Fuse Magazine Index of Names
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
27:4— Sounding the Border/Echoes and Transmissions from the Morley Reserve: Cheryl L'Hirondelle and Candice Hopkins. Interview by Janna Graham, pp. 27-35. (available online)
27:4— treatycard. Artist project by Cheryl L'Hirondelle, pp. 16-17, insert. (available online)
23:3— "e/rector/scape" (Harcourt House, Edmonton). Review by Kerri Mogg, pp. 30-31. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
25:4— Uaajeerneq-A belly Laugh in the Face of Fear. Column by Sarah Laakkuluk Williamson, pp. 47-48. (available online)
18:5— A Newer Laocoon: Towards a Defense of Artists' Self-Determination Through Public Arts Funding. Feature by Robert Labossiere, pp. 14-19.
19:2— Leaky Boats, Battleships, Buddhism, Death Rays, Morphing, Eleanor of Aquitane and Camelot. Letter by Robert Mears and Scott Ellis, pp. 05.
19:2— Robert Labossi¸re Responds. Letter by Robert Labossi¸re, pp. 05.
29:2— Prophets of Design-Religion. ShortFuse by Rob Labossiere, pp. 48. (available online)
26:2— Listening material: "Democracy When?" and an art practice of organizing. Column by Ultra-red, pp. 26-31. (available online)
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
28:2— Letter to the Editor. Letter by Francois Lachapelle, pp. 07-8. (available online)
29:1— How to Survive as an Artist: at the CARFAC AGM. Column by Vera Frenkel, pp. 08-12. (available online)
18:5— "Making the Terrain: New Genre Public Art" (Bay Press). Review by Deborah Root, pp. 41-42.
16:3— Profile of Desh Pardesh. Review by Prabha Khosla, pp. 47.
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
23:1— Renegotiating The Terms Of Inclusion, Institutional Space, (Dis)Location, and A Group Of Sixty Seven. Column by Adrienne Lai, pp. 15-20.
27:1— Internationalism Begins at Home: Revisiting Modernism on the West Coast. Column by Adrienne Lai, pp. 10-15. (available online)
29:2— The Pull of Political Undercurrents: Janet Cardiff's "Words Drawn in Water". Review by Adrienne Lai, pp. 42-44. (available online)
17:1— "Telling Relations": Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
22:2— Shani Mootoo: Shifting Perceptions, Changing Practices. Interview by Sarindar Dhaliwal, pp. 18-25. (available online)
23:2— Asian Invasion vs. The Pristine Nation: Migrants Entering The Canadian Imagery. Feature by Larissa Lai, pp. 30-40. (available online)
24:1— You Say You Want To Fund The Revolution? Oh Well.... Column by Robin C. Pacific, pp. 13-16.
17:2— Multiplying Desires: A Discussion of "Remapping Tales of Desire" (A Space). Review by Carol Laing, pp. 30.
23:2— "Shadow States: Carol Laing" (Red Head Gallery, Toronto). Review by Janice Andreae, pp. 43-45. (available online)
20:1— Transmission Ruses: "small, medium and not large, books and collages, 1982 to present" by Laiwan (Grunt Gallery). Review by Karlyn Koh, pp. 41-43. (available online)
20:4— City on the Verge of Nervous Breakdown -- "Cities at the End of Time: Hong Kong 1997" (Pomelo Project). Review by Kuan Foo, pp. 36-38. (available online)
20:4— "(Be)Longing, Ellen Pau, Laiwan, Xui Li Young, Yau Ching" (Galerie Optica). Review by Alice Ming Wai Jim, pp. 39-40. (available online)
27:4— Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art. Column by Leah Lakshmi Piepznsa-Samarasinha, pp. 11. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
22:4— Sudbury Postcards. Artist project by Paul Lamothe, pp. 39-40. (available online)
22:4— "Wish You Were Here?" Paul Lamothe's Sudbury Postcards. Review by Richard William Hill, pp. 39-40. (available online)
17:5&6— "Radio Rethink: art, sound and transmission" (Walter Phillips Gallery Press). Book Review by Ann Shin, pp. 47-48.
16:2— The Rhetoric of Degradation: How the anti-porn lobby sold us out. Column by Christopher Eamon, pp. 16-17. (available online)
22:4— "Waste Management" (AGO, Toronto). Review by Dana Samuel, pp. 49-50. (available online)
28:3— A Glowing Intervention: Kelly Mark's "Glow House" (The Power Plant). Review by Andrea Carson, pp. 44-45. (available online)
17:3— BUST!. News by Carol Elaine, pp. 09.
18:5— A Newer Laocoon: Towards a Defense of Artists' Self-Determination Through Public Arts Funding. Feature by Robert Labossiere, pp. 14-19.
19:1— The Chill Continues: Artists after Bill C-128. Column by Elaine Carol, pp. 12-17.
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
18:4— Scattered at the Margins: "Out in Context: Work by Queer Students of the Emily Carr Institute of Art and Design". Review by Andrea Fatona and Gordon Brent Ingram, pp. 30-31.
20:4— A Vous de Nous (Hoping This Finds You As It Leaves Us, Well And Happy). Artist project by Martha Fleming and Lyne Lapointe, pp. 24-25. (available online)
20:4— "Studiolo: The Collaborative Work of Martha Fleming and Lyne Lapointe" (Artextes Editions). Review by Camilla Griggers and Neil Tenhaaf, pp. 47-48. (available online)
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
16:3— Letter to the Editor. Letter by Cameron Bailey, pp. 03-04.
26:4— Queers on the Move: The Make Friends Project. Artist project by Toni Latour and Rina Larsson, pp. 24-25. (available online)
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
19:4— Lament for a Nation: The Racial Geography of the The OH! Canada Project. Feature by Rinaldo Walcott, pp. 15-23.
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
26:4— Queers on the Move: The Make Friends Project. Artist project by Toni Latour and Rina Larsson, pp. 24-25. (available online)
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
27:1— Cooking lessons. Artist project by Yam Lau, centrefold. (available online)
20:5— Technology [not equal to] Art. Review by Nancy Paterson, pp. 43-45. (available online)
16:4— Paul Wong's "Chinaman's Peak: Walking the Mountain" (Contemporary Art Gallery). Review by Robin Laurence, pp. 43-44.
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
26:3— Light of return. Column by Amish Morrell, pp. 21-23. (available online)
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
20:3— Rencontre Performance: "International Performance Festival" presented by Le Lieu (Cinecycle). Review by Johanna Householder, pp. 41. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
18:4— "Land of Desire: Merchants, Power and the Rise of a New American Culture" (Vintage). Review by Yashar Essop, pp. 44-45.
16:2— The Rhetoric of Degradation: How the anti-porn lobby sold us out. Column by Christopher Eamon, pp. 16-17. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
16:4— Censorshipping and Receiving. Column by Lucinda Johnston, pp. 10-14.
22:3— "Made in Mexico/Made in Venezuela" (Art Metropole, Toronto). Review by Allan Antliff, pp. 49-50. (available online)
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
18:5— Re-Orienting Asian: "Millie Chen: Cook and Crave" (YYZ). Review by Jamelie Hassan, pp. 30-31.
20:1— Can I Have MSG, An Egg Roll To Suck On And Asian American Media On The Side?. Feature by Yau Ching, pp. 27-34. (available online)
16:1— "Moving the Image: Independent Asian Pacific American Media Arts" ed. Russell Leong (LA: Visual Communications and UCLA Asian American Studies Center). Book Review by Helen Lee, pp. 26-27.
17:1— Packaged for Export, Contents under Pressure: Canadian Film and Video in a US Context. Feature by Laura U Marks, pp. 12-23.
17:2— Notes from the Indie Circuit: Toronto Festival of Festivals (1993). Review by Helen Lee, pp. 38-40.
25:3— Returning to Unfinished Business: "Like Mangoes in July: The Work of Richard Fung" (Insomniac Press and Images Festival). Book Review by Claudia McKoy, pp. 48-50. (available online)
18:5— Some Thoughts on Life Recently Out of School. Column by J.J. Lee, pp. 06-7.
19:4— "Passages: Paintings by J. J. Lee" (Pitt Gallery). Review by Kuan Foo, pp. 43-44.
23:3— "Fresh Paint" (Meg Gallery, Toronto). Review by Anne Kim, pp. 37-38. (available online)
18:2— Untitled. Artist project by Min-Sook Lee, pp. 34-37.
23:4— Of Moose And Mel: Recent Disasters In Toronto's Public Art. Column by Kate Stevens, pp. 12-17. (available online)
24:1— You Say You Want To Fund The Revolution? Oh Well.... Column by Robin C. Pacific, pp. 13-16.
17:4— You're Beautiful Man, You're Beautiful: "Beauties and Monstrosities" (Damn Straight, Toronto). Review by Brent Cehan, pp. 41-42.
18:4— "Contested Spaces" (Union Station, Toronto). Review by Earl Miller, pp. 32-33.
18:5— Positive (Inter)Actions Responding to AIDS in Montreal. Column by Robert W.G. Lee, pp. 08-11.
19:1— AIDS Boogie Woogie: General Idea's "Infe©tions" (SL Simpson, Toronto). Review by Robert W.G. Lee, pp. 32-33.
19:2— Where Have All the FILE's Gone?. Letter by Clive Robertson, pp. 06.
20:4— Notes on "Scoping Boys and Scoping Girls" (Gallery TPW). Review by Robert W.G. Lee and Lee Rodney, pp. 41-42. (available online)
26:1— Baltic Interventions. Review by Bill Leeming, pp. 45-48. (available online)
29:3— Crumbling on a Grander Scale: Sunil Gupta's "Homelands". Review by Bill Leeming, pp. 39-41. (available online)
17:3— Fear and Loathing on the Prairie. News by Brett Josef Grubisic, pp. 09-10.
18:1— Rites of Privacy: A Christopher Lefler Update. Column by Bryan Young and Brent Grubusic, pp. 07-10.
18:2— A Gaze Blank and Pitiless as the Sun. Column by Jim Russell, pp. 07-12.
22:2— Bored Bedmates: Art Criticism, Political vs. Critical. Feature by Gary Kibbins, pp. 35-42. (available online)
22:4— 'Political' & 'Critical' in Contemporary Art. ShortFuse by Tom Folland, pp. 56. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
17:2— Multiplying Desires: A Discussion of "Remapping Tales of Desire" (A Space). Review by Carol Laing, pp. 30.
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
18:1— Brenda Joy Lem, Kyo Maclear, Shani Mootoo: "For Our Own Pleasure" (YYZ, Toronto). Review by Bryce Kanbara, pp. 44-45.
18:4— "Contested Spaces" (Union Station, Toronto). Review by Earl Miller, pp. 32-33.
26:2— Toronto Urban Handbook. Artist project by Adrian Blackwell and Kika Thorne, pp. 14-25. (available online)
18:3— "Jane Ash Poitras: Heaven to Earth" (Leo Kamen Gallery, Toronto). Review by Marilyn Daniels, pp. 43-45.
21:2— To Knit the Country with Iron Bars: Art and Politics in Contemporary Turkey. Column by Deborah Root, pp. 20-27.
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
27:4— Calling all Co-conspirators -- Julie Andreyev's "Greenroom" (Surrey Art Gallery, ECIAD). Review by Penny Leong Browne, pp. 43-46. (available online)
16:1— "Moving the Image: Independent Asian Pacific American Media Arts" ed. Russell Leong (LA: Visual Communications and UCLA Asian American Studies Center). Book Review by Helen Lee, pp. 26-27.
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
28:1— "Massive Change" or More of the Same? (VAG, Vancouver). Review by Ian Wojitowicz, pp. 46-48. (available online)
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
17:1— Profile: Shawna Dempsey and Lorri Millan. Column by Levi, pp. 43-44.
24:4— The Politics of Curating. The Trouble with Normal: Queering Our Identities. Column by Elleni Centime Zeleki, pp. 16-18. (available online)
26:1— Documenting a Documentary Documenta: Documenta11 through its repercussions in the North American Press. Column by Ines Katzenstein, pp. 14-17. (available online)
18:3— Faithful Even In Adversity. Artist project by Nina Levitt, pp. 15-17.
18:3— Faithful Even In Adversity. Artist project by Nina Levitt, pp. 15-17.
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
16:3— bell hooks' "Black Looks: Race and Representation" (Between the Lines Press). Book Review by Dennis Lewis, pp. 25-26.
16:4— Hybrids and Hyphens: Black Writers' Panel Discussion in Toronto. News by Dennis Lewis, pp. 03-05.
24:1— "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
17:2— Rocking the Show Boat. Feature by Sharon Lewis, pp. 26-27.
21:2— "Big-Box Knockout: Community vs. Consumerism" (Ed Video). Review by Sherri Telenko, pp. 41-42.
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
18:1— "The State of Asian America" (South End Press). Book Review by Xiaoping Li, pp. 28-29.
19:3— Art of Recall: "From Memory to Transformation: Jewish Women's Voices" (179 John Street, Toronto). Review by Catherine Osborne, pp. 43-45.
19:4— Erratum. Erratum by FUSE, pp. 06.
23:2— Menbtioning Gidone Busch. Artist project by Ruth Libermann, pp. 20-21. (available online)
28:4— Acts of Being: kazemi vs. Libman. Artist project by Opinionware, (Daniel Ellis, design), pp. 26-29. (available online)
16:2— Solidarity Mural. News by Carole Beaulieu, pp. 09. (available online)
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
29:1— Unravelling the Image: "Glenn Ligon -- Some Changes". Review by Victoria Lynn, pp. 41-44. (available online)
29:1— The [New] Politics of Identity: A checklist and invitation. Review by Gita Hashemi, Jessica Wyman, and Izida Zorde, pp. 52. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
23:1— The Concrete Ceiling: Class, Culture & Toronto's Portuguese. Feature by Anna Camara, pp. 22-30.
24:1— "Magnetic North: Experimental Canadian Video" (University of Minnesota Press). Review by John McCullough, pp. 44-45.
16:5&6— Dis-Orient-ation. Feature by Kyo Maclear, pp. 25-27. (available online)
17:2— Multiplying Desires: A Discussion of "Remapping Tales of Desire" (A Space). Review by Carol Laing, pp. 30.
17:2— A Tale of Conflicting Desires: "Remapping Tales of Desire" (A Space, Toronto). Review by Janet Creery, pp. 31-32.
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
17:1— Packaged for Export, Contents under Pressure: Canadian Film and Video in a US Context. Feature by Laura U Marks, pp. 12-23.
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
16:2— Red, Hot, Chill. News by Lloyd Wong, pp. 07-08. (available online)
16:2— Solidarity Mural. News by Carole Beaulieu, pp. 09. (available online)
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
25:3— Untitled. Artist project by Chris Lloyd, pp. 20-21. (available online)
21:3— "Out of the Frame" -- a collective show of new lesbian photography. Review by Michael Balser, pp. 51-53.
24:3— breathtaking: Sue Lloyd's "searchworks" (TPW) and "chest cavity" (Red Head Gallery). Review by Janice Andreae, pp. 35-37. (available online)
22:2— Pop Off: The Regular 8 Faction (YYZ, Toronto). Review by John McCullough, pp. 47-49. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
23:3— "alt.shift.control" (Art Gallery of Hamilton and NIIPA, Hamilton). Review by Sherri Telenko, pp. 35-36. (available online)
23:4— Drag Racing: Dressing Up (And Messing Up) White In Contemporary First Nations Art. Feature by Richard William Hill, pp. 18-27. (available online)
21:2— The Problem With Killing Columbus: Relativism, Ethnic Nationalism and Hybridity. Column by Richard William Hill, pp. 07-10.
19:4— Lament for a Nation: The Racial Geography of the The OH! Canada Project. Feature by Rinaldo Walcott, pp. 15-23.
22:2— Some Keywords and Arguments in Cultural Politics. Feature by Sean Lokaisingh-Meighoo and Arif Noorani, pp. 28-34. (available online)
23:1— Trespassers & Captives: Jamelie Hassan Artist-In-Residence Projects At The Eldon House (London Regional Art & Historical Museums). Review by David Merritt, pp. 44-46.
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection: A Rambling Fireside Commentary on the Seven Dukes of Kleinberg. Feature by Andy Fabo, pp. 29-30. (available online)
16:2— Historical Revisions: Sex, Gender and the Past (Toronto Festival of Festivals 1992). Review by Richard Fung, pp. 38-39. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
16:4— Like Apples and Oranges: Lesbian Feminist Responses to the Politics of "The Body Politic". Feature by Becki Ross, pp. 19-28.
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
22:3— "Made in Mexico/Made in Venezuela" (Art Metropole, Toronto). Review by Allan Antliff, pp. 49-50. (available online)
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
26:4— "Land without Soil, Art without Artwork" Interview with Ilana Salama Ortar and Stephen Wright. Interview by Sara Matthews and Hanadi Loubani, pp. 26-35. (available online)
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
17:5&6— Even You Can Not Resist Her: 9 Courtney Love Tantras. Column by Lynn Crosbie, pp. 35-37.
21:1— I Am the Unicorn. Column by Tobaron Waxman, pp. 50-52.
26:1— Baltic Interventions. Review by Bill Leeming, pp. 45-48. (available online)
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
28:2— Leaving it be: what we talk about when we alk about political shifts (Powell Street Festival). Column by Ashok Mathur, pp. 09-14. (available online)
24:1— It's Very Interesting If It Works: James Luna and Rebecca Belmore talk to Richard William Hill about the possibility of bringing it all back home. Interview by Richard William Hill, pp. 28-33.
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
19:4— "Straight Up" and the Politics of Boredom (Alliance Communications/Back Alley Film Production Ltd.). Review by Scott Treleaven, pp. 41-42.
16:2— Dreamspeakers Showcases Aboriginal Talent. News by Terry Lusty, pp. 06-07. (available online)
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
17:5&6— "Rotten: No Irish, No Blacks, No Dogs" (St Martins Press). Book Review by Marc Dacey, pp. 49.
29:1— Unravelling the Image: "Glenn Ligon -- Some Changes". Review by Victoria Lynn, pp. 41-44. (available online)
