Fuse Magazine Index of Names
22:1— Cultural Markings, Cultural Appropriation: The Art of Mehndi. Column by Renuka Sooknanan, pp. 13-17. (available online)
16:1— "Fluid Exchanges: Artists and Critics in the Aids Crisis" ed. James Miller (University of Toronto Press). Book Review by Fadi Abou-Rihan, pp. 28-29.
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
16:5&6— Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions. Feature by Rozena Maart, pp. 45-50. (available online)
17:2— Robert Flack, obituary. Obituary by Andy Fabo, pp. 01.
17:2— Alexander Wilson, obituary. Obituary by Andy Fabo, pp. 01.
17:3— letter to the editor. Letter by Andy Fabo, pp. 05.
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
19:2— Film & Video News. News by Karen Tisch, pp. 06.
20:3— Commentaries on the McMichael Canadian Art Collection: A Rambling Fireside Commentary on the Seven Dukes of Kleinberg. Feature by Andy Fabo, pp. 29-30. (available online)
20:4— Notes on "Scoping Boys and Scoping Girls" (Gallery TPW). Review by Robert W.G. Lee and Lee Rodney, pp. 41-42. (available online)
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
23:1— "Stamina" (Red Head Gallery, Toronto). Review by Darien Taylor, pp. 47-48.
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
26:3— Tea and Gossip: Linda Duvall's Tea Party (Red Head Gallery). Review by Andy Fabo, pp. 45-46. (available online)
28:4— Cri de Coeur: The 59th Avignon Theatre Festival. Review by Barry Edwards, pp. 46-48. (available online)
26:4— Fuck Art, Let's Dance. Column by tobias c. van Veen, pp. 12-19. (available online)
29:2— Representin': Black Artists Tell the Truth in "I Represent". Review by Rinaldo Walcott, pp. 33-35. (available online)
19:2— 360 Degrees of Separation: Notes on Facts and Fictions of Self and Nation in the Recurring Quebec Referendum. Feature by David McIntosh, pp. 14-20.
20:3— Ignoring the Role of Violence in Fanon, Playing with the Bones of an Exumed Hero. "The Fact of Blackness" (ICA, Bay Press). Book Review by Julian J Samuel, pp. 44-46. (available online)
17:1— "Telematic Performance" Loops Toronto and Quebec (Interaccess and Obscure). Review by Mary Anne Farah, pp. 41-42.
23:1— The Concrete Ceiling: Class, Culture & Toronto's Portuguese. Feature by Anna Camara, pp. 22-30.
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
24:2— Mixed Identities And Other Fictions: M. Ondaatje's "Anil's Ghost" (McLelland and Stewart) and Grant Farrad's "Midfielder's Moment" (Westview Press). Review by Tess Chakkalakal, pp. 39-41. (available online)
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
18:2— "Feminist Home Invasion" (Mercer Union, Toronto). Review by Jane Farrow, pp. 44.
19:1— What's Love Got to Do With It?. Review by Randi Spires, pp. 39-40.
21:1— Stick It Where the Sun Don't Shine. Column by Allyson Mitchell, pp. 17-18.
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 2). Review by Randi Spires, pp. 60-62. (available online)
16:2— Solidarity Mural. News by Carole Beaulieu, pp. 09. (available online)
28:4— All the makings of a Stereotype: Bollywood Cowboy . ShortFuse by Nadia Kurd, . (available online)
16:5&6— Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions. Feature by Rozena Maart, pp. 45-50. (available online)
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
16:3— Kiss and Tell's "True Inversions" (Vancouver East Cultural Centre). Review by Andrea Fatona, pp. 46-47.
16:3— Memoryworks. News by Andrea Fatona, pp. 08-09.
16:4— Tie an Orange Ribbon: Artists' Rally in Vancouver. News by Andrea Fatona, pp. 03.
18:4— Scattered at the Margins: "Out in Context: Work by Queer Students of the Emily Carr Institute of Art and Design". Review by Andrea Fatona and Gordon Brent Ingram, pp. 30-31.
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
18:1— "Rosalie Favell: Living Evidence" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 46-47.
23:3— "alt.shift.control" (Art Gallery of Hamilton and NIIPA, Hamilton). Review by Sherri Telenko, pp. 35-36. (available online)
22:4— When There Is No Limit To Spirit: "Tall Orders: On the Spiritual in Art" (Propeller, Toronto). Review by Rozena Maart, pp. 53-55. (available online)
18:1— Rites of Privacy: A Christopher Lefler Update. Column by Bryan Young and Brent Grubusic, pp. 07-10.
18:2— A Gaze Blank and Pitiless as the Sun. Column by Jim Russell, pp. 07-12.
22:2— Pop Off: The Regular 8 Faction (YYZ, Toronto). Review by John McCullough, pp. 47-49. (available online)
19:2— What's in a Name?: Critical Misreadings, Conservative Values and Rereading Victim Art. Column by Tom Folland, pp. 07-10.
27:1— "Traces of India": photography, architecture, and the politics of representation (CCA, Montreal and Yale Centre for British Art). Review by Rahat Kurd, pp. 38-40. (available online)
24:4— The Politics of Curating. The Trouble with Normal: Queering Our Identities. Column by Elleni Centime Zeleki, pp. 16-18. (available online)
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
18:5— Some Thoughts on Life Recently Out of School. Column by J.J. Lee, pp. 06-7.
28:2— A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press). Book Review by Sally McKay, pp. 38-40. (available online)
25:4— freedom. Column by Michael Fernandes, pp. 53. (available online)
25:4— control. Column by Michael Fernandes, pp. 33. (available online)
28:3— Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques). Review by Ellen Moffat, pp. 46-48. (available online)
21:4— Digital Imperialism. Feature by Maria Fernandez, pp. 37-45. (available online)
28:3— Reflections of a Former Community Arts Officer. Column by Melanie Fernandez, pp. 09-14. (available online)
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
16:3— No Single Gun Theory: Toronto Festival of Festivals 1992. Review by Kathleen Pirrie Adams, pp. 32-34.
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
28:2— Of Virgins in Blenders and Rats that Sing. ShortFuse by Dot Tuer and Alberto Gomez, pp. 52. (available online)
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
17:1— Youth Cruci-fiction at L'Ascension: "Kaiashits/Boneman" (Innuinuit Theatre Company). Review by Clive Robertson, pp. 37-39.
24:1— A Bum Deal, The Starving Artist Paradigm. ShortFuse by Julie Falia, pp. 46-47.
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
25:2— Untitled. Artist project by Field and Streaming II, pp. 26-27. (available online)
17:4— A New Red Dress and Dad's Blue Suit: Writing Butch, Femme and Gender Freedom into Feminism: "In Her I Am" (Press Gang Publishers) and "Stone Butch Blues" (Firebrand Books). Book Review by Ann Decter, pp. 37-38.
28:4— Sonic Warfare: Tactical Soundsystems and the Post-World of Grey Filastine. Column by tobias c. van Veen, pp. 11-17. (available online)
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
28:2— A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press). Book Review by Sally McKay, pp. 38-40. (available online)
16:2— Taking Liberties. Column by Lisa Godfrey, pp. 10-12. (available online)
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
17:4— You're Beautiful Man, You're Beautiful: "Beauties and Monstrosities" (Damn Straight, Toronto). Review by Brent Cehan, pp. 41-42.
16:2— "Twist and Shout: A Decade of Feminist Writing in This Magazine" ed. Susan Crean (Second Story Press). Book Review by Diana Bryden, pp. 35. (available online)
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
16:5&6— Taking Dictation. Feature by Stuart Blackley, pp. 51-52. (available online)
26:1— Baltic Interventions. Review by Bill Leeming, pp. 45-48. (available online)
21:1— I Am the Unicorn. Column by Tobaron Waxman, pp. 50-52.
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
21:4— As Alternative as You Want Me To Be. Column by Susan Kealey, pp. 18-20. (available online)
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
25:1— "Canvas of War" (AGO, Toronto). Review by Kirsty Robertson, pp. 41-42. (available online)
19:1— Kill, Kill, La, La, La: Pop, Punk and the Culture Industry. Feature by Chris Wodskou, pp. 24-31.
27:3— Archival Strategies at Work. Column by Blake Fitzpatrick, pp. 09-13. (available online)
17:2— Robert Flack, obituary. Obituary by Andy Fabo, pp. 01.
21:3— When You Loose That Person, Then Who Are You? Interview with Sheree Rose. Interview by Cathy Busby, pp. 36-40.
16:2— Ellen Flander's "Looking Beyond Identity: Coalition Initiatives from the Left" (Tangle Gallery, Toronto). Review by Sandra Haar, pp. 42-43. (available online)
17:3— letter to the editor. Letter by Haar Sandra, pp. 05.
21:3— "Out of the Frame" -- a collective show of new lesbian photography. Review by Michael Balser, pp. 51-53.
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
27:1— Internationalism Begins at Home: Revisiting Modernism on the West Coast. Column by Adrienne Lai, pp. 10-15. (available online)
21:4— Inuit Auteurs and Arctic Airwaves: Questions of Southern Reception. Column by Laura U Marks, pp. 13-17. (available online)
20:4— A Vous de Nous (Hoping This Finds You As It Leaves Us, Well And Happy). Artist project by Martha Fleming and Lyne Lapointe, pp. 24-25. (available online)
20:4— "Studiolo: The Collaborative Work of Martha Fleming and Lyne Lapointe" (Artextes Editions). Review by Camilla Griggers and Neil Tenhaaf, pp. 47-48. (available online)
21:3— Misfits Together: Paul Wong on Art, Community and Vancouver in the 1970s and '80s. Interview by Richard Fung, pp. 41-46.
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
16:2— Diana Thorneycroft's "Touching the Self" (Folio gallery, Calgary). Review by David Garneau, pp. 44-45. (available online)
16:1— "Inside/Out: Lesbian Theories, Gay Theories" ed. Diana Fuss (Routledge Press). Book Review by Tom Folland, pp. 32-33.
17:2— "Rock my Religion: Writings and art projects 1965-90" (MIT Press). Book Review by Tom Folland, pp. 35.
18:4— "Steve Reinke: The Hundred Videos" (YYZ, Toronto). Review by Tom Folland, pp. 34.
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
19:2— What's in a Name?: Critical Misreadings, Conservative Values and Rereading Victim Art. Column by Tom Folland, pp. 07-10.
22:4— 'Political' & 'Critical' in Contemporary Art. ShortFuse by Tom Folland, pp. 56. (available online)
23:2— In Memoriam: Susan Kealey 1959-2000. Obituary by Tom Folland, pp. 10. (available online)
23:3— "alt.shift.control" (Art Gallery of Hamilton and NIIPA, Hamilton). Review by Sherri Telenko, pp. 35-36. (available online)
27:3— Cynthia F. Interviews Peter K.: A fictionalized conversation between Cynthia Foo and Peter Kingstone. Interview by Cynthia Foo, pp. 30-34. (available online)
19:4— "Passages: Paintings by J. J. Lee" (Pitt Gallery). Review by Kuan Foo, pp. 43-44.
20:1— Topographies: Aspects of Recent BC Art, Reflections of Diversity and Institutional Reality. Column by Kuan Foo, pp. 07-9. (available online)
20:4— City on the Verge of Nervous Breakdown -- "Cities at the End of Time: Hong Kong 1997" (Pomelo Project). Review by Kuan Foo, pp. 36-38. (available online)
26:3— Self-preservation? A missed encounter between populist politics and cultural practitioners. Column by Ava Bromberg, pp. 10-12. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
19:1— Negotiating The Zig Zag Divide: "Discerner of Hearts and Other Stories" (McClelland and Stewart). Review by Honor Ford-Smith, pp. 44-45.
20:4— Poetry's Posse: Honor Ford-Smith's "My Mother's Last Dance" (Sister Vision Press). Review by Rinaldo Walcott, pp. 45-46. (available online)
22:2— Party Politics: Visions and Versions of Caribana Panel Discussion. ShortFuse by Niyabingy, pp. 56. (available online)
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
26:1— LOOKOUT. Artist project by Kirsten Forkert and John Dummett (otiose), pp. 18-19, backcover. (available online)
29:1— Negotiating Positionality: The Insides, Outsides, and In-Betweens. Column by Jessica Wyman, pp. 13-15. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
18:2— Things fall apart; the centre cannot hold: Prospects for the Racist Right in Canada. Feature by John Forrest, pp. 20-33.
22:4— "Moving and Storage" (in situ In Ottawa, Montreal and Toronto). Review by Stephen Horne, pp. 51-52. (available online)
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
28:3— Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques). Review by Ellen Moffat, pp. 46-48. (available online)
28:4— Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ). Book Review by Sally McKay, pp. 40-42. (available online)
18:2— "Culture and Imperialism" (Vintage). Review by Yashar Essop, pp. 38-39.
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
23:1— "Odili Donald Odita: The Invisible Empire" (Gallery 101 Galerie, Ottawa). Review by Sylvie Fortin, pp. 49-50.
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
16:4— Hybrids and Hyphens: Black Writers' Panel Discussion in Toronto. News by Dennis Lewis, pp. 03-05.
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
25:4— Ohmygod! The Bad Guy is Native??. Column by Skawennati Tricia Fragnito, pp. 37-38. (available online)
22:4— Unsettling Sights... "The Lesbian National Parks and Services". Review by Margot Francis, pp. 41-45. (available online)
23:4— Richard Fung's "Sea in the Blood" Visualising Memory, Complicity, and Love. Review by Margot Francis, pp. 48-49. (available online)
27:3— Jeff Thomas: "A Study of Indian-ness" (Gallery 44, Toronto). Review by Margot Francis, pp. 40-44. (available online)
21:4— The Magnifying Eye of Andy Warhol (AGO, Toronto). Review by Rosa Berland, pp. 56-58. (available online)
19:5— Pop Goes the Grrrl: Japanese Bands Go Global. Column by Kyo Maclear, pp. 09-13.
26:2— Power Shift: "Power to the People" (Contemporary Art Forum: Kitchener and Area). Review by Mark Schilling, pp. 45-47. (available online)
22:1— "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998). Book Review by Peter Hudson, pp. 53-54. (available online)
29:1— How to Survive as an Artist: at the CARFAC AGM. Column by Vera Frenkel, pp. 08-12. (available online)
28:1— Is Another World Possible: European Social Forum. Review by Susan Kelly, pp. 49-51. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
23:1— "Stamina" (Red Head Gallery, Toronto). Review by Darien Taylor, pp. 47-48.
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
21:4— As Alternative as You Want Me To Be. Column by Susan Kealey, pp. 18-20. (available online)
21:4— Re: Artist-Run Centres. Column by Reid Shier, pp. 21-23. (available online)
26:2— Community Media and The Church of Stop Shopping: An Interview with Dee Dee Halleck. Interview by Sarah Sharkey Pearce and Sarah Zammit, pp. 32-40. (available online)
25:4— FUSE at the Institute: A cherished resource. Column by Vera Frenkel, pp. 54-57. (available online)
27:2— Reviving the Dead: Art and the Twentieth-century Hospital. Feature by Annmarie Adams, pp. 16-23. (available online)
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
27:3— This Is Not an Exhibition: "The Future of the Reciprocal Readymade (the use-value of art)" (Apexart, New York). Review by Carl Skelton, pp. 49-50. (available online)
29:1— How to Survive as an Artist: at the CARFAC AGM. Column by Vera Frenkel, pp. 08-12. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
22:4— "Waste Management" (AGO, Toronto). Review by Dana Samuel, pp. 49-50. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
19:3— Art of Recall: "From Memory to Transformation: Jewish Women's Voices" (179 John Street, Toronto). Review by Catherine Osborne, pp. 43-45.
19:4— Erratum. Erratum by FUSE, pp. 06.
16:4— Film and Video News. News by Susan Kealey, pp. 09.
16:3— Gathering: The Memorial Project (A Space). Review by Christopher Eamon, pp. 40-41.
16:2— Historical Revisions: Sex, Gender and the Past (Toronto Festival of Festivals 1992). Review by Richard Fung, pp. 38-39. (available online)
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
17:2— Call In the Tropes! Miss Saigon undergoes analysis. Column by Richard Fung, pp. 07-09.
17:2— An Interview with David Henry Hwang. Interview by Richard Fung, pp. 10-13.
19:4— Convergence 1996: The Aesthetic, Political and Ethical Issues in Cross-cultural Art, Mysore, India. Column by Richard Fung, pp. 07-10.
21:3— Misfits Together: Paul Wong on Art, Community and Vancouver in the 1970s and '80s. Interview by Richard Fung, pp. 41-46.
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
23:4— Richard Fung's "Sea in the Blood" Visualising Memory, Complicity, and Love. Review by Margot Francis, pp. 48-49. (available online)
24:2— Richard Fung & Jamelie Hassan Speak. Interview by Meera Sethi, pp. 29-33. (available online)
25:3— Returning to Unfinished Business: "Like Mangoes in July: The Work of Richard Fung" (Insomniac Press and Images Festival). Book Review by Claudia McKoy, pp. 48-50. (available online)
25:4— Art for Glob. Column by Richard Fung, pp. 07-8. (available online)
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
26:4— Beautiful Dreamers: "Unsettled returns: A Screening and Dialogue with Michel Kheilfi and Eyal Sivan". Review by Richard Fung, pp. 36-38. (available online)
29:3— The Power of Light: aluCine 7th Toronto Latina/o Media Festival's "Uncontrolled Reflections". Review by Richard Fung, pp. 45-48. (available online)
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
17:5&6— "Radio Rethink: art, sound and transmission" (Walter Phillips Gallery Press). Book Review by Ann Shin, pp. 47-48.
18:3— "Mexarcane International" (YYZ at Dufferin Mall, Toronto). Review by Gabrielle Hezekia, pp. 37-39.
20:4— Coco Fusco's "Better Yet When Dead" (YYZ). Review by Alberto Gomez, pp. 33-35. (available online)
23:3— "Corpus Delecti: Performance Art Of The Americas" (Routledge). Book Review by Meera Sethi, pp. 42-43. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
19:1— Hurricane Harris. ShortFuse by FUSE, pp. 05.
19:1— Image and Representation, Again. ShortFuse by FUSE, pp. 05, 7.
19:1— Twenty-First Century Art Criticism in The Globe & Mail. ShortFuse by FUSE, pp. 07.
19:2— Who Will Produce Our Cultural Identity?. Editorial by FUSE, pp. 03.
19:2— Erratum. Erratum by FUSE, pp. 06.
19:3— Culture as Contestation. Editorial by FUSE, pp. 05.
19:4— Canadas. Editorial by FUSE, pp. 06.
19:4— Erratum. Erratum by FUSE, pp. 06.
19:5— Perspectives on Power and Resistance. Editorial by FUSE, pp. 04.
19:5— Erratum. Erratum by FUSE, pp. 04.
20:1— Identity, Food, and Representation. Editorial by FUSE, pp. 05. (available online)
20:3— Topographies, Geographies, Social Space. Editorial by FUSE, pp. 08. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection: Introduction. Feature by FUSE, pp. 28. (available online)
20:4— The Politics of Cultural Representation. Editorial by FUSE, pp. 05. (available online)
20:5— Rewiring Bodies, Art and Technology. Editorial by FUSE, pp. 07. (available online)
21:2— Without Malice: little magazines. Editorial by FUSE, pp. 04.
21:3— The Interview Issue. Editorial by FUSE, pp. 04.
21:4— Elimination of multi-disciplinary magazines category at OAC. Editorial by FUSE, pp. 08. (available online)
21:4— Jimmie Durham interview volume 21 number 3 Erratum. Erratum by FUSE, pp. 08. (available online)
22:1— Tourism and immigration. Editorial by FUSE, pp. 06. (available online)
23:1— Borders of Collective Identity. Editorial by FUSE, pp. 06.
23:2— Continuous attention to issues that get short shrift elsewhere .... Editorial by FUSE, pp. 11. (available online)
23:3— let the fireworks begin .... Editorial by FUSE, pp. 06. (available online)
23:4— Fuse critically engages a dialogue of the political. Editorial by FUSE, pp. 06. (available online)
24:1— Covering Territory. Editorial by FUSE, pp. 06.
24:2— Money. Money. Money. Editorial by FUSE, pp. 06. (available online)
24:3— How do viewers respond to exhibition sights/sites?. Editorial by FUSE, pp. 06. (available online)
24:4— The world has changed - or so the claim goes - since 9.11. Editorial by FUSE, pp. 06. (available online)
25:1— September 11th and perspectives on its aftermath. Editorial by FUSE, pp. 06. (available online)
25:2— Youth and ... whatever. Editorial by FUSE, pp. 06. (available online)
25:3— The Present of Funding(?). Editorial by FUSE, pp. 06. (available online)
25:4— Addressing the great unknown space of contested hopes and fears. Editorial by FUSE, pp. 04. (available online)
26:1— In times of global crisis. Editorial by editorial committee, pp. 06-7. (available online)
26:2— Democracies Improvised: Participate Here. Editorial by editorial committee, pp. 06-07. (available online)
26:2— 16 Beaver Street. Roundtable by FUSE and 16 Beaver Street, pp. 12-13 and insert. (available online)
26:3— Memory against the Monument. Editorial by FUSE, pp. 06-07. (available online)
26:4— Negotiating Dissent?. Editorial by FUSE, pp. 05-06. (available online)
27:1— The Dunlop Art Gallery Closes. Editorial by FUSE, pp. 05. (available online)
27:2— Insitutional Hauntings. Editorial by FUSE, pp. 07. (available online)
27:3— Taking OVer by Screen. Editorial by FUSE, pp. 07. (available online)
27:4— Free Market Fundamentalism .... Editorial by FUSE, pp. 06. (available online)
28:1— Reframing. Editorial by FUSE, pp. 06. (available online)
28:2— A third reading based on participation. Editorial by FUSE, pp. 06. (available online)
28:3— Working across communities. Editorial by FUSE, pp. 06. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
28:4— National Security. Editorial by FUSE, pp. 06. (available online)
29:1— Pimping out the 'hood. Editorial by FUSE, pp. 06-07. (available online)
29:2— Framing Public Culture. Editorial by FUSE, pp. 06. (available online)
29:3— Dissenting Opinions. Editorial by FUSE, pp. 06-07. (available online)
16:1— "Inside/Out: Lesbian Theories, Gay Theories" ed. Diana Fuss (Routledge Press). Book Review by Tom Folland, pp. 32-33.
