Fuse Magazine Index of Names
17:5&6— "Radio Rethink: art, sound and transmission" (Walter Phillips Gallery Press). Book Review by Ann Shin, pp. 47-48.
29:3— Urbanism vs. Branding for Montreals Quartier de Spectacle. Artist project by dAb collective, pp. 24-35. (available online)
25:1— "Close Up: Iranian Cinema, Past, Present and Future" (Verso Books). Book Review by Sarah Sharkey-Pearce, pp. 43-44. (available online)
24:3— Take good care of it, it is my whole life: Encounters with Charlotte Salomon's address to the living. Feature by Sharon Rosenberg, pp. 20-29. (available online)
17:5&6— "Rotten: No Irish, No Blacks, No Dogs" (St Martins Press). Book Review by Marc Dacey, pp. 49.
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
27:1— The Dunlop Art Gallery: The Gift of Visual Art. Feature by Sigrid Dahle, pp. 31-32. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
22:2— Maps of Sound: C. S. Giscombe's "Giscome Road" (Dalkey Archive Press). Book Review by Peter Hudson, pp. 52-53. (available online)
17:3— "They Write Their Dreams on the Rock Forever" (Talonbooks) and "Bowl of Bone/Tale of the Syuwe" (NFB). Book Review by Gordon Brent Ingram, pp. 37-39.
17:4— You're Beautiful Man, You're Beautiful: "Beauties and Monstrosities" (Damn Straight, Toronto). Review by Brent Cehan, pp. 41-42.
22:4— "Touch: Touche" (Oboro, Montreal, and MacKenzie Art Gallery, Regina). Review by Marcus Miller, pp. 46. (available online)
18:3— "Jane Ash Poitras: Heaven to Earth" (Leo Kamen Gallery, Toronto). Review by Marilyn Daniels, pp. 43-45.
26:3— Self-preservation? A missed encounter between populist politics and cultural practitioners. Column by Ava Bromberg, pp. 10-12. (available online)
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
25:2— Roundtable: The Fountain of Youth. A discussion about cash, culture and the currency of being young. Roundtable by Danielle Allan, Roxanne Elder, Nico Dann, and Kitty Mak, pp. 20-25. (available online)
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
24:2— Kathak, The Classic Indian Art Form: Renuka Sooknanan Speaks with Joanna Das. Interview by Renuka Sooknanan, pp. 20-28. (available online)
27:2— A Bad Review for Gary Michael Dault. ShortFuse by Richard William Hill, pp. 52. (available online)
18:3— "Karla's Web: A Cultural Investigation of the Mahaffy-French Murders" (Viking). Review by Diana Fitzgerald Bryden, pp. 32-34.
26:3— Self-preservation? A missed encounter between populist politics and cultural practitioners. Column by Ava Bromberg, pp. 10-12. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
20:5— Technology [not equal to] Art. Review by Nancy Paterson, pp. 43-45. (available online)
21:2— "Miasma 2: clear and cold at the higher elevations" (Moabit Musik). Review by Steve Heimbecker, pp. 43-44.
16:1— Letter to the editor. Letter by Rita Davies, pp. 06.
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
16:3— No Single Gun Theory: Toronto Festival of Festivals 1992. Review by Kathleen Pirrie Adams, pp. 32-34.
16:1— News and Events: Fighting back with Fashion. News by ki namaste, pp. 07-09.
16:5&6— Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions. Feature by Rozena Maart, pp. 45-50. (available online)
16:1— Lighten Up: Reflections on Everyday Racism. Feature by Kwame Dawes, pp. 16-22.
16:1— White Skin, Black Makeup. Feature by Kwame Dawes, pp. 19-23.
16:5&6— Re-appropriating Cultural Appropriation. Feature by Kwame Dawes, pp. 07-15. (available online)
17:3— Cutting Your Nose to Spite Your Face: The challenges of diversity in the Canadian artistic community. Column by Kwame Dawes, pp. 11-13.
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
17:4— "Auto Biography" (YYZ, Toronto). Review by Earl Miller, pp. 43.
18:1— On ne peut pas voir l'image. Artist project by Shannon Bell, Scott Mcleod, and Kathy Daymond, pp. 26-27.
23:3— "e/rector/scape" (Harcourt House, Edmonton). Review by Kerri Mogg, pp. 30-31. (available online)
22:4— Where the South and the North Meet: Latino identity and cultural hegemony. Feature by Alberto Gomez, pp. 26-32. (available online)
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
21:1— Undoing Diasporic Dyke(otomies): An interview with De Poonani Posse. Interview by Shanikwa Sapphire, pp. 40-42.
28:1— "Massive Change" or More of the Same? (VAG, Vancouver). Review by Ian Wojitowicz, pp. 46-48. (available online)
23:1— The Concrete Ceiling: Class, Culture & Toronto's Portuguese. Feature by Anna Camara, pp. 22-30.
28:3— Reflections of a Former Community Arts Officer. Column by Melanie Fernandez, pp. 09-14. (available online)
29:1— Unravelling the Image: "Glenn Ligon -- Some Changes". Review by Victoria Lynn, pp. 41-44. (available online)
19:1— Not Holding Still: "AlterNative (McMichael Canadian Art Collection). Review by Caroline Stevens, pp. 34-35.
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
17:4— A New Red Dress and Dad's Blue Suit: Writing Butch, Femme and Gender Freedom into Feminism: "In Her I Am" (Press Gang Publishers) and "Stone Butch Blues" (Firebrand Books). Book Review by Ann Decter, pp. 37-38.
18:1— "Rosalie Favell: Living Evidence" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 46-47.
20:4— Desperation Disrupted: "Sunnybrook: A True Story with Lies" (Press Gang Publishers). Book Review by Ann Decter, pp. 43-44. (available online)
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
16:2— Taking Liberties. Column by Lisa Godfrey, pp. 10-12. (available online)
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
26:2— Community Media and The Church of Stop Shopping: An Interview with Dee Dee Halleck. Interview by Sarah Sharkey Pearce and Sarah Zammit, pp. 32-40. (available online)
23:4— The Shit I Ain't Got -- "Hip Hop Nation: Roots, Rhymes and Rage" (Brooklyn Museum, NYC) and "Street Market" (Deitch Projects, NYC). Review by Peter Hudson, pp. 45-47. (available online)
27:3— Archival Strategies at Work. Column by Blake Fitzpatrick, pp. 09-13. (available online)
16:2— "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
25:4— Untitled. Column by Janis Demkiw, pp. 35-6. (available online)
17:1— Profile: Shawna Dempsey and Lorri Millan. Column by Levi, pp. 43-44.
21:3— Lesbian National Parks and Services Wants You. Artist project by Shawna Dempsey and Lorri Millan, pp. 34-35.
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
22:4— Unsettling Sights... "The Lesbian National Parks and Services". Review by Margot Francis, pp. 41-45. (available online)
16:4— "Black Popular Culture" A project by Michele Wallace, edited by Gina Dent (Bay Press). Review by karen augustine, pp. 29-30.
16:2— Funding Watch. News by Clive Robertson, pp. 08-09. (available online)
23:3— let the fireworks begin .... Editorial by FUSE, pp. 06. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
16:3— Letter to the Editor. Letter by Cameron Bailey, pp. 03-04.
24:4— Memorandum. Artist project by Greg Staats, pp. 11-15. (available online)
28:3— Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah. Roundtable by Art and Cold Cash Collective, pp. 20-28. (available online)
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
21:3— Fun Critique in Ethnographic Fields: Half Nelson (Truck, Calgary). Review by Jeff Derksen, pp. 47-48.
16:3— Profile of Desh Pardesh. Review by Prabha Khosla, pp. 47.
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
22:2— Some Keywords and Arguments in Cultural Politics. Feature by Sean Lokaisingh-Meighoo and Arif Noorani, pp. 28-34. (available online)
27:4— Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art. Column by Leah Lakshmi Piepznsa-Samarasinha, pp. 11. (available online)
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
20:3— Public Art and Homelessness/Behind the Space Industry:"Evictions" (MIT Press). Book Review by Gordon Brent Ingram, pp. 47-48. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
18:1— India Now! (Toronto International Film Festival). Review by Raghu Krishnan, pp. 33-36.
29:1— The Undelivered Letters. Artist project by Bonnie Devine, pp. 24-27. (available online)
18:1— Rites of Privacy: A Christopher Lefler Update. Column by Bryan Young and Brent Grubusic, pp. 07-10.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
21:2— "Big-Box Knockout: Community vs. Consumerism" (Ed Video). Review by Sherri Telenko, pp. 41-42.
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
18:2— "We're Rooted Here and They Can't Pull Us Up: Essays in African Canadian Women's History" (University of Toronto Press). Review by Dionne Stephens, pp. 40-41.
19:5— The New Republics: Interview with Sunil Gupta. Interview by Sarindar Dhaliwal, pp. 34-39.
22:2— Shani Mootoo: Shifting Perceptions, Changing Practices. Interview by Sarindar Dhaliwal, pp. 18-25. (available online)
24:4— The Stores of Venice. Column by Sarindar Dhaliwal, pp. 08-10. (available online)
24:4— Working between Memory and Imagination: The Visual Art of Sarindar Dhaliwal. Feature by Meera Sethi, pp. 19-26. (available online)
27:4— Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art. Column by Leah Lakshmi Piepznsa-Samarasinha, pp. 11. (available online)
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
16:4— "Black Popular Culture" A project by Michele Wallace, edited by Gina Dent (Bay Press). Review by karen augustine, pp. 29-30.
17:1— Packaged for Export, Contents under Pressure: Canadian Film and Video in a US Context. Feature by Laura U Marks, pp. 12-23.
19:1— Film & Video News. News by Karen Tisch, pp. 08-9.
17:1— "Telling Relations": Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
21:3— When You Loose That Person, Then Who Are You? Interview with Sheree Rose. Interview by Cathy Busby, pp. 36-40.
25:2— Three Short Essays on Growning Up. Feature by Terence Dick, pp. 28-37. (available online)
26:1— How to look out the window. Gillian Wearing & Paul Wong at the Vancouver Art Gallery. Review by Terence Dick, pp. 42-44. (available online)
29:1— The [New] Politics of Identity: A checklist and invitation. Review by Gita Hashemi, Jessica Wyman, and Izida Zorde, pp. 52. (available online)
17:5&6— Reachin (a new refutation of space and time): interview with the Digable Planets. Interview by James Oscar, pp. 38-42.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
18:5— Positive (Inter)Actions Responding to AIDS in Montreal. Column by Robert W.G. Lee, pp. 08-11.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
22:4— When There Is No Limit To Spirit: "Tall Orders: On the Spiritual in Art" (Propeller, Toronto). Review by Rozena Maart, pp. 53-55. (available online)
23:3— "e/rector/scape" (Harcourt House, Edmonton). Review by Kerri Mogg, pp. 30-31. (available online)
26:1— Documenting a Documentary Documenta: Documenta11 through its repercussions in the North American Press. Column by Ines Katzenstein, pp. 14-17. (available online)
26:1— Documenta11: Platform5. Column by Olga Kopenkina, pp. 08-13. (available online)
26:1— Stan Douglas's "Suspiria" (Documenta11). Review by Warren Crichlow, pp. 49-50. (available online)
25:2— Superheroics and Sire Made Fresh: What do Girls ( and Women) Want?. Column by Kat Dodds, pp. 11-14. (available online)
20:4— The Only Good One is a Dead One: The Art of Willie Doherty. Feature by Aoife Mac Namara, pp. 13-23. (available online)
23:3— "Corpus Delecti: Performance Art Of The Americas" (Routledge). Book Review by Meera Sethi, pp. 42-43. (available online)
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
29:1— Pimping out the 'hood. Editorial by FUSE, pp. 06-07. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
21:2— Inside Out/Outside In?: Ruminations on Media Arts Festivals, Arts Funding, Video Art, AIDS, Queerness and Community. Column by Andrew James Paterson, pp. 11-16.
24:4— Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale). Review by Veronika Klaptocz, pp. 37-39. (available online)
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
26:4— Fuck Art, Let's Dance. Column by tobias c. van Veen, pp. 12-19. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
18:5— Positive (Inter)Actions Responding to AIDS in Montreal. Column by Robert W.G. Lee, pp. 08-11.
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
17:5&6— "Ranters and Crowd Pleasers: Punk and Pop Music, 1977-92" (Doubleday). Book Review by Yashar Essop, pp. 51-53.
21:2— Representing Dissent: Talking About "Politically Speaking" (Douglas and McIntyre). Book Review by Mary-Jo Nadeau and Renuka Sooknanan, pp. 48-52.
20:5— Mining the Media Archive: When history meets simulation in the recent work of Dara Birnbaum and Stan Douglas. Feature by Dot Tuer, pp. 21-29. (available online)
23:1— "A Persistent Seam In The Loop": Stan Douglas (The Power Plant, Toronto). Review by Ruth Kerkham, pp. 42-44.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
26:1— Stan Douglas's "Suspiria" (Documenta11). Review by Warren Crichlow, pp. 49-50. (available online)
27:2— The Revolution Will Be Televised: Stan Douglas' "Hors-champs" (AGO, Toronto). Review by Andrew James Paterson, pp. 47-49. (available online)
29:2— On the horizon (casting shadows): Vancouver art, economies and hte pitfalls of success. Review by Vanessa Kwan, pp. 45-47. (available online)
18:4— "Black On White" (Director: Peter Karuna). Review by Lesley Douglass, pp. 35-36.
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
22:3— Custody Battles: Changing the rules at the Canada Council. Column by Clive Robertson, pp. 36-45. (available online)
23:2— Art and Scandal: Public Controversy In Contemporary Art. Column by Kevin Dowler, pp. 14-15. (available online)
23:3— Letter to editor. Letter by Rene Price, pp. 09. (available online)
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
28:2— The Numbers Game: Evaluating Public Art Collections in Canada. Feature by Josephine Mills, pp. 28-37. (available online)
22:1— Deborah Doxtater, 1957-1998 (obituary). Obituary by Richard William Hill and Beverly Koski, pp. 07. (available online)
19:4— The American Hangover: "The American Trip" (The Power Plant, Toronto). Review by Judith Doyle, pp. 45-47.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
17:1— DQTV: Public Access Queers. Column by Gabriel Gomez, pp. 08-11.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
29:2— Read Handed: "Caught in the Act: an anthology of performance art by Canadian Women". Book Review by Leah Sandals, pp. 39-41. (available online)
18:2— Embodying Shame and Fear: The Effects of Misogyny and Homophobia on Gay Men's Bodies. Column by John L Miller, pp. 13-19.
29:1— Pimping out the 'hood. Editorial by FUSE, pp. 06-07. (available online)
16:2— Dreamspeakers Showcases Aboriginal Talent. News by Terry Lusty, pp. 06-07. (available online)
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
28:3— Letter to the Editor. Letter by Jim Drobnick, pp. 07-08. (available online)
22:3— "Memoire et Antimemoire" (Galerie de L'UQAM, Montreal). Review by Marilyn Burgess, pp. 46-48. (available online)
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
17:4— Presidents Choice Through the Looking Class: Loblaws, Nichol and Specular Consumption. Feature by Clara Sacchetti and Todd Dufresne, pp. 22-31.
17:5&6— "Extended Play: Sounding off from John Cage to Dr. Funkenstein" (Duke University Press). Book Review by Brent Cehan, pp. 53-56.
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
26:1— LOOKOUT. Artist project by Kirsten Forkert and John Dummett (otiose), pp. 18-19, backcover. (available online)
26:2— Power Shift: "Power to the People" (Contemporary Art Forum: Kitchener and Area). Review by Mark Schilling, pp. 45-47. (available online)
29:1— Negotiating Positionality: The Insides, Outsides, and In-Betweens. Column by Jessica Wyman, pp. 13-15. (available online)
28:1— "Massive Change" or More of the Same? (VAG, Vancouver). Review by Ian Wojitowicz, pp. 46-48. (available online)
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
17:1— "Island of the Damned" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 29.
18:1— "Rosalie Favell: Living Evidence" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 46-47.
27:1— The Dunlop Art Gallery Closes. Editorial by FUSE, pp. 05. (available online)
27:1— The Dunlop Art Gallery: It was fun while it lasted ..... Feature by Peter White, pp. 25-27. (available online)
27:1— The Dunlop Art Gallery: Weird Economies. Feature by Helen Marzolf, pp. 16-19. (available online)
27:1— The Dunlop Art Gallery: A Tale of Governance. Feature by Merrilee Rasmussen, pp. 28-30. (available online)
27:1— The Dunlop Art Gallery: The Gift of Visual Art. Feature by Sigrid Dahle, pp. 31-32. (available online)
27:1— The Dunlop Art Gallery: Interview with Marjorie Dunlop. Interview by Helen Marzolf, pp. 20-24. (available online)
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
27:1— The Dunlop Art Gallery: Weird Economies. Feature by Helen Marzolf, pp. 16-19. (available online)
27:1— The Dunlop Art Gallery: Interview with Marjorie Dunlop. Interview by Helen Marzolf, pp. 20-24. (available online)
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
24:2— Issac Julien's Children: Black Queer Cinema After Looking For Langston. Feature by Rinaldo Walcott, pp. 10-17. (available online)
27:3— Ellipsis and Insurrection: Argentina, Media, Experiment and Liberation. Feature by David McIntosh, pp. 18-29. (available online)
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
16:5&6— Voices and Stories. Feature by Ardith Walkem, pp. 31-38. (available online)
21:3— Jimmie Durham: The Centre of the World is Several Places (Part I). Interview by Richard William Hill and Beverly Koski, pp. 24-33.
21:4— Jimmie Durham: The Centre of the World is Several Places (Part II). Interview by Richard William Hill and Beverly Koski, pp. 46-53. (available online)
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
26:3— Tea and Gossip: Linda Duvall's Tea Party (Red Head Gallery). Review by Andy Fabo, pp. 45-46. (available online)
21:2— To Knit the Country with Iron Bars: Art and Politics in Contemporary Turkey. Column by Deborah Root, pp. 20-27.
22:4— Auchwitz in the Age of Mass Tourism: An interview with Robert Jan van Pelt. Interview by Kenneth Hayes, pp. 34-38. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
27:3— Fugitive II -- What Runs Underneath? In Conversation with Simon Penny. Interview by Natasha Dwyer, pp. 35-39. (available online)
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
22:4— Unsettling Sights... "The Lesbian National Parks and Services". Review by Margot Francis, pp. 41-45. (available online)
25:2— Untitled. Artist project by Alex Snukal, pp. 08, 19. (available online)
25:4— futuresong. Column by Dave Dyment and Alex Snukal, pp. 11. (available online)
25:4— The future. Column by Dave Dyment, pp. 19. (available online)
25:4— Old is the New. Column by Roula Partheniou and Dave Dyment, pp. 41. (available online)
21:4— Re: Artist-Run Centres. Column by Reid Shier, pp. 21-23. (available online)
