Fuse Magazine Index of Names
22:2— Bored Bedmates: Art Criticism, Political vs. Critical. Feature by Gary Kibbins, pp. 35-42. (available online)
27:3— This Is Not an Exhibition: "The Future of the Reciprocal Readymade (the use-value of art)" (Apexart, New York). Review by Carl Skelton, pp. 49-50. (available online)
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
16:2— Ellen Flander's "Looking Beyond Identity: Coalition Initiatives from the Left" (Tangle Gallery, Toronto). Review by Sandra Haar, pp. 42-43. (available online)
18:5— Among Ourselves, With Others (The Toronto Jewish Film Festival). Review by Sandra Haar, pp. 32-34.
20:1— Fresh Blood: b.h. Yael's "A Consideration of Belonging" (V Tape, Toronto). Review by Sandra Haar, pp. 37-38. (available online)
21:3— "Out of the Frame" -- a collective show of new lesbian photography. Review by Michael Balser, pp. 51-53.
17:1— "Telling Relations": Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
25:2— Three Short Essays on Growning Up. Feature by Terence Dick, pp. 28-37. (available online)
27:3— Like Che. Column by Ingrid Mayrhofer and Nery Espinoza Quevedo, pp. 14-17. (available online)
24:4— "everything and nothing," or, art and the politics of "war". ShortFuse by Jayce Salloum, pp. 47-48. (available online)
25:1— Of Arabs, Museums and Civilizations. Column by Rawi Hage, pp. 24-27. (available online)
25:1— Of Arabs, Museums and Civilizations. Column by Rawi Hage, pp. 24-27. (available online)
18:1— "The State of Asian America" (South End Press). Book Review by Xiaoping Li, pp. 28-29.
20:1— Gifts and Cruelties of Displacement: "Nothing to be written here" (Wendy Oberlander). Review by Nancy Pollak, pp. 35-36. (available online)
18:4— Scattered at the Margins: "Out in Context: Work by Queer Students of the Emily Carr Institute of Art and Design". Review by Andrea Fatona and Gordon Brent Ingram, pp. 30-31.
22:3— Dire Straits: The situation of contemporary visual arts funding in Korea. Column by Joan Kee, pp. 19-23. (available online)
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
18:1— Ian Rashid: Beyond Destination, Beyond Identity. Interview by Atif Ghani, pp. 11-15.
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
26:2— Community Media and The Church of Stop Shopping: An Interview with Dee Dee Halleck. Interview by Sarah Sharkey Pearce and Sarah Zammit, pp. 32-40. (available online)
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
27:4— Nostalgic Landscapes -- Andrew Hunter's "Giddy-Up! or a Darn Good Hat Act" (Walter Phillips Gallery, Banff). Review by Ayesha Hameed, pp. 36-39. (available online)
28:1— letter to the editor. Letter by Andrew Hunter, pp. 07. (available online)
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
18:2— "We're Rooted Here and They Can't Pull Us Up: Essays in African Canadian Women's History" (University of Toronto Press). Review by Dionne Stephens, pp. 40-41.
22:2— De-celebrating Black Expressive Culture: A Polemic. Column by Rinaldo Walcott, pp. 11-16. (available online)
25:3— Untitled. Artist project by Chris Lloyd, pp. 20-21. (available online)
16:3— No Single Gun Theory: Toronto Festival of Festivals 1992. Review by Kathleen Pirrie Adams, pp. 32-34.
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
27:4— On the Misrecognition of Images. Column by Amish Morrell, pp. 07-10. (available online)
29:1— Unravelling the Image: "Glenn Ligon -- Some Changes". Review by Victoria Lynn, pp. 41-44. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
16:4— Like Apples and Oranges: Lesbian Feminist Responses to the Politics of "The Body Politic". Feature by Becki Ross, pp. 19-28.
16:1— "Inside/Out: Lesbian Theories, Gay Theories" ed. Diana Fuss (Routledge Press). Book Review by Tom Folland, pp. 32-33.
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
23:3— "e/rector/scape" (Harcourt House, Edmonton). Review by Kerri Mogg, pp. 30-31. (available online)
26:3— Maria-Anna Parolin's "Parolin Products for Busy People" (Harcourt House, edmonton). Review by Anne Whitelaw, pp. 47-48. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
24:2— "Freestyle" ((The Studio Museum in Harlem, New York)). Review by Michelle Jacques, pp. 37-38. (available online)
22:3— On the feasibility of becoming a household name. Column by Catherine Osbourne, pp. 15-17. (available online)
29:1— The [New] Politics of Identity: A checklist and invitation. Review by Gita Hashemi, Jessica Wyman, and Izida Zorde, pp. 52. (available online)
24:2— Althea Prince's "Being Black" (Insomniac Press). Book Review by Jennifer Harris, pp. 42-43. (available online)
16:3— No Single Gun Theory: Toronto Festival of Festivals 1992. Review by Kathleen Pirrie Adams, pp. 32-34.
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
20:3— "The Watering Hole: Lyle Ashton Harris" (Jack Tilton Gallery). Review by Reggie Woolery, pp. 37-38. (available online)
22:3— Untitled. Artist project by Jim Miller, pp. 34-35. (available online)
23:2— Indian Givers: The McMichaels' Revenge On Contemporary Art. ShortFuse by Richard William Hill, pp. 56-55. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 2). Review by Randi Spires, pp. 60-62. (available online)
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
22:3— On the feasibility of becoming a household name. Column by Catherine Osbourne, pp. 15-17. (available online)
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
26:4— Negotiations: A Post-ironic Memo with no Slogans. ShortFuse by Gita Hashemi, pp. 48. (available online)
28:1— In Contact with Iraq. Artist project by Babak Salari, Daniel Ellis, and Gita Hashemi, pp. 21-24. (available online)
28:4— Securing the Nation Post-9/11: the case against Stephen Kurtz. Interview by Gita Hashemi and Janna Graham, pp. 18-25. (available online)
28:4— Acts of Being: kazemi vs. Libman. Artist project by Opinionware, (Daniel Ellis, design), pp. 26-29. (available online)
29:1— The [New] Politics of Identity: A checklist and invitation. Review by Gita Hashemi, Jessica Wyman, and Izida Zorde, pp. 52. (available online)
28:4— Acts of Being: kazemi vs. Libman. Artist project by Opinionware, (Daniel Ellis, design), pp. 26-29. (available online)
18:5— Re-Orienting Asian: "Millie Chen: Cook and Crave" (YYZ). Review by Jamelie Hassan, pp. 30-31.
20:4— City on the Verge of Nervous Breakdown -- "Cities at the End of Time: Hong Kong 1997" (Pomelo Project). Review by Kuan Foo, pp. 36-38. (available online)
23:1— Trespassers & Captives: Jamelie Hassan Artist-In-Residence Projects At The Eldon House (London Regional Art & Historical Museums). Review by David Merritt, pp. 44-46.
24:2— Richard Fung & Jamelie Hassan Speak. Interview by Meera Sethi, pp. 29-33. (available online)
24:2— The Boomerang Effect. ShortFuse by Jamelie Hassan, pp. 47-48. (available online)
24:3— Rummana Hussain's "In Order To Join". Feature by Jamelie Hassan, pp. 14-17. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
16:5&6— wordS and sWord: An anagram of appropriation. Feature by Marwan Hassan, pp. 28-30. (available online)
26:4— One, two, three...colonialism: Marwan Hassan's "Velocities of Zero: Conquest, Colonization, and the Destruction of Cultures." (TSAR press). Book Review by Gamal Abdel-Shehid, pp. 39-40. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
20:5— Pop Goes the Breast Surgery: "Breat Wishes" (Vu). Review by Anne Golden, pp. 46-48. (available online)
16:1— "Moving the Image: Independent Asian Pacific American Media Arts" ed. Russell Leong (LA: Visual Communications and UCLA Asian American Studies Center). Book Review by Helen Lee, pp. 26-27.
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
19:2— Public Art and Its Discontents: Urban Design and "Public" Art on the Margins. Column by Gordon Brent Ingram, pp. 11-13.
18:1— Barry Isenor and Ken Hayes: "Demo Homes" (Exchange Square, Toronto). Review by Earl Miller, pp. 42-43.
21:3— Architectural Re-enactments -- "Barry Isenor: XXX Video" (Mercer Union) and "Steve McQueen: Deadpan" (A Space). Review by Kenneth Hayes, pp. 49-50.
22:4— Auchwitz in the Age of Mass Tourism: An interview with Robert Jan van Pelt. Interview by Kenneth Hayes, pp. 34-38. (available online)
29:2— A Few Small Barriers in Istanbul. Artist project by Kenneth Hayes, pp. 29-32. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
19:5— Much Muzak: "Frieso Boning's 'Greatest Hits'" (St. Norbert Arts and Cultural Centre, Winnipeg). Review by Nora Young, pp. 40-41.
18:3— "Guy To Goddess: An Intimate Look at Drag Queens" (Whitecap press) and "Ladies, Please!" (Exile Editions). Book Review by Brian John Busby, pp. 35-36.
21:2— "Miasma 2: clear and cold at the higher elevations" (Moabit Musik). Review by Steve Heimbecker, pp. 43-44.
27:1— Internationalism Begins at Home: Revisiting Modernism on the West Coast. Column by Adrienne Lai, pp. 10-15. (available online)
16:2— "Twist and Shout: A Decade of Feminist Writing in This Magazine" ed. Susan Crean (Second Story Press). Book Review by Diana Bryden, pp. 35. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
21:4— As Alternative as You Want Me To Be. Column by Susan Kealey, pp. 18-20. (available online)
21:3— Cigarettes, Coffee and Dep Wine: Luc Bourdon, Anne Golden, Robert Morin, and Cathy Sisler chat about video in Montreal. Interview by Nelson Hendricks, pp. 17-23.
24:1— "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
29:1— True North, Brave and Free: Isaac Julien's "True North". Review by Warren Crichlow, pp. 38-40. (available online)
28:4— Owning Something: "The Interventionists" (MassMOCA). Review by Marc Herbst, pp. 43-45. (available online)
18:3— "Mexarcane International" (YYZ at Dufferin Mall, Toronto). Review by Gabrielle Hezekia, pp. 37-39.
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
26:2— Democracy and Citizenship at 3AM. Column by Mark Jones, pp.08-11. (available online)
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
28:3— A Failure of Ideas: "Communism" in Dublin . Review by Gemma Tippin, pp. 49-51. (available online)
18:3— "Mexarcane International" (YYZ at Dufferin Mall, Toronto). Review by Gabrielle Hezekia, pp. 37-39.
22:1— On the Outside Looking In?. Feature by Gabrielle Hezekia, pp. 28-35. (available online)
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
18:4— "Hockey Night in Canada: Sport, Identities, and Cultural Politics" (Garamond Press). Review by Gary Genosko, pp. 46-47.
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
18:3— "Gary Hill: Encountering Bodies" (Museum of Contemporary Art of Chicago). Review by Todd Meyers, pp. 46-47.
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
19:1— Not Holding Still: "AlterNative (McMichael Canadian Art Collection). Review by Caroline Stevens, pp. 34-35.
16:5&6— Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions. Feature by Rozena Maart, pp. 45-50. (available online)
20:1— Reformation: Michael Belmore (Garnet Press Gallery, Toronto). Review by R. William Hill, pp. 39-40. (available online)
21:2— The Problem With Killing Columbus: Relativism, Ethnic Nationalism and Hybridity. Column by Richard William Hill, pp. 07-10.
21:3— Jimmie Durham: The Centre of the World is Several Places (Part I). Interview by Richard William Hill and Beverly Koski, pp. 24-33.
21:4— Jimmie Durham: The Centre of the World is Several Places (Part II). Interview by Richard William Hill and Beverly Koski, pp. 46-53. (available online)
22:1— Deborah Doxtater, 1957-1998 (obituary). Obituary by Richard William Hill and Beverly Koski, pp. 07. (available online)
22:4— "Wish You Were Here?" Paul Lamothe's Sudbury Postcards. Review by Richard William Hill, pp. 39-40. (available online)
23:2— Indian Givers: The McMichaels' Revenge On Contemporary Art. ShortFuse by Richard William Hill, pp. 56-55. (available online)
23:3— A Way Of Imagining Film: In Conversation With Loretta Todd. Interview by Richard William Hill, pp. 14-20. (available online)
23:4— Drag Racing: Dressing Up (And Messing Up) White In Contemporary First Nations Art. Feature by Richard William Hill, pp. 18-27. (available online)
24:1— It's Very Interesting If It Works: James Luna and Rebecca Belmore talk to Richard William Hill about the possibility of bringing it all back home. Interview by Richard William Hill, pp. 28-33.
24:4— "Tashme2: Early Works of Kazuo Nakamura" (Gendai Gallery, Toronto). Review by Richard William Hill, pp. 35-36. (available online)
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
27:2— A Bad Review for Gary Michael Dault. ShortFuse by Richard William Hill, pp. 52. (available online)
27:3— Art Or Social Work? A Handy Career Placement Quiz. ShortFuse by Richard William Hill and Janna Graham, pp. 51-52. (available online)
28:4— Carl Beam: 1943-2005. Obituary by Richard William Hill, pp. 07. (available online)
29:1— Building on Running Water: Rebecca Belmore's "Fountain". Review by Richard William Hill, pp. 49-51. (available online)
21:4— From Silent Comedy to Delirium in the Landscape: A Partial View of Current British Video. Column by Catherine Elwes, pp. 24-26. (available online)
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
27:1— The Dunlop Art Gallery: A Tale of Governance. Feature by Merrilee Rasmussen, pp. 28-30. (available online)
29:2— The Pull of Political Undercurrents: Janet Cardiff's "Words Drawn in Water". Review by Adrienne Lai, pp. 42-44. (available online)
26:3— Self-preservation? A missed encounter between populist politics and cultural practitioners. Column by Ava Bromberg, pp. 10-12. (available online)
22:3— On the feasibility of becoming a household name. Column by Catherine Osbourne, pp. 15-17. (available online)
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
23:1— ZKM: The Smell Of Elephant Shit/The Digitally Contrived. Column by Oliver Hockenhull, pp. 35-39.
24:1— Banff: Utopian Memeplex Machine Making The Invisible Visible. Feature by Oliver Hockenhull, pp. 17-25.
22:2— De-celebrating Black Expressive Culture: A Polemic. Column by Rinaldo Walcott, pp. 11-16. (available online)
18:5— Among Ourselves, With Others (The Toronto Jewish Film Festival). Review by Sandra Haar, pp. 32-34.
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
18:4— "Contested Spaces" (Union Station, Toronto). Review by Earl Miller, pp. 32-33.
19:5— Pop Goes the Grrrl: Japanese Bands Go Global. Column by Kyo Maclear, pp. 09-13.
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
28:1— Is Another World Possible: European Social Forum. Review by Susan Kelly, pp. 49-51. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
19:5— Pop Goes the Grrrl: Japanese Bands Go Global. Column by Kyo Maclear, pp. 09-13.
19:2— Public Art and Its Discontents: Urban Design and "Public" Art on the Margins. Column by Gordon Brent Ingram, pp. 11-13.
16:3— bell hooks' "Black Looks: Race and Representation" (Between the Lines Press). Book Review by Dennis Lewis, pp. 25-26.
18:4— "Teaching to Transgress: Education as the Practice of Freedom" (Routledge). Review by Rachel Ariss, pp. 42-43.
20:4— Notes on "Scoping Boys and Scoping Girls" (Gallery TPW). Review by Robert W.G. Lee and Lee Rodney, pp. 41-42. (available online)
23:1— From Dada To Data: A Brief Survey Of Online Performance. Feature by Kathy Kennedy, pp. 31-34.
27:4— Sounding the Border/Echoes and Transmissions from the Morley Reserve: Cheryl L'Hirondelle and Candice Hopkins. Interview by Janna Graham, pp. 27-35. (available online)
22:2— Party Politics: Visions and Versions of Caribana Panel Discussion. ShortFuse by Niyabingy, pp. 56. (available online)
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
22:4— "Moving and Storage" (in situ In Ottawa, Montreal and Toronto). Review by Stephen Horne, pp. 51-52. (available online)
23:1— "Material Matters: The Art And Culture of Contemporary Textiles" (YYZ Books, Toronto). Book Review by Janice Andreae, pp. 51-53.
17:4— You're Beautiful Man, You're Beautiful: "Beauties and Monstrosities" (Damn Straight, Toronto). Review by Brent Cehan, pp. 41-42.
20:3— Rencontre Performance: "International Performance Festival" presented by Le Lieu (Cinecycle). Review by Johanna Householder, pp. 41. (available online)
24:1— "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
25:1— Johanna Householder's "The Neutron Hazer and the Mystic Gulf: Remembering Remembrance Day" (Dovercourt House). Review by Robin C. Pacific, pp. 48-49. (available online)
29:2— Read Handed: "Caught in the Act: an anthology of performance art by Canadian Women". Book Review by Leah Sandals, pp. 39-41. (available online)
25:1— Johanna Householder's "The Neutron Hazer and the Mystic Gulf: Remembering Remembrance Day" (Dovercourt House). Review by Robin C. Pacific, pp. 48-49. (available online)
21:1— Lines of Desire (interview). Interview by Wade Thomas and Hadley Howes, pp. 23-26.
18:3— The Haunt of Race: Canada's Multiculturalism Act, the Politics of Incorporation, and Writing Thru Race. Feature by Scott McFarlane, pp. 18-31.
17:2— Breaking Crackers: A Conversation with Peter Hudson. Column by karen/miranda augustine, pp. 45-46.
21:3— Diary of a Queen Street Negro. Column by Peter Hudson, pp. 13-16.
22:1— "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998). Book Review by Peter Hudson, pp. 53-54. (available online)
22:2— Maps of Sound: C. S. Giscombe's "Giscome Road" (Dalkey Archive Press). Book Review by Peter Hudson, pp. 52-53. (available online)
22:2— Party Politics: Visions and Versions of Caribana Panel Discussion. ShortFuse by Niyabingy, pp. 56. (available online)
23:4— The Shit I Ain't Got -- "Hip Hop Nation: Roots, Rhymes and Rage" (Brooklyn Museum, NYC) and "Street Market" (Deitch Projects, NYC). Review by Peter Hudson, pp. 45-47. (available online)
28:3— Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah. Roundtable by Art and Cold Cash Collective, pp. 20-28. (available online)
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
17:2— givin' props 2 da boyz: a black review of the Festival of Festivals (1993). Review by karen/miranda augustine, pp. 41-42.
17:2— givin' props 2 da boyz: a black review of the Festival of Festivals (1993). Review by karen/miranda augustine, pp. 41-42.
24:2— Issac Julien's Children: Black Queer Cinema After Looking For Langston. Feature by Rinaldo Walcott, pp. 10-17. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
20:5— Biocolonization and Biopiracy: The Final Frontier. Feature by Jeannette Armstrong, pp. 17-19. (available online)
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
27:4— Nostalgic Landscapes -- Andrew Hunter's "Giddy-Up! or a Darn Good Hat Act" (Walter Phillips Gallery, Banff). Review by Ayesha Hameed, pp. 36-39. (available online)
28:1— letter to the editor. Letter by Andrew Hunter, pp. 07. (available online)
24:3— Study Skins: "The Final SleepÉLe Dernier Sommeil" (ROM, Toronto). Review by Scott Sorli, pp. 30-31. (available online)
29:1— Unravelling the Image: "Glenn Ligon -- Some Changes". Review by Victoria Lynn, pp. 41-44. (available online)
24:3— Rummana Hussain's "In Order To Join". Feature by Jamelie Hassan, pp. 14-17. (available online)
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
17:2— An Interview with David Henry Hwang. Interview by Richard Fung, pp. 10-13.
18:1— "The State of Asian America" (South End Press). Book Review by Xiaoping Li, pp. 28-29.
