Fuse Magazine Index of Names
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
18:3— The Haunt of Race: Canada's Multiculturalism Act, the Politics of Incorporation, and Writing Thru Race. Feature by Scott McFarlane, pp. 18-31.
24:3— "Other Conundrums: Race, Culture, and Canadian Art" (Arsenal Pulp Press). Review by Meera Sethi, pp. 38-39. (available online)
24:4— The Politics of Curating. The Trouble with Normal: Queering Our Identities. Column by Elleni Centime Zeleki, pp. 16-18. (available online)
26:1— It's not a rave, officer. Feature by tobias c. van Veen, pp. 30-39. (available online)
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
28:2— A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press). Book Review by Sally McKay, pp. 38-40. (available online)
22:3— "Memoire et Antimemoire" (Galerie de L'UQAM, Montreal). Review by Marilyn Burgess, pp. 46-48. (available online)
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
23:1— "Odili Donald Odita: The Invisible Empire" (Gallery 101 Galerie, Ottawa). Review by Sylvie Fortin, pp. 49-50.
27:3— Jeff Thomas: "A Study of Indian-ness" (Gallery 44, Toronto). Review by Margot Francis, pp. 40-44. (available online)
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
27:2— Rob Kovitz's "Ice Fishing in Gimli": Winnipeg, where the moon is full every night (Gallery Oneoneone, Winnipeg). Review by Jeanne Randolph, pp. 41-46. (available online)
17:4— "Pierre Moliner: The Precurser" (TPW and Plugin). Review by Elaine Carol, pp. 40.
20:4— Notes on "Scoping Boys and Scoping Girls" (Gallery TPW). Review by Robert W.G. Lee and Lee Rodney, pp. 41-42. (available online)
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
24:3— breathtaking: Sue Lloyd's "searchworks" (TPW) and "chest cavity" (Red Head Gallery). Review by Janice Andreae, pp. 35-37. (available online)
23:1— From Dada To Data: A Brief Survey Of Online Performance. Feature by Kathy Kennedy, pp. 31-34.
22:3— Custody Battles: Changing the rules at the Canada Council. Column by Clive Robertson, pp. 36-45. (available online)
20:1— Food as Metaphor: Is Diversity the Spice of Life?. Column by Samir Gandesha, pp. 11-15. (available online)
18:4— "Hockey Night in Canada: Sport, Identities, and Cultural Politics" (Garamond Press). Review by Gary Genosko, pp. 46-47.
27:3— "Black Hair/Her-Stories" and Joscelyn Gardner's Inverted Portraits (Barbados Museum and Historical Society, Barbados). Review by Charmaine Nelson, pp. 45-48. (available online)
28:2— The Numbers Game: Evaluating Public Art Collections in Canada. Feature by Josephine Mills, pp. 28-37. (available online)
16:2— Diana Thorneycroft's "Touching the Self" (Folio gallery, Calgary). Review by David Garneau, pp. 44-45. (available online)
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
24:3— breathtaking: Sue Lloyd's "searchworks" (TPW) and "chest cavity" (Red Head Gallery). Review by Janice Andreae, pp. 35-37. (available online)
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
20:1— Reformation: Michael Belmore (Garnet Press Gallery, Toronto). Review by R. William Hill, pp. 39-40. (available online)
27:4— The Abolition of Copyright and other Daring Imaginations -- Joost Smiers "Arts Under Pressure: Promoting Cultural Diversity in the Age of Globalization" (Zed Books). Review by Meera Sethi, pp. 40-42. (available online)
18:3— AIDS Testimonials: The Possibilities of Telling One's Own Story. Column by Jose Francisco Ibanez-Carrasco, pp. 07-10.
19:1— Name Dropping. Letter by Daniel Gawthrop, pp. 05.
19:1— Gary Genosko Replies. Letter by Gary Genosko, pp. 05.
21:4— Error Code. Artist project by Michelle Gay, pp. 54-55. (available online)
16:5&6— Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions. Feature by Rozena Maart, pp. 45-50. (available online)
18:5— Positive (Inter)Actions Responding to AIDS in Montreal. Column by Robert W.G. Lee, pp. 08-11.
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
24:1— "Practice, Practise, Praxis: Serial Reception, Organizational Behaviour, and Strategic Action in Architecture" (YYZ books). Review by Emily Andreae and Janice Andreae, pp. 40-43.
19:4— Lament for a Nation: The Racial Geography of the The OH! Canada Project. Feature by Rinaldo Walcott, pp. 15-23.
19:1— Not Just a Pretty Face: "Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82" (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
19:3— Art of Recall: "From Memory to Transformation: Jewish Women's Voices" (179 John Street, Toronto). Review by Catherine Osborne, pp. 43-45.
24:4— "Tashme2: Early Works of Kazuo Nakamura" (Gendai Gallery, Toronto). Review by Richard William Hill, pp. 35-36. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
25:3— Upping the Anti: Of poetic ironies, propaganda machines and the claims for public sponsorship of culture. Column by Barbara Godard, pp. 12-21. (available online)
19:1— AIDS Boogie Woogie: General Idea's "InfeŠtions" (SL Simpson, Toronto). Review by Robert W.G. Lee, pp. 32-33.
19:2— Where Have All the FILE's Gone?. Letter by Clive Robertson, pp. 06.
27:3— This Is Not an Exhibition: "The Future of the Reciprocal Readymade (the use-value of art)" (Apexart, New York). Review by Carl Skelton, pp. 49-50. (available online)
21:1— The Intimate Peculiarities of Communal Travel. Editorial by Michael Barker, pp. 11-15.
18:4— "Hockey Night in Canada: Sport, Identities, and Cultural Politics" (Garamond Press). Review by Gary Genosko, pp. 46-47.
19:1— Mommy-Daddy-Tommy: The Theatre of Family Values. Column by Gary Genosko, pp. 18-21.
19:1— Name Dropping. Letter by Daniel Gawthrop, pp. 05.
19:1— Gary Genosko Replies. Letter by Gary Genosko, pp. 05.
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
25:4— The Four-dimensional Monument: Public Art Futures on the World Wide Web. Column by Annie Gerin, pp. 09-10. (available online)
26:3— The Public Space of Memory: Opening to the Future of Justice. Feature by Joseph Rosen, pp. 28-35. (available online)
17:3— "Queer Looks: Perspectives on Lesbian and Gay Film and Video" (Between the Lines Press, Toronto). Book Review by Lloyd Wong, pp. 34-35.
18:1— Ian Rashid: Beyond Destination, Beyond Identity. Interview by Atif Ghani, pp. 11-15.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
21:2— "Big-Box Knockout: Community vs. Consumerism" (Ed Video). Review by Sherri Telenko, pp. 41-42.
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
18:1— Toronto International Film Festival. Review by Vance Chapman, pp. 37-40.
19:5— Much Muzak: "Frieso Boning's 'Greatest Hits'" (St. Norbert Arts and Cultural Centre, Winnipeg). Review by Nora Young, pp. 40-41.
19:4— Cathy Sisler's Spin Cycles: "La Femme Ecran/The Reflexive Woman" (Oboro). Review by Anne Golden, pp. 38-40.
22:1— Sergio Giral: Filmmaking Within & Beyond Fidel's Cuba. Interview by David McIntosh, pp. 36-43. (available online)
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
22:2— Maps of Sound: C. S. Giscombe's "Giscome Road" (Dalkey Archive Press). Book Review by Peter Hudson, pp. 52-53. (available online)
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
16:2— Censorship and the Mainstream Media. Column by Catherine Creede, pp. 13-15. (available online)
16:2— The Rhetoric of Degradation: How the anti-porn lobby sold us out. Column by Christopher Eamon, pp. 16-17. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
16:2— Red, Hot, Chill. News by Lloyd Wong, pp. 07-08. (available online)
16:4— Censorshipping and Receiving. Column by Lucinda Johnston, pp. 10-14.
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
16:5&6— Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions. Feature by Rozena Maart, pp. 45-50. (available online)
25:3— "Thelma Rosner: STILL LIFE" (Glendon Gallery, Toronto). Review by Patrick Mahon, pp. 42-44. (available online)
18:1— Rites of Privacy: A Christopher Lefler Update. Column by Bryan Young and Brent Grubusic, pp. 07-10.
18:2— A Gaze Blank and Pitiless as the Sun. Column by Jim Russell, pp. 07-12.
28:4— Owning Something: "The Interventionists" (MassMOCA). Review by Marc Herbst, pp. 43-45. (available online)
19:5— Intersexions: "Issues of Race and Gender in Canadian Women's Writing" (Creative Books, New Delhi). Review by Katarzyna Rukszto and Mary-Jo Nadeau, pp. 47-48.
22:3— Privatizing the Public: Notes from the Ontario culture wars. Column by Barbara Godard, pp. 27-33. (available online)
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
25:3— Upping the Anti: Of poetic ironies, propaganda machines and the claims for public sponsorship of culture. Column by Barbara Godard, pp. 12-21. (available online)
16:2— Taking Liberties. Column by Lisa Godfrey, pp. 10-12. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
16:5&6— Taking Dictation. Feature by Stuart Blackley, pp. 51-52. (available online)
18:5— Among Ourselves, With Others (The Toronto Jewish Film Festival). Review by Sandra Haar, pp. 32-34.
21:3— Misfits Together: Paul Wong on Art, Community and Vancouver in the 1970s and '80s. Interview by Richard Fung, pp. 41-46.
19:4— Cathy Sisler's Spin Cycles: "La Femme Ecran/The Reflexive Woman" (Oboro). Review by Anne Golden, pp. 38-40.
20:5— Pop Goes the Breast Surgery: "Breat Wishes" (Vu). Review by Anne Golden, pp. 46-48. (available online)
21:3— Cigarettes, Coffee and Dep Wine: Luc Bourdon, Anne Golden, Robert Morin, and Cathy Sisler chat about video in Montreal. Interview by Nelson Hendricks, pp. 17-23.
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
16:4— Diana Thompson and Andrea Ward's "Correspondences" (A Space) . Review by Nancy Goldhar, pp. 41-43.
19:4— The American Hangover: "The American Trip" (The Power Plant, Toronto). Review by Judith Doyle, pp. 45-47.
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
27:4— Raising the Platform: Goll & Nielsen on Site-specificity, Interrogation and the Social Consequences of the Encounter. Interview by Janna Graham and Kim Simon, pp. 18-26. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
20:4— Coco Fusco's "Better Yet When Dead" (YYZ). Review by Alberto Gomez, pp. 33-35. (available online)
22:4— Where the South and the North Meet: Latino identity and cultural hegemony. Feature by Alberto Gomez, pp. 26-32. (available online)
28:2— Of Virgins in Blenders and Rats that Sing. ShortFuse by Dot Tuer and Alberto Gomez, pp. 52. (available online)
17:1— DQTV: Public Access Queers. Column by Gabriel Gomez, pp. 08-11.
22:2— Party Politics: Visions and Versions of Caribana Panel Discussion. ShortFuse by Niyabingy, pp. 56. (available online)
22:4— "Moving and Storage" (in situ In Ottawa, Montreal and Toronto). Review by Stephen Horne, pp. 51-52. (available online)
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
17:5&6— "Radio Rethink: art, sound and transmission" (Walter Phillips Gallery Press). Book Review by Ann Shin, pp. 47-48.
18:3— "Mexarcane International" (YYZ at Dufferin Mall, Toronto). Review by Gabrielle Hezekia, pp. 37-39.
18:5— "Making the Terrain: New Genre Public Art" (Bay Press). Review by Deborah Root, pp. 41-42.
19:5— Ritual Practices: Projecting Art and Magic Across Borders. Feature by Deborah Root, pp. 14-22.
23:3— "Corpus Delecti: Performance Art Of The Americas" (Routledge). Book Review by Meera Sethi, pp. 42-43. (available online)
16:1— "Moving the Image: Independent Asian Pacific American Media Arts" ed. Russell Leong (LA: Visual Communications and UCLA Asian American Studies Center). Book Review by Helen Lee, pp. 26-27.
22:3— "Made in Mexico/Made in Venezuela" (Art Metropole, Toronto). Review by Allan Antliff, pp. 49-50. (available online)
25:2— WARSTORIES: Working with Youth and Hip Hop. Column by Paula Gonzales, pp. 15-17. (available online)
23:3— "Corpus Delecti: Performance Art Of The Americas" (Routledge). Book Review by Meera Sethi, pp. 42-43. (available online)
22:2— Bored Bedmates: Art Criticism, Political vs. Critical. Feature by Gary Kibbins, pp. 35-42. (available online)
22:4— 'Political' & 'Critical' in Contemporary Art. ShortFuse by Tom Folland, pp. 56. (available online)
21:4— From Silent Comedy to Delirium in the Landscape: A Partial View of Current British Video. Column by Catherine Elwes, pp. 24-26. (available online)
26:2— Power Shift: "Power to the People" (Contemporary Art Forum: Kitchener and Area). Review by Mark Schilling, pp. 45-47. (available online)
26:2— Power Shift: "Power to the People" (Contemporary Art Forum: Kitchener and Area). Review by Mark Schilling, pp. 45-47. (available online)
26:2— Power Shift: "Power to the People" (Contemporary Art Forum: Kitchener and Area). Review by Mark Schilling, pp. 45-47. (available online)
22:3— "Made in Mexico/Made in Venezuela" (Art Metropole, Toronto). Review by Allan Antliff, pp. 49-50. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
16:1— Peter Karuna's "My Father was an Englishman" (NIIPA, Hamilton). Review by Jane Gordon, pp. 34-35.
29:2— The Pull of Political Undercurrents: Janet Cardiff's "Words Drawn in Water". Review by Adrienne Lai, pp. 42-44. (available online)
22:4— When There Is No Limit To Spirit: "Tall Orders: On the Spiritual in Art" (Propeller, Toronto). Review by Rozena Maart, pp. 53-55. (available online)
16:3— Probing Pagliaganda. Column by Sheila Gostick, pp. 10-11.
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
20:3— New Cartographies, New Ways of Seeing: Mapping with Global Positioning Systems. Column by Andrea Wollensak, pp. 15-17. (available online)
17:2— "Rock my Religion: Writings and art projects 1965-90" (MIT Press). Book Review by Tom Folland, pp. 35.
23:2— Jenni's Web: Jennicam, Techno-Filters, And The Boys' Club. Feature by Earl Miller, pp. 22-29. (available online)
27:1— Internationalism Begins at Home: Revisiting Modernism on the West Coast. Column by Adrienne Lai, pp. 10-15. (available online)
16:4— Ottawa Schmottawa. News by Greg Graham, pp. 08.
27:3— Art Or Social Work? A Handy Career Placement Quiz. ShortFuse by Richard William Hill and Janna Graham, pp. 51-52. (available online)
27:4— Raising the Platform: Goll & Nielsen on Site-specificity, Interrogation and the Social Consequences of the Encounter. Interview by Janna Graham and Kim Simon, pp. 18-26. (available online)
27:4— Sounding the Border/Echoes and Transmissions from the Morley Reserve: Cheryl L'Hirondelle and Candice Hopkins. Interview by Janna Graham, pp. 27-35. (available online)
28:4— Securing the Nation Post-9/11: the case against Stephen Kurtz. Interview by Gita Hashemi and Janna Graham, pp. 18-25. (available online)
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
29:2— The Excursive Province of Macromedia Flash: internet art and industry. Column by Taryn Sirove, pp. 13-17. (available online)
22:4— "Moving and Storage" (in situ In Ottawa, Montreal and Toronto). Review by Stephen Horne, pp. 51-52. (available online)
24:2— Vice Squad (YYZ, Toronto). Review by Kelly McCray, pp. 34-36. (available online)
16:1— "Fluid Exchanges: Artists and Critics in the Aids Crisis" ed. James Miller (University of Toronto Press). Book Review by Fadi Abou-Rihan, pp. 28-29.
16:2— "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
17:1— Packaged for Export, Contents under Pressure: Canadian Film and Video in a US Context. Feature by Laura U Marks, pp. 12-23.
17:3— "Queer Looks: Perspectives on Lesbian and Gay Film and Video" (Between the Lines Press, Toronto). Book Review by Lloyd Wong, pp. 34-35.
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
27:2— Letter about Bill C-12. Letter by John Greyson, pp. 10. (available online)
28:4— Leaves of Ass: a conversation with Tim Miller. Interview by John Greyson, pp. 30-39. (available online)
24:2— "Freestyle" ((The Studio Museum in Harlem, New York)). Review by Michelle Jacques, pp. 37-38. (available online)
28:1— Neshat, The Friendly Other. Column by Haleh Niazmand, pp. 17-20. (available online)
20:4— "Studiolo: The Collaborative Work of Martha Fleming and Lyne Lapointe" (Artextes Editions). Review by Camilla Griggers and Neil Tenhaaf, pp. 47-48. (available online)
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
19:2— 360 Degrees of Separation: Notes on Facts and Fictions of Self and Nation in the Recurring Quebec Referendum. Feature by David McIntosh, pp. 14-20.
19:4— Art for a Nation?. Column by Lynda Jessup, pp. 11-14.
19:4— Lament for a Nation: The Racial Geography of the The OH! Canada Project. Feature by Rinaldo Walcott, pp. 15-23.
20:3— Commentaries on the McMichael Canadian Art Collection: A Rambling Fireside Commentary on the Seven Dukes of Kleinberg. Feature by Andy Fabo, pp. 29-30. (available online)
20:4— Up for Sale: The Commodification of Canadian Culture. Column by Katarzyna Rukszto, pp. 07-11. (available online)
22:3— On the feasibility of becoming a household name. Column by Catherine Osbourne, pp. 15-17. (available online)
17:3— Fear and Loathing on the Prairie. News by Brett Josef Grubisic, pp. 09-10.
18:1— Rites of Privacy: A Christopher Lefler Update. Column by Bryan Young and Brent Grubusic, pp. 07-10.
18:4— "Hockey Night in Canada: Sport, Identities, and Cultural Politics" (Garamond Press). Review by Gary Genosko, pp. 46-47.
17:1— "Telling Relations": Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
20:1— Transmission Ruses: "small, medium and not large, books and collages, 1982 to present" by Laiwan (Grunt Gallery). Review by Karlyn Koh, pp. 41-43. (available online)
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
21:2— Art and Community in Argentina. Feature by Karl Beveridge, pp. 30-37.
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
22:4— Where the South and the North Meet: Latino identity and cultural hegemony. Feature by Alberto Gomez, pp. 26-32. (available online)
27:3— Like Che. Column by Ingrid Mayrhofer and Nery Espinoza Quevedo, pp. 14-17. (available online)
20:5— Gender In Transit: "Brandon" web-based multimedia project. Review by Cylena Simonds and Reggie Woolery, pp. 39-42. (available online)
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
19:5— The New Republics: Interview with Sunil Gupta. Interview by Sarindar Dhaliwal, pp. 34-39.
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
27:2— On the Destruction of an Artwork (Ron Benner's Gardens). Column by Andy Patton, pp. 11-15. (available online)
21:2— "Miasma 2: clear and cold at the higher elevations" (Moabit Musik). Review by Steve Heimbecker, pp. 43-44.
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
16:3— Refusing Censorship. News by Kika Thorne, pp. 07-08.
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
21:1— The Intimate Peculiarities of Communal Travel. Editorial by Michael Barker, pp. 11-15.
