Fuse Magazine Index of Names
20:4— City on the Verge of Nervous Breakdown -- "Cities at the End of Time: Hong Kong 1997" (Pomelo Project). Review by Kuan Foo, pp. 36-38. (available online)
18:4— Too Queer For Middle America? Reflection on InQueery, InTheory, InDeed: The Sixth North American Lesbian, Gay and Bisexual Studies Conference (Iowa City, Iowa). Column by ki namaste, pp. 26-29.
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
16:2— "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
16:2— Historical Revisions: Sex, Gender and the Past (Toronto Festival of Festivals 1992). Review by Richard Fung, pp. 38-39. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 2). Review by Randi Spires, pp. 60-62. (available online)
20:4— Notes on "Scoping Boys and Scoping Girls" (Gallery TPW). Review by Robert W.G. Lee and Lee Rodney, pp. 41-42. (available online)
29:3— A New Approach to Immigration Enforcement?. ShortFuse by Krista Johnston, Faria Kamal, and Farrah Miranda, pp. 52. (available online)
23:2— "Multicultural States: Rethinking Difference And Identity" (Routledge). Review by Carmela Murdocca, pp. 54-55. (available online)
18:2— "Yoshiko Kanai: Moira" (A Space, Toronto). Review by Kyo Maclear, pp. 42-43.
18:1— Brenda Joy Lem, Kyo Maclear, Shani Mootoo: "For Our Own Pleasure" (YYZ, Toronto). Review by Bryce Kanbara, pp. 44-45.
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
26:3— Citizen Salloum. Column by Laura U Marks, pp. 18-20. (available online)
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
18:1— India Now! (Toronto International Film Festival). Review by Raghu Krishnan, pp. 33-36.
26:4— "Art of the Great Proletarian Cultural Revolution, 1966-1976" (Plug-in). Review by Amy Karlinsky, pp. 45-47. (available online)
29:3— The next Big Thing: "Supernovas". Review by Amy Karlinsky, pp. 42-44. (available online)
16:1— Peter Karuna's "My Father was an Englishman" (NIIPA, Hamilton). Review by Jane Gordon, pp. 34-35.
18:4— "Black On White" (Director: Peter Karuna). Review by Lesley Douglass, pp. 35-36.
26:2— Democracy and Citizenship at 3AM. Column by Mark Jones, pp.08-11. (available online)
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
26:1— Documenting a Documentary Documenta: Documenta11 through its repercussions in the North American Press. Column by Ines Katzenstein, pp. 14-17. (available online)
22:2— Vagina and Tenth Gate (Anterior Fontanelle). Artist project by Har Prakash Khalsa and Sat Dharam Kaur, pp. 26-27. (available online)
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
28:4— Acts of Being: kazemi vs. Libman. Artist project by Opinionware, (Daniel Ellis, design), pp. 26-29. (available online)
27:4— Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art. Column by Leah Lakshmi Piepznsa-Samarasinha, pp. 11. (available online)
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
16:4— Film and Video News. News by Susan Kealey, pp. 09.
16:5&6— Film and Video News. News by Susan Kealey, pp. 05-06. (available online)
17:1— Film and Video News. News by Susan Kealey, pp. 03.
17:2— Short Fuse. ShortFuse by Susan Kealey, pp. 06.
18:1— Lloyd Wong: Obituary. Obituary by Susan Kealey, pp. 01.
20:2— Introduction to the 20th Anniversary Retrospective Issue. Editorial by Susan Kealey and Clive Robertson, pp. 13-15, 17. (available online)
20:2— A Chronology:1976-96, compiled by Susan Kealey, with assistance from Clive Robertson. Feature by Susan Kealey, pp. 113-127. (available online)
20:2— Naming Names: A list of Centerfold/Fuse staff, writers, editors, and other contributors (1976-96). Feature by Susan Kealey, pp. 18-19. (available online)
21:4— As Alternative as You Want Me To Be. Column by Susan Kealey, pp. 18-20. (available online)
21:4— Re: Artist-Run Centres. Column by Reid Shier, pp. 21-23. (available online)
22:1— Letters to the Editor. Letter by various, pp. 10-11. (available online)
23:2— In Memoriam: Susan Kealey 1959-2000. Obituary by Tom Folland, pp. 10. (available online)
21:3— Architectural Re-enactments -- "Barry Isenor: XXX Video" (Mercer Union) and "Steve McQueen: Deadpan" (A Space). Review by Kenneth Hayes, pp. 49-50.
22:3— Dire Straits: The situation of contemporary visual arts funding in Korea. Column by Joan Kee, pp. 19-23. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
25:4— What is to be done? Questions for the 21st Century. Column by Stephen Morton and Susan Kelly, pp. 45-46. (available online)
28:1— Is Another World Possible: European Social Forum. Review by Susan Kelly, pp. 49-51. (available online)
28:3— A Failure of Ideas: "Communism" in Dublin . Review by Gemma Tippin, pp. 49-51. (available online)
18:5— Some Thoughts on Life Recently Out of School. Column by J.J. Lee, pp. 06-7.
28:2— A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press). Book Review by Sally McKay, pp. 38-40. (available online)
23:1— From Dada To Data: A Brief Survey Of Online Performance. Feature by Kathy Kennedy, pp. 31-34.
23:1— "A Persistent Seam In The Loop": Stan Douglas (The Power Plant, Toronto). Review by Ruth Kerkham, pp. 42-44.
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
18:5— A Newer Laocoon: Towards a Defense of Artists' Self-Determination Through Public Arts Funding. Feature by Robert Labossiere, pp. 14-19.
22:4— "Ohm: Dance Through an Electric Eye" (Bravo! TV). Review by Michael Balser, pp. 47-48. (available online)
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
17:5&6— Rhythm Activism: An interview with Marcel Khalife. Interview by Nada El-Yassir, pp. 21-23.
22:2— Vagina and Tenth Gate (Anterior Fontanelle). Artist project by Har Prakash Khalsa and Sat Dharam Kaur, pp. 26-27. (available online)
28:3— Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press). Book Review by Sunil Gupta, pp. 41-43. (available online)
26:4— Beautiful Dreamers: "Unsettled returns: A Screening and Dialogue with Michel Kheilfi and Eyal Sivan". Review by Richard Fung, pp. 36-38. (available online)
23:2— Asian Invasion vs. The Pristine Nation: Migrants Entering The Canadian Imagery. Feature by Larissa Lai, pp. 30-40. (available online)
16:3— Profile of Desh Pardesh. Review by Prabha Khosla, pp. 47.
16:3— Profile of Desh Pardesh. Review by Prabha Khosla, pp. 47.
22:2— Some Keywords and Arguments in Cultural Politics. Feature by Sean Lokaisingh-Meighoo and Arif Noorani, pp. 28-34. (available online)
27:4— Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art. Column by Leah Lakshmi Piepznsa-Samarasinha, pp. 11. (available online)
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
27:4— Race-ing Halifax: How to Avoid Being "Big C" Colonial. ShortFuse by Michelle Jacques, pp. 47-48. (available online)
25:1— "Close Up: Iranian Cinema, Past, Present and Future" (Verso Books). Book Review by Sarah Sharkey-Pearce, pp. 43-44. (available online)
22:2— Bored Bedmates: Art Criticism, Political vs. Critical. Feature by Gary Kibbins, pp. 35-42. (available online)
22:4— 'Political' & 'Critical' in Contemporary Art. ShortFuse by Tom Folland, pp. 56. (available online)
25:4— The Future Demands. Column by Anthony Kiendl, pp. 60-61. (available online)
18:5— Positive (Inter)Actions Responding to AIDS in Montreal. Column by Robert W.G. Lee, pp. 08-11.
23:3— "Fresh Paint" (Meg Gallery, Toronto). Review by Anne Kim, pp. 37-38. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
20:1— #220. Artist project by Patti Kim, pp. 16. (available online)
23:4— Is Activism Sexy?. Artist project by Patti Kim, pp. 54. (available online)
26:1— Documenting a Documentary Documenta: Documenta11 through its repercussions in the North American Press. Column by Ines Katzenstein, pp. 14-17. (available online)
20:1— Topographies: Aspects of Recent BC Art, Reflections of Diversity and Institutional Reality. Column by Kuan Foo, pp. 07-9. (available online)
21:4— The Magnifying Eye of Andy Warhol (AGO, Toronto). Review by Rosa Berland, pp. 56-58. (available online)
16:2— Taking Liberties. Column by Lisa Godfrey, pp. 10-12. (available online)
27:3— Cynthia F. Interviews Peter K.: A fictionalized conversation between Cynthia Foo and Peter Kingstone. Interview by Cynthia Foo, pp. 30-34. (available online)
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
26:2— Democracy and Citizenship at 3AM. Column by Mark Jones, pp.08-11. (available online)
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
18:4— Queers in the Streets versus Queen's Park: "Gay Pride and Prejudice" (Director: Nancy Nicol). Review by Gary Kinsman, pp. 40-41.
26:2— Toronto Urban Handbook. Artist project by Adrian Blackwell and Kika Thorne, pp. 14-25. (available online)
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
16:3— Kiss and Tell's "True Inversions" (Vancouver East Cultural Centre). Review by Andrea Fatona, pp. 46-47.
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
20:3— PSI Kit: "Passport Sized Interference" by Kit collective (Manchester Museum of Science and Industry, Ottawa International Airport). Review by Kandis Weiner, pp. 39-40. (available online)
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
22:3— "Broken Entries: Race, Subjectivity, Writing" (Mercury Press). Review by Richard Almonte, pp. 51-52. (available online)
21:2— "Big-Box Knockout: Community vs. Consumerism" (Ed Video). Review by Sherri Telenko, pp. 41-42.
24:4— Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale). Review by Veronika Klaptocz, pp. 37-39. (available online)
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
18:4— "Contested Spaces" (Union Station, Toronto). Review by Earl Miller, pp. 32-33.
16:2— "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
18:5— Positive (Inter)Actions Responding to AIDS in Montreal. Column by Robert W.G. Lee, pp. 08-11.
21:2— The Problem With Killing Columbus: Relativism, Ethnic Nationalism and Hybridity. Column by Richard William Hill, pp. 07-10.
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
29:2— The Excursive Province of Macromedia Flash: internet art and industry. Column by Taryn Sirove, pp. 13-17. (available online)
17:5&6— Heartbeat in the Diaspora: Taiko and Community. Column by Tamai Kobayashi, pp. 24-26.
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
22:3— "Broken Entries: Race, Subjectivity, Writing" (Mercury Press). Review by Richard Almonte, pp. 51-52. (available online)
17:5&6— "Radio Rethink: art, sound and transmission" (Walter Phillips Gallery Press). Book Review by Ann Shin, pp. 47-48.
22:4— "Waste Management" (AGO, Toronto). Review by Dana Samuel, pp. 49-50. (available online)
23:4— "Private Thoughts/Public Moments" (AGO, Toronto). Review by Germaine Koh, pp. 43-44. (available online)
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
20:1— Transmission Ruses: "small, medium and not large, books and collages, 1982 to present" by Laiwan (Grunt Gallery). Review by Karlyn Koh, pp. 41-43. (available online)
25:3— "Thelma Rosner: STILL LIFE" (Glendon Gallery, Toronto). Review by Patrick Mahon, pp. 42-44. (available online)
28:1— Neshat, The Friendly Other. Column by Haleh Niazmand, pp. 17-20. (available online)
26:1— Documenta11: Platform5. Column by Olga Kopenkina, pp. 08-13. (available online)
24:4— Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale). Review by Veronika Klaptocz, pp. 37-39. (available online)
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
21:2— The Problem With Killing Columbus: Relativism, Ethnic Nationalism and Hybridity. Column by Richard William Hill, pp. 07-10.
21:3— Jimmie Durham: The Centre of the World is Several Places (Part I). Interview by Richard William Hill and Beverly Koski, pp. 24-33.
21:4— Jimmie Durham: The Centre of the World is Several Places (Part II). Interview by Richard William Hill and Beverly Koski, pp. 46-53. (available online)
22:1— Deborah Doxtater, 1957-1998 (obituary). Obituary by Richard William Hill and Beverly Koski, pp. 07. (available online)
16:2— "Twist and Shout: A Decade of Feminist Writing in This Magazine" ed. Susan Crean (Second Story Press). Book Review by Diana Bryden, pp. 35. (available online)
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
23:2— "Multicultural States: Rethinking Difference And Identity" (Routledge). Review by Carmela Murdocca, pp. 54-55. (available online)
25:4— thief in the night. Column by Rob Kovitz, pp. 22-23. (available online)
27:2— Rob Kovitz's "Ice Fishing in Gimli": Winnipeg, where the moon is full every night (Gallery Oneoneone, Winnipeg). Review by Jeanne Randolph, pp. 41-46. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
18:1— Ian Rashid: Beyond Destination, Beyond Identity. Interview by Atif Ghani, pp. 11-15.
18:1— India Now! (Toronto International Film Festival). Review by Raghu Krishnan, pp. 33-36.
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
21:4— As Alternative as You Want Me To Be. Column by Susan Kealey, pp. 18-20. (available online)
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
20:3— Commentaries on the McMichael Canadian Art Collection: A Rambling Fireside Commentary on the Seven Dukes of Kleinberg. Feature by Andy Fabo, pp. 29-30. (available online)
21:4— Inuit Auteurs and Arctic Airwaves: Questions of Southern Reception. Column by Laura U Marks, pp. 13-17. (available online)
22:1— Letters to the Editor. Letter by various, pp. 10-11. (available online)
22:4— Sometimes in Anger: The Struggles of Inuit Video. Column by Michael Robert Evans, pp. 13-17. (available online)
28:3— Reflections of a Former Community Arts Officer. Column by Melanie Fernandez, pp. 09-14. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
28:4— All the makings of a Stereotype: Bollywood Cowboy . ShortFuse by Nadia Kurd, . (available online)
27:1— "Traces of India": photography, architecture, and the politics of representation (CCA, Montreal and Yale Centre for British Art). Review by Rahat Kurd, pp. 38-40. (available online)
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
28:4— Securing the Nation Post-9/11: the case against Stephen Kurtz. Interview by Gita Hashemi and Janna Graham, pp. 18-25. (available online)
28:4— Securing the Nation Post-9/11: the case against Stephen Kurtz. Interview by Gita Hashemi and Janna Graham, pp. 18-25. (available online)
28:2— Leaving it be: what we talk about when we alk about political shifts (Powell Street Festival). Column by Ashok Mathur, pp. 09-14. (available online)
29:2— On the horizon (casting shadows): Vancouver art, economies and hte pitfalls of success. Review by Vanessa Kwan, pp. 45-47. (available online)
