Fuse Magazine Index of Names
27:4— Race-ing Halifax: How to Avoid Being "Big C" Colonial. ShortFuse by Michelle Jacques, pp. 47-48. (available online)
26:1— It's not a rave, officer. Feature by tobias c. van Veen, pp. 30-39. (available online)
26:4— Fuck Art, Let's Dance. Column by tobias c. van Veen, pp. 12-19. (available online)
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
18:3— AIDS Testimonials: The Possibilities of Telling One's Own Story. Column by Jose Francisco Ibanez-Carrasco, pp. 07-10.
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
23:1— The Concrete Ceiling: Class, Culture & Toronto's Portuguese. Feature by Anna Camara, pp. 22-30.
21:1— Legionellas Manifesto. Column by Christy Cameron, pp. 08-09.
20:4— The Only Good One is a Dead One: The Art of Willie Doherty. Feature by Aoife Mac Namara, pp. 13-23. (available online)
28:1— Neshat, The Friendly Other. Column by Haleh Niazmand, pp. 17-20. (available online)
18:3— "Guy To Goddess: An Intimate Look at Drag Queens" (Whitecap press) and "Ladies, Please!" (Exile Editions). Book Review by Brian John Busby, pp. 35-36.
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
24:4— Obituary: Colin Campbell (1942-2001). Obituary by Lori Spring and Lisa Steele, pp. 46. (available online)
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
23:3— "e/rector/scape" (Harcourt House, Edmonton). Review by Kerri Mogg, pp. 30-31. (available online)
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
24:4— Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale). Review by Veronika Klaptocz, pp. 37-39. (available online)
16:4— Hybrids and Hyphens: Black Writers' Panel Discussion in Toronto. News by Dennis Lewis, pp. 03-05.
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
16:4— Ottawa Schmottawa. News by Greg Graham, pp. 08.
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
16:5&6— Taking Dictation. Feature by Stuart Blackley, pp. 51-52. (available online)
18:4— Theme-Park Management at the Canada Council: Contextualizing the New Strategic Plan, and an Interview with Author and Council Director Roch Carrier. Column by Clive Robertson, pp. 08-11.
19:5— Braving the Storm: The Canada Council, the NEA and the Corporate Hurricane. Column by Heidi McKenzie, pp. 05-8.
22:3— Custody Battles: Changing the rules at the Canada Council. Column by Clive Robertson, pp. 36-45. (available online)
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
26:4— Fuck Art, Let's Dance. Column by tobias c. van Veen, pp. 12-19. (available online)
27:1— The Dunlop Art Gallery Closes. Editorial by FUSE, pp. 05. (available online)
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
28:1— Launching a new ARTSWORLD: Trusted? Connected? Canadian?. Column by Clive Robertson, pp. 08-13. (available online)
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
28:1— Arts Council Reveals Wormhole in Peer Assessment. ShortFuse by Jim Miller, pp. 52. (available online)
28:2— Letter to the Editor. Letter by Timothy Comeau, pp. 07. (available online)
28:2— Letter to the Editor. Letter by Francois Lachapelle, pp. 07-8. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
29:1— How to Survive as an Artist: at the CARFAC AGM. Column by Vera Frenkel, pp. 08-12. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
16:2— Red, Hot, Chill. News by Lloyd Wong, pp. 07-08. (available online)
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
29:1— Building on Running Water: Rebecca Belmore's "Fountain". Review by Richard William Hill, pp. 49-51. (available online)
19:2— Public Art and Its Discontents: Urban Design and "Public" Art on the Margins. Column by Gordon Brent Ingram, pp. 11-13.
27:1— "Traces of India": photography, architecture, and the politics of representation (CCA, Montreal and Yale Centre for British Art). Review by Rahat Kurd, pp. 38-40. (available online)
27:2— Reviving the Dead: Art and the Twentieth-century Hospital. Feature by Annmarie Adams, pp. 16-23. (available online)
19:3— Now You See It, Now You Don't: Two Decades of Cultural Nationalism and the Arts in Canada. Feature by Susan Crean, pp. 12-19.
24:1— A Bum Deal, The Starving Artist Paradigm. ShortFuse by Julie Falia, pp. 46-47.
25:2— Intervention: The National Day of Action for tuition freeze rally. Review by Jason van Horne, pp. 49-51. (available online)
16:5&6— Film and Video News. News by Susan Kealey, pp. 05-06. (available online)
16:1— Letter to the editor. Letter by Lee-Ann Martin, pp. 05-06.
23:4— Drag Racing: Dressing Up (And Messing Up) White In Contemporary First Nations Art. Feature by Richard William Hill, pp. 18-27. (available online)
24:1— "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
16:4— "Black Popular Culture" A project by Michele Wallace, edited by Gina Dent (Bay Press). Review by karen augustine, pp. 29-30.
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
29:2— The Pull of Political Undercurrents: Janet Cardiff's "Words Drawn in Water". Review by Adrienne Lai, pp. 42-44. (available online)
16:5&6— Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions. Feature by Rozena Maart, pp. 45-50. (available online)
17:3— letter to the editor. Letter by Andy Fabo, pp. 05.
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
19:3— Now You See It, Now You Don't: Two Decades of Cultural Nationalism and the Arts in Canada. Feature by Susan Crean, pp. 12-19.
22:3— Almost a Union: CARFAC is certified under federal Status of the Artist legislation. Column by Karl Beveridge, pp. 24-26. (available online)
27:1— The Dunlop Art Gallery Closes. Editorial by FUSE, pp. 05. (available online)
27:1— Setting the Table: Collective bargaining for the visual arts. ShortFuse by Carole Conde, pp. 44. (available online)
29:1— How to Survive as an Artist: at the CARFAC AGM. Column by Vera Frenkel, pp. 08-12. (available online)
22:1— Tourism and immigration. Editorial by FUSE, pp. 06. (available online)
22:1— Caribana: A Diasporic Dub. Feature by Ramabai Espinet, pp. 18-25. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
16:2— Dreamspeakers Showcases Aboriginal Talent. News by Terry Lusty, pp. 06-07. (available online)
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
17:4— "Pierre Moliner: The Precurser" (TPW and Plugin). Review by Elaine Carol, pp. 40.
19:1— The Chill Continues: Artists after Bill C-128. Column by Elaine Carol, pp. 12-17.
19:2— Erratum. Erratum by FUSE, pp. 06.
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
27:1— "Ingrid Bachmann: Digital Crustaceans v.0.2 Homesteading on the Web" (Articule, Montreal). Review by Jessica Carpenter, pp. 36-37. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
22:4— "Moving and Storage" (in situ In Ottawa, Montreal and Toronto). Review by Stephen Horne, pp. 51-52. (available online)
18:4— Theme-Park Management at the Canada Council: Contextualizing the New Strategic Plan, and an Interview with Author and Council Director Roch Carrier. Column by Clive Robertson, pp. 08-11.
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
28:3— A Glowing Intervention: Kelly Mark's "Glow House" (The Power Plant). Review by Andrea Carson, pp. 44-45. (available online)
18:2— A Gaze Blank and Pitiless as the Sun. Column by Jim Russell, pp. 07-12.
18:2— "We're Rooted Here and They Can't Pull Us Up: Essays in African Canadian Women's History" (University of Toronto Press). Review by Dionne Stephens, pp. 40-41.
16:3— Profile of Desh Pardesh. Review by Prabha Khosla, pp. 47.
22:4— When There Is No Limit To Spirit: "Tall Orders: On the Spiritual in Art" (Propeller, Toronto). Review by Rozena Maart, pp. 53-55. (available online)
26:1— It's not a rave, officer. Feature by tobias c. van Veen, pp. 30-39. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
21:4— Digital Imperialism. Feature by Maria Fernandez, pp. 37-45. (available online)
19:5— Ritual Practices: Projecting Art and Magic Across Borders. Feature by Deborah Root, pp. 14-22.
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
23:3— Compulsive Consumption: The "Possession" of Anne Ramsden (Catriona Jeffries Gallery). Review by Johanna Mizgala, pp. 32-34. (available online)
16:3— Joyce Nelson's "Sign Crimes/Road Kill: From Mediascape to Landscape" (Between the Lines Press). Book Review by Laura U. Marks, pp. 27-28.
19:4— "Straight Up" and the Politics of Boredom (Alliance Communications/Back Alley Film Production Ltd.). Review by Scott Treleaven, pp. 41-42.
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
17:4— You're Beautiful Man, You're Beautiful: "Beauties and Monstrosities" (Damn Straight, Toronto). Review by Brent Cehan, pp. 41-42.
17:5&6— "Extended Play: Sounding off from John Cage to Dr. Funkenstein" (Duke University Press). Book Review by Brent Cehan, pp. 53-56.
21:4— Untitled. Artist project by Brent Cehan, pp. 09. (available online)
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
24:4— The Politics of Curating. The Trouble with Normal: Queering Our Identities. Column by Elleni Centime Zeleki, pp. 16-18. (available online)
19:4— Convergence 1996: The Aesthetic, Political and Ethical Issues in Cross-cultural Art, Mysore, India. Column by Richard Fung, pp. 07-10.
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
17:4— Portrait of the Colonized in Gurinder Chadha's "Baji on the Beach". Column by Rozena Maart and Shruti Tanna, pp. 10-12.
24:2— Mixed Identities And Other Fictions: M. Ondaatje's "Anil's Ghost" (McLelland and Stewart) and Grant Farrad's "Midfielder's Moment" (Westview Press). Review by Tess Chakkalakal, pp. 39-41. (available online)
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
22:3— Almost a Union: CARFAC is certified under federal Status of the Artist legislation. Column by Karl Beveridge, pp. 24-26. (available online)
21:3— Diary of a Queen Street Negro. Column by Peter Hudson, pp. 13-16.
22:2— De-celebrating Black Expressive Culture: A Polemic. Column by Rinaldo Walcott, pp. 11-16. (available online)
29:2— Representin': Black Artists Tell the Truth in "I Represent". Review by Rinaldo Walcott, pp. 33-35. (available online)
16:5&6— Film and Video News. News by Susan Kealey, pp. 05-06. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
17:1— "Telling Relations": Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
18:2— Embodying Shame and Fear: The Effects of Misogyny and Homophobia on Gay Men's Bodies. Column by John L Miller, pp. 13-19.
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
19:4— Berlinale 1996. Review by Robin Curtiss, pp. 35-37.
23:4— Of Moose And Mel: Recent Disasters In Toronto's Public Art. Column by Kate Stevens, pp. 12-17. (available online)
24:1— You Say You Want To Fund The Revolution? Oh Well.... Column by Robin C. Pacific, pp. 13-16.
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
17:1— Towards Cultural Equity. News by Vance Chapman, pp. 05.
18:1— Toronto International Film Festival. Review by Vance Chapman, pp. 37-40.
22:3— "Memoire et Antimemoire" (Galerie de L'UQAM, Montreal). Review by Marilyn Burgess, pp. 46-48. (available online)
25:2— Untitled. Artist project by Field and Streaming II, pp. 26-27. (available online)
23:4— "Glitter Stucco and Dumpster Diving: Reflections on Building Production in the Vernacular City" (Verso Books). Book Review by John McCullough, pp. 50-51. (available online)
18:1— India Now! (Toronto International Film Festival). Review by Raghu Krishnan, pp. 33-36.
20:5— Gender In Transit: "Brandon" web-based multimedia project. Review by Cylena Simonds and Reggie Woolery, pp. 39-42. (available online)
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
18:5— Re-Orienting Asian: "Millie Chen: Cook and Crave" (YYZ). Review by Jamelie Hassan, pp. 30-31.
29:2— The Excursive Province of Macromedia Flash: internet art and industry. Column by Taryn Sirove, pp. 13-17. (available online)
23:3— "Fresh Paint" (Meg Gallery, Toronto). Review by Anne Kim, pp. 37-38. (available online)
29:1— The [New] Politics of Identity: A checklist and invitation. Review by Gita Hashemi, Jessica Wyman, and Izida Zorde, pp. 52. (available online)
20:4— City on the Verge of Nervous Breakdown -- "Cities at the End of Time: Hong Kong 1997" (Pomelo Project). Review by Kuan Foo, pp. 36-38. (available online)
24:4— The Politics of Curating. The Trouble with Normal: Queering Our Identities. Column by Elleni Centime Zeleki, pp. 16-18. (available online)
20:1— Can I Have MSG, An Egg Roll To Suck On And Asian American Media On The Side?. Feature by Yau Ching, pp. 27-34. (available online)
20:4— "(Be)Longing, Ellen Pau, Laiwan, Xui Li Young, Yau Ching" (Galerie Optica). Review by Alice Ming Wai Jim, pp. 39-40. (available online)
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
21:2— 7A*11D Performance Festival. Review by Paul Couillard, pp. 45-47.
18:1— "The State of Asian America" (South End Press). Book Review by Xiaoping Li, pp. 28-29.
18:3— Chomsky Speaks. Column by Husayn Al-Kurdi, pp. 11-14.
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
19:1— The Connective Tissue of Asianess: Asian Heritage Month (Toronto). Review by Indu Singh, pp. 36.
16:1— "Moving the Image: Independent Asian Pacific American Media Arts" ed. Russell Leong (LA: Visual Communications and UCLA Asian American Studies Center). Book Review by Helen Lee, pp. 26-27.
17:4— A New Red Dress and Dad's Blue Suit: Writing Butch, Femme and Gender Freedom into Feminism: "In Her I Am" (Press Gang Publishers) and "Stone Butch Blues" (Firebrand Books). Book Review by Ann Decter, pp. 37-38.
19:2— Out on a Limb: Chrystos Interviewed. Interview by Karen X. Tulchinsky, pp. 29-33.
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
19:5— Pop Goes the Grrrl: Japanese Bands Go Global. Column by Kyo Maclear, pp. 09-13.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
20:3— Rencontre Performance: "International Performance Festival" presented by Le Lieu (Cinecycle). Review by Johanna Householder, pp. 41. (available online)
27:3— Ellipsis and Insurrection: Argentina, Media, Experiment and Liberation. Feature by David McIntosh, pp. 18-29. (available online)
17:1— Youth Cruci-fiction at L'Ascension: "Kaiashits/Boneman" (Innuinuit Theatre Company). Review by Clive Robertson, pp. 37-39.
22:2— The Sense in "Yawning" (At Home Gallery, Slovakia). Review by Jo Williams, pp. 45-46. (available online)
29:2— Have you left the American Sector Yet? Ron Terada's Adventure in the "City of Roses". Column by Lee Rodney, pp. 08-12. (available online)
16:3— Gathering: The Memorial Project (A Space). Review by Christopher Eamon, pp. 40-41.
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
29:2— The Excursive Province of Macromedia Flash: internet art and industry. Column by Taryn Sirove, pp. 13-17. (available online)
24:2— Miss Ruby Used To Work...... Artist project by June Clark, pp. 18-19. (available online)
24:2— Miss Ruby Used To Work...... Artist project by June Clark, pp. 18-19. (available online)
19:4— The American Hangover: "The American Trip" (The Power Plant, Toronto). Review by Judith Doyle, pp. 45-47.
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
28:2— Letter to the Editor. Letter by Timothy Comeau, pp. 07. (available online)
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
19:2— What's in a Name?: Critical Misreadings, Conservative Values and Rereading Victim Art. Column by Tom Folland, pp. 07-10.
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
21:1— Becuming Comics. Column by Gabrielle Clarke, pp. 35-38.
29:1— How to Survive as an Artist: at the CARFAC AGM. Column by Vera Frenkel, pp. 08-12. (available online)
22:1— "In Lieu": Installations in Public Washrooms (Public Access, Toronto). Review by Lee Rodney, pp. 47-48. (available online)
25:4— The FUTURE is ALL RIGHT. Column by Karma Clarke-Davis, pp. 05-6. (available online)
23:2— Asian Invasion vs. The Pristine Nation: Migrants Entering The Canadian Imagery. Feature by Larissa Lai, pp. 30-40. (available online)
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
18:1— Rites of Privacy: A Christopher Lefler Update. Column by Bryan Young and Brent Grubusic, pp. 07-10.
29:3— Situating Pedagogy: "Martha Rosler Library". Review by M. L. Clinton, pp. 49-51. (available online)
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
25:3— Upping the Anti: Of poetic ironies, propaganda machines and the claims for public sponsorship of culture. Column by Barbara Godard, pp. 12-21. (available online)
16:1— "Inside/Out: Lesbian Theories, Gay Theories" ed. Diana Fuss (Routledge Press). Book Review by Tom Folland, pp. 32-33.
23:4— Of Moose And Mel: Recent Disasters In Toronto's Public Art. Column by Kate Stevens, pp. 12-17. (available online)
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
27:3— Ellipsis and Insurrection: Argentina, Media, Experiment and Liberation. Feature by David McIntosh, pp. 18-29. (available online)
21:4— Inuit Auteurs and Arctic Airwaves: Questions of Southern Reception. Column by Laura U Marks, pp. 13-17. (available online)
22:1— Letters to the Editor. Letter by various, pp. 10-11. (available online)
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
17:4— "Ben Smit" (Cold City Gallery, Toronto). Review by Christopher Eamon, pp. 39.
16:3— Gathering: The Memorial Project (A Space). Review by Christopher Eamon, pp. 40-41.
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
16:5&6— wordS and sWord: An anagram of appropriation. Feature by Marwan Hassan, pp. 28-30. (available online)
25:1— "Canvas of War" (AGO, Toronto). Review by Kirsty Robertson, pp. 41-42. (available online)
28:2— Letter to the Editor. Letter by Timothy Comeau, pp. 07. (available online)
16:3— Academics and Activists: acknowledging institutional complicity. News by ki namaste, pp. 09-10.
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
22:2— Bored Bedmates: Art Criticism, Political vs. Critical. Feature by Gary Kibbins, pp. 35-42. (available online)
23:3— Barbara Ramos, Patient Care Assistant (SEIU, 1199 Upstate). Artist project by Karl Beveridge and Carole Conde, pp. 28-29. (available online)
27:1— Setting the Table: Collective bargaining for the visual arts. ShortFuse by Carole Conde, pp. 44. (available online)
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
16:5&6— Taking Dictation. Feature by Stuart Blackley, pp. 51-52. (available online)
21:2— "Big-Box Knockout: Community vs. Consumerism" (Ed Video). Review by Sherri Telenko, pp. 41-42.
18:2— "Culture and Imperialism" (Vintage). Review by Yashar Essop, pp. 38-39.
21:2— "Big-Box Knockout: Community vs. Consumerism" (Ed Video). Review by Sherri Telenko, pp. 41-42.
26:2— Power Shift: "Power to the People" (Contemporary Art Forum: Kitchener and Area). Review by Mark Schilling, pp. 45-47. (available online)
16:3— Memoryworks. News by Andrea Fatona, pp. 08-09.
16:4— Paul Wong's "Chinaman's Peak: Walking the Mountain" (Contemporary Art Gallery). Review by Robin Laurence, pp. 43-44.
27:1— Internationalism Begins at Home: Revisiting Modernism on the West Coast. Column by Adrienne Lai, pp. 10-15. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
19:2— 360 Degrees of Separation: Notes on Facts and Fictions of Self and Nation in the Recurring Quebec Referendum. Feature by David McIntosh, pp. 14-20.
18:2— "We're Rooted Here and They Can't Pull Us Up: Essays in African Canadian Women's History" (University of Toronto Press). Review by Dionne Stephens, pp. 40-41.
17:5&6— "Extended Play: Sounding off from John Cage to Dr. Funkenstein" (Duke University Press). Book Review by Brent Cehan, pp. 53-56.
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
22:3— Almost a Union: CARFAC is certified under federal Status of the Artist legislation. Column by Karl Beveridge, pp. 24-26. (available online)
21:2— 7A*11D Performance Festival. Review by Paul Couillard, pp. 45-47.
27:1— "Art Action" (Editions Intervention, Montreal). Book Review by Paul Couillard, pp. 33-35. (available online)
29:1— Negotiating Positionality: The Insides, Outsides, and In-Betweens. Column by Jessica Wyman, pp. 13-15. (available online)
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
21:4— Inuit Auteurs and Arctic Airwaves: Questions of Southern Reception. Column by Laura U Marks, pp. 13-17. (available online)
22:2— Pop Off: The Regular 8 Faction (YYZ, Toronto). Review by John McCullough, pp. 47-49. (available online)
24:1— "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
22:1— Untitled. Artist project by Christopher Cozier, pp. 26-27. (available online)
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
20:4— Up for Sale: The Commodification of Canadian Culture. Column by Katarzyna Rukszto, pp. 07-11. (available online)
16:2— "Twist and Shout: A Decade of Feminist Writing in This Magazine" ed. Susan Crean (Second Story Press). Book Review by Diana Bryden, pp. 35. (available online)
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
19:3— Now You See It, Now You Don't: Two Decades of Cultural Nationalism and the Arts in Canada. Feature by Susan Crean, pp. 12-19.
19:5— Intersexions: "Issues of Race and Gender in Canadian Women's Writing" (Creative Books, New Delhi). Review by Katarzyna Rukszto and Mary-Jo Nadeau, pp. 47-48.
26:4— Negotiations: A Post-ironic Memo with no Slogans. ShortFuse by Gita Hashemi, pp. 48. (available online)
16:2— Censorship and the Mainstream Media. Column by Catherine Creede, pp. 13-15. (available online)
17:2— A Tale of Conflicting Desires: "Remapping Tales of Desire" (A Space, Toronto). Review by Janet Creery, pp. 31-32.
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
19:2— Public Art and Its Discontents: Urban Design and "Public" Art on the Margins. Column by Gordon Brent Ingram, pp. 11-13.
25:2— Difficult Knowledge and Contemporary Art: Pedagogies for Adolescent Learning in the Art Gallery and Museum. Column by Warren Crichlow, pp. 09-10. (available online)
26:1— Stan Douglas's "Suspiria" (Documenta11). Review by Warren Crichlow, pp. 49-50. (available online)
29:1— True North, Brave and Free: Isaac Julien's "True North". Review by Warren Crichlow, pp. 38-40. (available online)
16:2— Taking Liberties. Column by Lisa Godfrey, pp. 10-12. (available online)
16:1— "Fluid Exchanges: Artists and Critics in the Aids Crisis" ed. James Miller (University of Toronto Press). Book Review by Fadi Abou-Rihan, pp. 28-29.
16:2— "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
28:4— Securing the Nation Post-9/11: the case against Stephen Kurtz. Interview by Gita Hashemi and Janna Graham, pp. 18-25. (available online)
29:2— The Excursive Province of Macromedia Flash: internet art and industry. Column by Taryn Sirove, pp. 13-17. (available online)
19:2— What's in a Name?: Critical Misreadings, Conservative Values and Rereading Victim Art. Column by Tom Folland, pp. 07-10.
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
17:5&6— Even You Can Not Resist Her: 9 Courtney Love Tantras. Column by Lynn Crosbie, pp. 35-37.
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
16:3— Joyce Nelson's "Sign Crimes/Road Kill: From Mediascape to Landscape" (Between the Lines Press). Book Review by Laura U. Marks, pp. 27-28.
19:2— 360 Degrees of Separation: Notes on Facts and Fictions of Self and Nation in the Recurring Quebec Referendum. Feature by David McIntosh, pp. 14-20.
19:4— Berlinale 1996. Review by Robin Curtiss, pp. 35-37.
24:3— La Memoire Effacee. Artist project by Jill Culiner, pp. 18-19. (available online)
24:3— La Memoire Effacee. Artist project by Jill Culiner, pp. 18-19. (available online)
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
24:1— You Say You Want To Fund The Revolution? Oh Well.... Column by Robin C. Pacific, pp. 13-16.
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
22:3— Almost a Union: CARFAC is certified under federal Status of the Artist legislation. Column by Karl Beveridge, pp. 24-26. (available online)
24:3— What if daily life in Canada is boring?: Contextualizing Greg Curnoe's Regionalism. Column by Dot Tuer, pp. 10-13. (available online)
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
19:5— Erratum. Erratum by FUSE, pp. 04.
19:4— Berlinale 1996. Review by Robin Curtiss, pp. 35-37.
21:1— MittelEuropa/DIY. Column by Michelle Teran, pp. 47-49.
25:2— Three Short Essays on Growning Up. Feature by Terence Dick, pp. 28-37. (available online)
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
29:2— On the horizon (casting shadows): Vancouver art, economies and hte pitfalls of success. Review by Vanessa Kwan, pp. 45-47. (available online)
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
17:4— New Video Realities in a New East Europe: A Personal Report. Column by Nina Czegledy, pp. 16-19.
