Fuse Magazine Index of Names
29:2— The Excursive Province of Macromedia Flash: internet art and industry. Column by Taryn Sirove, pp. 13-17. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
17:4— Multiculturalism and AIDS: Doing the Right Thing!!. Column by Jose Francisco Ibanez-Carrasco, pp. 13-15.
18:3— AIDS Testimonials: The Possibilities of Telling One's Own Story. Column by Jose Francisco Ibanez-Carrasco, pp. 07-10.
23:2— "Container: Paul Perchal" (Video In). Review by Jose Francisco Ibanez-Carrasco, pp. 46-47. (available online)
22:1— Letters to the Editor. Letter by various, pp. 10-11. (available online)
22:4— Sometimes in Anger: The Struggles of Inuit Video. Column by Michael Robert Evans, pp. 13-17. (available online)
25:1— Yes, my name is Ibrahim and I am an atheist! Confessing Asrar: Art, Answerability and the Death of the Author. Column by Awad Ibrahim, pp. 10-13. (available online)
20:3— Ignoring the Role of Violence in Fanon, Playing with the Bones of an Exumed Hero. "The Fact of Blackness" (ICA, Bay Press). Book Review by Julian J Samuel, pp. 44-46. (available online)
24:2— "Freestyle" ((The Studio Museum in Harlem, New York)). Review by Michelle Jacques, pp. 37-38. (available online)
22:4— Where the South and the North Meet: Latino identity and cultural hegemony. Feature by Alberto Gomez, pp. 26-32. (available online)
21:4— Inuit Auteurs and Arctic Airwaves: Questions of Southern Reception. Column by Laura U Marks, pp. 13-17. (available online)
22:1— Letters to the Editor. Letter by various, pp. 10-11. (available online)
22:4— Sometimes in Anger: The Struggles of Inuit Video. Column by Michael Robert Evans, pp. 13-17. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
22:3— Dire Straits: The situation of contemporary visual arts funding in Korea. Column by Joan Kee, pp. 19-23. (available online)
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
23:4— An Inuit Perspective: "Itsarnittakarvik" (Inuit Heritage Centre, Baker Lake). Review by Sheila Butler, pp. 41-42. (available online)
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
16:5&6— Tim Miller and Marlon Riggs at Images 1993. Review by Randi Spires, pp. 65-66. (available online)
25:3— Returning to Unfinished Business: "Like Mangoes in July: The Work of Richard Fung" (Insomniac Press and Images Festival). Book Review by Claudia McKoy, pp. 48-50. (available online)
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
16:1— About Face, about frame. News by Mina Shum, pp. 10-11.
16:5&6— Re-appropriating Cultural Appropriation. Feature by Kwame Dawes, pp. 07-15. (available online)
16:5&6— Film and Video News. News by Susan Kealey, pp. 05-06. (available online)
19:1— Film & Video News. News by Karen Tisch, pp. 08-9.
19:1— Film & Video News. News by Karen Tisch, pp. 08-9.
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
27:2— Guarded Views: Robin Pacific's "Uniform" (AGO, Toronto). Review by Vid Ingelevics, pp. 37-40. (available online)
17:3— "They Write Their Dreams on the Rock Forever" (Talonbooks) and "Bowl of Bone/Tale of the Syuwe" (NFB). Book Review by Gordon Brent Ingram, pp. 37-39.
18:4— Scattered at the Margins: "Out in Context: Work by Queer Students of the Emily Carr Institute of Art and Design". Review by Andrea Fatona and Gordon Brent Ingram, pp. 30-31.
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
19:2— Public Art and Its Discontents: Urban Design and "Public" Art on the Margins. Column by Gordon Brent Ingram, pp. 11-13.
20:1— Sex Migrants: Paul Wong's Video Geographies of Erotic and Cultural Displacement in Pacific Canada. Feature by Gordon Brent Ingram, pp. 17-26. (available online)
20:3— Public Art and Homelessness/Behind the Space Industry:"Evictions" (MIT Press). Book Review by Gordon Brent Ingram, pp. 47-48. (available online)
24:2— Issac Julien's Children: Black Queer Cinema After Looking For Langston. Feature by Rinaldo Walcott, pp. 10-17. (available online)
29:2— Representin': Black Artists Tell the Truth in "I Represent". Review by Rinaldo Walcott, pp. 33-35. (available online)
17:1— Youth Cruci-fiction at L'Ascension: "Kaiashits/Boneman" (Innuinuit Theatre Company). Review by Clive Robertson, pp. 37-39.
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 2). Review by Randi Spires, pp. 60-62. (available online)
16:5&6— Film and Video News. News by Susan Kealey, pp. 05-06. (available online)
19:1— What's Love Got to Do With It?. Review by Randi Spires, pp. 39-40.
21:2— Inside Out/Outside In?: Ruminations on Media Arts Festivals, Arts Funding, Video Art, AIDS, Queerness and Community. Column by Andrew James Paterson, pp. 11-16.
24:2— Althea Prince's "Being Black" (Insomniac Press). Book Review by Jennifer Harris, pp. 42-43. (available online)
25:3— Returning to Unfinished Business: "Like Mangoes in July: The Work of Richard Fung" (Insomniac Press and Images Festival). Book Review by Claudia McKoy, pp. 48-50. (available online)
17:1— "Telematic Performance" Loops Toronto and Quebec (Interaccess and Obscure). Review by Mary Anne Farah, pp. 41-42.
25:2— Untitled. Artist project by Field and Streaming II, pp. 26-27. (available online)
16:5&6— Film and Video News. News by Susan Kealey, pp. 05-06. (available online)
26:4— Cultural Looting and Ethical Consistency. Column by Daniel Munro, pp. 07-11. (available online)
22:1— Tourism and immigration. Editorial by FUSE, pp. 06. (available online)
27:3— Ellipsis and Insurrection: Argentina, Media, Experiment and Liberation. Feature by David McIntosh, pp. 18-29. (available online)
27:4— The Abolition of Copyright and other Daring Imaginations -- Joost Smiers "Arts Under Pressure: Promoting Cultural Diversity in the Age of Globalization" (Zed Books). Review by Meera Sethi, pp. 40-42. (available online)
23:4— An Inuit Perspective: "Itsarnittakarvik" (Inuit Heritage Centre, Baker Lake). Review by Sheila Butler, pp. 41-42. (available online)
26:4— Cultural Looting and Ethical Consistency. Column by Daniel Munro, pp. 07-11. (available online)
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
18:1— Barry Isenor and Ken Hayes: "Demo Homes" (Exchange Square, Toronto). Review by Earl Miller, pp. 42-43.
21:3— Architectural Re-enactments -- "Barry Isenor: XXX Video" (Mercer Union) and "Steve McQueen: Deadpan" (A Space). Review by Kenneth Hayes, pp. 49-50.
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
