). Review by Andrea Fatona, pp. 46-47.
16:3— Refusing Censorship. News by Kika Thorne, pp. 07-08.
20:4— Desperation Disrupted: "Sunnybrook: A True Story with Lies" (Press Gang Publishers). Book Review by Ann Decter, pp. 43-44. (available online)
16:5&6— Taking Dictation. Feature by Stuart Blackley, pp. 51-52. (available online)
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
26:2— Toronto Urban Handbook. Artist project by Adrian Blackwell and Kika Thorne, pp. 14-25. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
19:1— Towards an Arts Policy in New Brunswick. Column by Joe Blades, pp. 10-11.
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
26:2— Listening material: "Democracy When?" and an art practice of organizing. Column by Ultra-red, pp. 26-31. (available online)
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
24:4— High Tech Storyteller: A Conversation with Performance Artist Lori Blondeau. Interview by Lynne Bel and Janice Williamson, pp. 27-34. (available online)
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
28:1— On the Fightin' Side of Me: an interview with Rebecca Belmore. Interview by Lori Blondeau and Lynne Bell, pp. 25-33. (available online)
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
23:3— All The World's A Stage: Theatre As A Political Tool. Feature by Carlyn Zwarenstein, pp. 21-27. (available online)
23:1— They Let Me Use Their Roads (Excerpt). Artist project by Jesse Bochner, pp. 40-41.
16:2— Red, Hot, Chill. News by Lloyd Wong, pp. 07-08. (available online)
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
26:3— Light of return. Column by Amish Morrell, pp. 21-23. (available online)
22:3— "Made in Mexico/Made in Venezuela" (Art Metropole, Toronto). Review by Allan Antliff, pp. 49-50. (available online)
19:5— Much Muzak: "Frieso Boning's 'Greatest Hits'" (St. Norbert Arts and Cultural Centre, Winnipeg). Review by Nora Young, pp. 40-41.
28:3— I Know You, Louise Boothe. Artist project by Rachel Kalpana James, pp. 29-32. (available online)
16:2— "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
22:4— 'Political' & 'Critical' in Contemporary Art. ShortFuse by Tom Folland, pp. 56. (available online)
17:1— Youth Cruci-fiction at L'Ascension: "Kaiashits/Boneman" (Innuinuit Theatre Company). Review by Clive Robertson, pp. 37-39.
16:1— A Gender of Self-Determination: Kate Bornstein's "The Opposite Sex ... is Neither". Review by Shawn Syms, pp. 29-41.
16:3— Kiss and Tell's "True Inversions" (Vancouver East Cultural Centre). Review by Andrea Fatona, pp. 46-47.
24:4— Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale). Review by Veronika Klaptocz, pp. 37-39. (available online)
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
26:1— Documenting a Documentary Documenta: Documenta11 through its repercussions in the North American Press. Column by Ines Katzenstein, pp. 14-17. (available online)
23:4— An Inuit Perspective: "Itsarnittakarvik" (Inuit Heritage Centre, Baker Lake). Review by Sheila Butler, pp. 41-42. (available online)
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
21:3— Cigarettes, Coffee and Dep Wine: Luc Bourdon, Anne Golden, Robert Morin, and Cathy Sisler chat about video in Montreal. Interview by Nelson Hendricks, pp. 17-23.
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
22:2— Maps of Sound: C. S. Giscombe's "Giscome Road" (Dalkey Archive Press). Book Review by Peter Hudson, pp. 52-53. (available online)
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
22:3— Almost a Union: CARFAC is certified under federal Status of the Artist legislation. Column by Karl Beveridge, pp. 24-26. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
24:2— "Freestyle" ((The Studio Museum in Harlem, New York)). Review by Michelle Jacques, pp. 37-38. (available online)
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 2). Review by Randi Spires, pp. 60-62. (available online)
16:2— "Twist and Shout: A Decade of Feminist Writing in This Magazine" ed. Susan Crean (Second Story Press). Book Review by Diana Bryden, pp. 35. (available online)
17:1— "Returning the Gaze" (Sister Vision Press). Book Review by Hazelle Palmer, pp. 39-40.
18:2— "We're Rooted Here and They Can't Pull Us Up: Essays in African Canadian Women's History" (University of Toronto Press). Review by Dionne Stephens, pp. 40-41.
18:3— The Haunt of Race: Canada's Multiculturalism Act, the Politics of Incorporation, and Writing Thru Race. Feature by Scott McFarlane, pp. 18-31.
22:2— De-celebrating Black Expressive Culture: A Polemic. Column by Rinaldo Walcott, pp. 11-16. (available online)
20:5— Gender In Transit: "Brandon" web-based multimedia project. Review by Cylena Simonds and Reggie Woolery, pp. 39-42. (available online)
18:1— "Rosalie Favell: Living Evidence" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 46-47.
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
22:4— "Ohm: Dance Through an Electric Eye" (Bravo! TV). Review by Michael Balser, pp. 47-48. (available online)
26:2— Toronto Urban Handbook. Artist project by Adrian Blackwell and Kika Thorne, pp. 14-25. (available online)
21:1— MittelEuropa/DIY. Column by Michelle Teran, pp. 47-49.
18:2— "We're Rooted Here and They Can't Pull Us Up: Essays in African Canadian Women's History" (University of Toronto Press). Review by Dionne Stephens, pp. 40-41.
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
26:4— Cultural Looting and Ethical Consistency. Column by Daniel Munro, pp. 07-11. (available online)
26:2— Listening material: "Democracy When?" and an art practice of organizing. Column by Ultra-red, pp. 26-31. (available online)
19:1— Not Just a Pretty Face: "Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82" (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
19:3— Art of Recall: "From Memory to Transformation: Jewish Women's Voices" (179 John Street, Toronto). Review by Catherine Osborne, pp. 43-45.
26:3— Self-preservation? A missed encounter between populist politics and cultural practitioners. Column by Ava Bromberg, pp. 10-12. (available online)
17:3— David Buchan, obituary. Obituary by A.A Bronson, pp. 03.
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
22:1— "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998). Book Review by Peter Hudson, pp. 53-54. (available online)
23:4— The Shit I Ain't Got -- "Hip Hop Nation: Roots, Rhymes and Rage" (Brooklyn Museum, NYC) and "Street Market" (Deitch Projects, NYC). Review by Peter Hudson, pp. 45-47. (available online)
20:5— Driving Mauve Desert: Borrowing, Translation and Navigation in Hypertext. Feature by David McIntosh, pp. 34-38. (available online)
21:1— Untitled. Artist project by Emma Brown, pp. 16.
19:3— Now You See It, Now You Don't: Two Decades of Cultural Nationalism and the Arts in Canada. Feature by Susan Crean, pp. 12-19.
16:1— "Exquisite Corpse" (Pleasure Dome, Toronto). Review by Andrew James Paterson, pp. 30-31.
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
22:3— "Made in Mexico/Made in Venezuela" (Art Metropole, Toronto). Review by Allan Antliff, pp. 49-50. (available online)
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
21:1— Of Chocolate Queens and Rice Queens. Column by TJ Bryan, pp. 30-34.
21:1— Undoing Diasporic Dyke(otomies): An interview with De Poonani Posse. Interview by Shanikwa Sapphire, pp. 40-42.
16:4— Like Apples and Oranges: Lesbian Feminist Responses to the Politics of "The Body Politic". Feature by Becki Ross, pp. 19-28.
16:2— "Twist and Shout: A Decade of Feminist Writing in This Magazine" ed. Susan Crean (Second Story Press). Book Review by Diana Bryden, pp. 35. (available online)
17:2— "Sounding Differences" (UTP) and "Writers and Company" (Knopf). Book Review by Diana Bryden, pp. 36-37.
18:3— "Karla's Web: A Cultural Investigation of the Mahaffy-French Murders" (Viking). Review by Diana Fitzgerald Bryden, pp. 32-34.
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
17:3— David Buchan, obituary. Obituary by A.A Bronson, pp. 03.
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
21:4— As Alternative as You Want Me To Be. Column by Susan Kealey, pp. 18-20. (available online)
26:1— Addressing Infrastructure: Portable initiatives, collapsible forms. Feature by Craig Buckley, pp. 20-29. (available online)
16:1— A Gender of Self-Determination: Kate Bornstein's "The Opposite Sex ... is Neither". Review by Shawn Syms, pp. 29-41.
16:5&6— Film and Video News. News by Susan Kealey, pp. 05-06. (available online)
19:1— What's Love Got to Do With It?. Review by Randi Spires, pp. 39-40.
18:5— I Want More Kitschy Fish, profile of Lee Bul. Review by Ann Shin, pp. 35-37.
22:3— Dire Straits: The situation of contemporary visual arts funding in Korea. Column by Joan Kee, pp. 19-23. (available online)
16:1— Lighten Up: Reflections on Everyday Racism. Feature by Kwame Dawes, pp. 16-22.
26:1— Baltic Interventions. Review by Bill Leeming, pp. 45-48. (available online)
28:2— A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press). Book Review by Sally McKay, pp. 38-40. (available online)
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
19:2— Fantasies of Conquest: "If Only I Were An Indian" (Zemma Pictures/NFB) and "Indian Princesses and Cowgirls: Stereotypes from the Frontier" (Oboro, Montreal). Review by Deborah Root, pp. 46-47.
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
22:3— "Memoire et Antimemoire" (Galerie de L'UQAM, Montreal). Review by Marilyn Burgess, pp. 46-48. (available online)
27:3— This Is Not an Exhibition: "The Future of the Reciprocal Readymade (the use-value of art)" (Apexart, New York). Review by Carl Skelton, pp. 49-50. (available online)
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
18:1— Toronto International Film Festival. Review by Vance Chapman, pp. 37-40.
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
18:4— Image and Representation: What the Canadian Airborne Regiment Means for Artists. Column by Clint Burnham, pp. 12-14.
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
19:2— Wah and Wear "Bill Burns and Marie-Paul MacDonald: Wearable Environments: Garments to Inhabit, Affordable Harrishomes to Wear" (471 Richmond Street W, Toronto). Review by Elizabeth Anderson, pp. 41-42.
16:3— Refusing Censorship. News by Kika Thorne, pp. 07-08.
18:3— "Guy To Goddess: An Intimate Look at Drag Queens" (Whitecap press) and "Ladies, Please!" (Exile Editions). Book Review by Brian John Busby, pp. 35-36.
21:3— When You Loose That Person, Then Who Are You? Interview with Sheree Rose. Interview by Cathy Busby, pp. 36-40.
23:3— "Corpus Delecti: Performance Art Of The Americas" (Routledge). Book Review by Meera Sethi, pp. 42-43. (available online)
27:1— Long Live Pussyboy!!! "Trans Mission -- Get Your Motor Runnin: Works by Alec Butler" (A Space, Toronto). Review by Bobby Noble, pp. 41-43. (available online)
16:2— The Rhetoric of Degradation: How the anti-porn lobby sold us out. Column by Christopher Eamon, pp. 16-17. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
16:2— Red, Hot, Chill. News by Lloyd Wong, pp. 07-08. (available online)
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
16:4— Censorshipping and Receiving. Column by Lucinda Johnston, pp. 10-14.
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
28:3— Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah. Roundtable by Art and Cold Cash Collective, pp. 20-28. (available online)
16:1— "Inside/Out: Lesbian Theories, Gay Theories" ed. Diana Fuss (Routledge Press). Book Review by Tom Folland, pp. 32-33.
24:4— The Politics of Curating. The Trouble with Normal: Queering Our Identities. Column by Elleni Centime Zeleki, pp. 16-18. (available online)
23:4— An Inuit Perspective: "Itsarnittakarvik" (Inuit Heritage Centre, Baker Lake). Review by Sheila Butler, pp. 41-42. (available online)
24:1— "Sheila Butler: Sympathetic Magic" (Art Gallery of Mississauga and Mclaren Art Centre, Barrie). Review by Patrick Mahon, pp. 34-35.
28:3— Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah. Roundtable by Art and Cold Cash Collective, pp. 20-28. (available online)
17:1— Youth Cruci-fiction at L'Ascension: "Kaiashits/Boneman" (Innuinuit Theatre Company). Review by Clive Robertson, pp. 37-39.
