Fuse Magazine Index of Names
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
20:3— "The Watering Hole: Lyle Ashton Harris" (Jack Tilton Gallery). Review by Reggie Woolery, pp. 37-38. (available online)
22:3— Privatizing the Public: Notes from the Ontario culture wars. Column by Barbara Godard, pp. 27-33. (available online)
16:2— Red, Hot, Chill. News by Lloyd Wong, pp. 07-08. (available online)
16:4— Like Apples and Oranges: Lesbian Feminist Responses to the Politics of "The Body Politic". Feature by Becki Ross, pp. 19-28.
21:1— Galerie Largeness (see also 21:2). Artist project by Luis Jacob, pp. 27.
21:2— Galerie Largeness (reprinted from vol. 21, no. 1, without bitmapping). Artist project by Luis Jacob, pp. 55.
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
29:2— With Open arms: Luis Jacob's "Habitat". Review by Ivan Jurakic, pp. 36-38. (available online)
25:3— Culture Crash. ShortFuse by Kathy Walker, pp. 52. (available online)
24:2— "Freestyle" ((The Studio Museum in Harlem, New York)). Review by Michelle Jacques, pp. 37-38. (available online)
25:4— The Legend of Penn Power (how the popular press learned to love art). Column by Michelle Jacques, pp. 12-13. (available online)
27:4— Race-ing Halifax: How to Avoid Being "Big C" Colonial. ShortFuse by Michelle Jacques, pp. 47-48. (available online)
16:2— Chaotic Kinds of Dreams: Profile of Rungh Cultural Society. Review by Lloyd Wong, pp. 46-47. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
23:4— "Private Thoughts/Public Moments" (AGO, Toronto). Review by Germaine Koh, pp. 43-44. (available online)
28:3— I Know You, Louise Boothe. Artist project by Rachel Kalpana James, pp. 29-32. (available online)
23:2— Asian Invasion vs. The Pristine Nation: Migrants Entering The Canadian Imagery. Feature by Larissa Lai, pp. 30-40. (available online)
18:1— Toronto International Film Festival. Review by Vance Chapman, pp. 37-40.
23:4— The Shit I Ain't Got -- "Hip Hop Nation: Roots, Rhymes and Rage" (Brooklyn Museum, NYC) and "Street Market" (Deitch Projects, NYC). Review by Peter Hudson, pp. 45-47. (available online)
22:4— Auchwitz in the Age of Mass Tourism: An interview with Robert Jan van Pelt. Interview by Kenneth Hayes, pp. 34-38. (available online)
24:4— The Stores of Venice. Column by Sarindar Dhaliwal, pp. 08-10. (available online)
21:2— Thanks for Fuse. Letter by Jane and Joseph Janson, pp. 04.
21:2— Thanks for Fuse. Letter by Jane and Joseph Janson, pp. 04.
21:2— 7A*11D Performance Festival. Review by Paul Couillard, pp. 45-47.
23:1— "Material Matters: The Art And Culture of Contemporary Textiles" (YYZ Books, Toronto). Book Review by Janice Andreae, pp. 51-53.
16:4— "Black Popular Culture" A project by Michele Wallace, edited by Gina Dent (Bay Press). Review by karen augustine, pp. 29-30.
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
20:5— Driving Mauve Desert: Borrowing, Translation and Navigation in Hypertext. Feature by David McIntosh, pp. 34-38. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
18:1— "Rosalie Favell: Living Evidence" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 46-47.
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
20:1— Topographies: Aspects of Recent BC Art, Reflections of Diversity and Institutional Reality. Column by Kuan Foo, pp. 07-9. (available online)
16:2— "Twist and Shout: A Decade of Feminist Writing in This Magazine" ed. Susan Crean (Second Story Press). Book Review by Diana Bryden, pp. 35. (available online)
18:3— AIDS Testimonials: The Possibilities of Telling One's Own Story. Column by Jose Francisco Ibanez-Carrasco, pp. 07-10.
19:4— Art for a Nation?. Column by Lynda Jessup, pp. 11-14.
17:1— "Telling Relations": Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
20:4— "(Be)Longing, Ellen Pau, Laiwan, Xui Li Young, Yau Ching" (Galerie Optica). Review by Alice Ming Wai Jim, pp. 39-40. (available online)
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
21:2— 7A*11D Performance Festival. Review by Paul Couillard, pp. 45-47.
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
22:1— On the Outside Looking In?. Feature by Gabrielle Hezekia, pp. 28-35. (available online)
29:3— A New Approach to Immigration Enforcement?. ShortFuse by Krista Johnston, Faria Kamal, and Farrah Miranda, pp. 52. (available online)
16:1— "Exquisite Corpse" (Pleasure Dome, Toronto). Review by Andrew James Paterson, pp. 30-31.
16:4— Censorshipping and Receiving. Column by Lucinda Johnston, pp. 10-14.
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
20:4— "Studiolo: The Collaborative Work of Martha Fleming and Lyne Lapointe" (Artextes Editions). Review by Camilla Griggers and Neil Tenhaaf, pp. 47-48. (available online)
28:4— Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ). Book Review by Sally McKay, pp. 40-42. (available online)
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
22:3— "Memoire et Antimemoire" (Galerie de L'UQAM, Montreal). Review by Marilyn Burgess, pp. 46-48. (available online)
22:4— "Touch: Touche" (Oboro, Montreal, and MacKenzie Art Gallery, Regina). Review by Marcus Miller, pp. 46. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
19:2— What's in a Name?: Critical Misreadings, Conservative Values and Rereading Victim Art. Column by Tom Folland, pp. 07-10.
18:2— "Feminist Home Invasion" (Mercer Union, Toronto). Review by Jane Farrow, pp. 44.
26:2— Democracy and Citizenship at 3AM. Column by Mark Jones, pp.08-11. (available online)
26:4— The Seeds of Disruption. Column by Mark Jones, pp. 20-23. (available online)
16:4— Hybrids and Hyphens: Black Writers' Panel Discussion in Toronto. News by Dennis Lewis, pp. 03-05.
27:1— Internationalism Begins at Home: Revisiting Modernism on the West Coast. Column by Adrienne Lai, pp. 10-15. (available online)
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
21:3— "Out of the Frame" -- a collective show of new lesbian photography. Review by Michael Balser, pp. 51-53.
16:1— Letter to the editor. Letter by Rita Davies, pp. 06.
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
18:1— Toronto International Film Festival. Review by Vance Chapman, pp. 37-40.
18:4— Interview with Isaac Julian. Interview by Bruce Morrow, pp. 15-23.
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
24:2— Issac Julien's Children: Black Queer Cinema After Looking For Langston. Feature by Rinaldo Walcott, pp. 10-17. (available online)
29:1— True North, Brave and Free: Isaac Julien's "True North". Review by Warren Crichlow, pp. 38-40. (available online)
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
18:1— Brenda Joy Lem, Kyo Maclear, Shani Mootoo: "For Our Own Pleasure" (YYZ, Toronto). Review by Bryce Kanbara, pp. 44-45.
21:3— Fun Critique in Ethnographic Fields: Half Nelson (Truck, Calgary). Review by Jeff Derksen, pp. 47-48.
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
29:2— With Open arms: Luis Jacob's "Habitat". Review by Ivan Jurakic, pp. 36-38. (available online)
