Fuse Magazine Index of Names
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
16:5&6— Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions. Feature by Rozena Maart, pp. 45-50. (available online)
17:3— letter to the editor. Letter by Andy Fabo, pp. 05.
17:4— Portrait of the Colonized in Gurinder Chadha's "Baji on the Beach". Column by Rozena Maart and Shruti Tanna, pp. 10-12.
22:4— When There Is No Limit To Spirit: "Tall Orders: On the Spiritual in Art" (Propeller, Toronto). Review by Rozena Maart, pp. 53-55. (available online)
18:5— Among Ourselves, With Others (The Toronto Jewish Film Festival). Review by Sandra Haar, pp. 32-34.
20:4— The Only Good One is a Dead One: The Art of Willie Doherty. Feature by Aoife Mac Namara, pp. 13-23. (available online)
27:2— On the Destruction of an Artwork (Ron Benner's Gardens). Column by Andy Patton, pp. 11-15. (available online)
24:1— "Practice, Practise, Praxis: Serial Reception, Organizational Behaviour, and Strategic Action in Architecture" (YYZ books). Review by Emily Andreae and Janice Andreae, pp. 40-43.
21:4— From Silent Comedy to Delirium in the Landscape: A Partial View of Current British Video. Column by Catherine Elwes, pp. 24-26. (available online)
22:3— "Broken Entries: Race, Subjectivity, Writing" (Mercury Press). Review by Richard Almonte, pp. 51-52. (available online)
22:1— "In Lieu": Installations in Public Washrooms (Public Access, Toronto). Review by Lee Rodney, pp. 47-48. (available online)
28:2— Drawing Detention: A Conversation with No one is illegal. Column by No one is illegal, pp. 15-18. (available online)
19:2— Wah and Wear "Bill Burns and Marie-Paul MacDonald: Wearable Environments: Garments to Inhabit, Affordable Harrishomes to Wear" (471 Richmond Street W, Toronto). Review by Elizabeth Anderson, pp. 41-42.
25:1— "Canvas of War" (AGO, Toronto). Review by Kirsty Robertson, pp. 41-42. (available online)
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
26:4— Cultural Looting and Ethical Consistency. Column by Daniel Munro, pp. 07-11. (available online)
22:3— Privatizing the Public: Notes from the Ontario culture wars. Column by Barbara Godard, pp. 27-33. (available online)
22:4— "Touch: Touche" (Oboro, Montreal, and MacKenzie Art Gallery, Regina). Review by Marcus Miller, pp. 46. (available online)
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
17:3— Fear and Loathing on the Prairie. News by Brett Josef Grubisic, pp. 09-10.
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
16:3— No Single Gun Theory: Toronto Festival of Festivals 1992. Review by Kathleen Pirrie Adams, pp. 32-34.
16:5&6— Dis-Orient-ation. Feature by Kyo Maclear, pp. 25-27. (available online)
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
18:1— Brenda Joy Lem, Kyo Maclear, Shani Mootoo: "For Our Own Pleasure" (YYZ, Toronto). Review by Bryce Kanbara, pp. 44-45.
18:2— "Yoshiko Kanai: Moira" (A Space, Toronto). Review by Kyo Maclear, pp. 42-43.
18:5— Transmemmoration. Artist project by Kyo Maclear, pp. 12-13.
18:5— Transmemmoration. Artist project by Kyo Maclear, pp. 12-13.
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
19:5— Pop Goes the Grrrl: Japanese Bands Go Global. Column by Kyo Maclear, pp. 09-13.
20:1— Curtain Drawn On Rising Sun, "Yasufumi Takahashi: Red Reflection I". Review by Kyo Maclear, pp. 44-45. (available online)
22:3— "Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness" by Kyo Maclear (Albany: SUNY Press, 1999). Review by Lang Baker, pp. 53-55. (available online)
22:4— Unsettling Sights... "The Lesbian National Parks and Services". Review by Margot Francis, pp. 41-45. (available online)
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
28:3— A Failure of Ideas: "Communism" in Dublin . Review by Gemma Tippin, pp. 49-51. (available online)
23:3— "alt.shift.control" (Art Gallery of Hamilton and NIIPA, Hamilton). Review by Sherri Telenko, pp. 35-36. (available online)
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
23:1— "Material Matters: The Art And Culture of Contemporary Textiles" (YYZ Books, Toronto). Book Review by Janice Andreae, pp. 51-53.
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
28:4— Cri de Coeur: The 59th Avignon Theatre Festival. Review by Barry Edwards, pp. 46-48. (available online)
26:4— "Art of the Great Proletarian Cultural Revolution, 1966-1976" (Plug-in). Review by Amy Karlinsky, pp. 45-47. (available online)
23:1— "Material Matters: The Art And Culture of Contemporary Textiles" (YYZ Books, Toronto). Book Review by Janice Andreae, pp. 51-53.
23:4— "Private Thoughts/Public Moments" (AGO, Toronto). Review by Germaine Koh, pp. 43-44. (available online)
24:1— "Sheila Butler: Sympathetic Magic" (Art Gallery of Mississauga and Mclaren Art Centre, Barrie). Review by Patrick Mahon, pp. 34-35.
25:3— "Thelma Rosner: STILL LIFE" (Glendon Gallery, Toronto). Review by Patrick Mahon, pp. 42-44. (available online)
28:3— Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah. Roundtable by Art and Cold Cash Collective, pp. 20-28. (available online)
16:2— The Rhetoric of Degradation: How the anti-porn lobby sold us out. Column by Christopher Eamon, pp. 16-17. (available online)
17:5&6— Summer of Love - Winter of Discontent: Fighting for the Right to Party (UK Criminal Justice and Public Order Bill). Column by Kathleen Maitland-Carter, pp. 11-14.
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
18:5— "Making the Terrain: New Genre Public Art" (Bay Press). Review by Deborah Root, pp. 41-42.
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
25:2— Roundtable: The Fountain of Youth. A discussion about cash, culture and the currency of being young. Roundtable by Danielle Allan, Roxanne Elder, Nico Dann, and Kitty Mak, pp. 20-25. (available online)
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
25:2— Superheroics and Sire Made Fresh: What do Girls ( and Women) Want?. Column by Kat Dodds, pp. 11-14. (available online)
28:1— Is Another World Possible: European Social Forum. Review by Susan Kelly, pp. 49-51. (available online)
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
16:5&6— Taking Dictation. Feature by Stuart Blackley, pp. 51-52. (available online)
16:2— Red, Hot, Chill. News by Lloyd Wong, pp. 07-08. (available online)
24:2— Writing To Legacy: Rachel Manley's "Slipstream" And Ken Wiwa's "In The Shadow Of A Saint" (Knopf). Review by Gamal Abdel-Shehid, pp. 44-46. (available online)
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
22:1— Caribana: A Diasporic Dub. Feature by Ramabai Espinet, pp. 18-25. (available online)
21:4— Digital Imperialism. Feature by Maria Fernandez, pp. 37-45. (available online)
29:2— The Excursive Province of Macromedia Flash: internet art and industry. Column by Taryn Sirove, pp. 13-17. (available online)
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
24:1— "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
16:1— The 'Post-colonial' Imagination. Column by Lee Maracle, pp. 12-15.
17:1— "Returning the Gaze" (Sister Vision Press). Book Review by Hazelle Palmer, pp. 39-40.
25:1— "Canvas of War" (AGO, Toronto). Review by Kirsty Robertson, pp. 41-42. (available online)
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
19:1— Kill, Kill, La, La, La: Pop, Punk and the Culture Industry. Feature by Chris Wodskou, pp. 24-31.
17:5&6— "Ranters and Crowd Pleasers: Punk and Pop Music, 1977-92" (Doubleday). Book Review by Yashar Essop, pp. 51-53.
19:3— The Lucite Box: Futurism, World's Fairs and the Phantom Teleceiver. Column by David McIntosh, pp. 06-11.
25:3— "Kelly Mark: Obvious" (Stride, Calgary). Review by Shelley Ouellet, pp. 45-47. (available online)
28:3— A Glowing Intervention: Kelly Mark's "Glow House" (The Power Plant). Review by Andrea Carson, pp. 44-45. (available online)
18:4— "Steve Reinke: The Hundred Videos" (YYZ, Toronto). Review by Tom Folland, pp. 34.
27:4— On the Misrecognition of Images. Column by Amish Morrell, pp. 07-10. (available online)
16:3— Joyce Nelson's "Sign Crimes/Road Kill: From Mediascape to Landscape" (Between the Lines Press). Book Review by Laura U. Marks, pp. 27-28.
16:4— Colette Urban's "Tracings" (YYZ artist outlet). Review by Laura U Marks, pp. 39-40.
17:1— Packaged for Export, Contents under Pressure: Canadian Film and Video in a US Context. Feature by Laura U Marks, pp. 12-23.
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
21:4— Inuit Auteurs and Arctic Airwaves: Questions of Southern Reception. Column by Laura U Marks, pp. 13-17. (available online)
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
22:1— Letters to the Editor. Letter by various, pp. 10-11. (available online)
24:4— "everything and nothing," or, art and the politics of "war". ShortFuse by Jayce Salloum, pp. 47-48. (available online)
26:3— Citizen Salloum. Column by Laura U Marks, pp. 18-20. (available online)
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
18:3— AIDS Testimonials: The Possibilities of Telling One's Own Story. Column by Jose Francisco Ibanez-Carrasco, pp. 07-10.
22:2— Shani Mootoo: Shifting Perceptions, Changing Practices. Interview by Sarindar Dhaliwal, pp. 18-25. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
17:4— You're Beautiful Man, You're Beautiful: "Beauties and Monstrosities" (Damn Straight, Toronto). Review by Brent Cehan, pp. 41-42.
24:1— "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
29:2— Read Handed: "Caught in the Act: an anthology of performance art by Canadian Women". Book Review by Leah Sandals, pp. 39-41. (available online)
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
18:2— Monopoly. Artist project by Teresa Marshall, pp. 24-25.
23:2— Asian Invasion vs. The Pristine Nation: Migrants Entering The Canadian Imagery. Feature by Larissa Lai, pp. 30-40. (available online)
20:3— Rencontre Performance: "International Performance Festival" presented by Le Lieu (Cinecycle). Review by Johanna Householder, pp. 41. (available online)
27:1— "Art Action" (Editions Intervention, Montreal). Book Review by Paul Couillard, pp. 33-35. (available online)
17:3— "They Write Their Dreams on the Rock Forever" (Talonbooks) and "Bowl of Bone/Tale of the Syuwe" (NFB). Book Review by Gordon Brent Ingram, pp. 37-39.
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
16:1— Letter to the editor. Letter by Lee-Ann Martin, pp. 05-06.
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
29:1— Building on Running Water: Rebecca Belmore's "Fountain". Review by Richard William Hill, pp. 49-51. (available online)
18:4— Too Queer For Middle America? Reflection on InQueery, InTheory, InDeed: The Sixth North American Lesbian, Gay and Bisexual Studies Conference (Iowa City, Iowa). Column by ki namaste, pp. 26-29.
21:1— Mise-en-abime: Words Made Flesh. Feature by Elysa Crowther Martinez, pp. 19-22.
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
18:1— Toronto International Film Festival. Review by Vance Chapman, pp. 37-40.
27:1— The Dunlop Art Gallery: Weird Economies. Feature by Helen Marzolf, pp. 16-19. (available online)
27:1— The Dunlop Art Gallery: Interview with Marjorie Dunlop. Interview by Helen Marzolf, pp. 20-24. (available online)
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
28:4— Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ). Book Review by Sally McKay, pp. 40-42. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
28:2— The Numbers Game: Evaluating Public Art Collections in Canada. Feature by Josephine Mills, pp. 28-37. (available online)
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
22:1— "In Lieu": Installations in Public Washrooms (Public Access, Toronto). Review by Lee Rodney, pp. 47-48. (available online)
28:4— Owning Something: "The Interventionists" (MassMOCA). Review by Marc Herbst, pp. 43-45. (available online)
22:3— "Memoire et Antimemoire" (Galerie de L'UQAM, Montreal). Review by Marilyn Burgess, pp. 46-48. (available online)
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
28:2— Leaving it be: what we talk about when we alk about political shifts (Powell Street Festival). Column by Ashok Mathur, pp. 09-14. (available online)
26:4— "Land without Soil, Art without Artwork" Interview with Ilana Salama Ortar and Stephen Wright. Interview by Sara Matthews and Hanadi Loubani, pp. 26-35. (available online)
28:1— "Massive Change" or More of the Same? (VAG, Vancouver). Review by Ian Wojitowicz, pp. 46-48. (available online)
29:2— Prophets of Design-Religion. ShortFuse by Rob Labossiere, pp. 48. (available online)
21:2— Untitled. Artist project by Philippe Maurais, pp. 18-19.
21:2— 7A*11D Performance Festival. Review by Paul Couillard, pp. 45-47.
27:3— Like Che. Column by Ingrid Mayrhofer and Nery Espinoza Quevedo, pp. 14-17. (available online)
16:1— Letter to the editor. Letter by Lee-Ann Martin, pp. 05-06.
21:4— From Silent Comedy to Delirium in the Landscape: A Partial View of Current British Video. Column by Catherine Elwes, pp. 24-26. (available online)
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
19:1— Negotiating The Zig Zag Divide: "Discerner of Hearts and Other Stories" (McClelland and Stewart). Review by Honor Ford-Smith, pp. 44-45.
20:4— Up for Sale: The Commodification of Canadian Culture. Column by Katarzyna Rukszto, pp. 07-11. (available online)
24:2— Mixed Identities And Other Fictions: M. Ondaatje's "Anil's Ghost" (McLelland and Stewart) and Grant Farrad's "Midfielder's Moment" (Westview Press). Review by Tess Chakkalakal, pp. 39-41. (available online)
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
16:3— Refusing Censorship. News by Kika Thorne, pp. 07-08.
22:3— When Public Became Private. Column by Andrew James Paterson, pp. 09-12. (available online)
24:2— Vice Squad (YYZ, Toronto). Review by Kelly McCray, pp. 34-36. (available online)
22:2— Pop Off: The Regular 8 Faction (YYZ, Toronto). Review by John McCullough, pp. 47-49. (available online)
23:4— "Glitter Stucco and Dumpster Diving: Reflections on Building Production in the Vernacular City" (Verso Books). Book Review by John McCullough, pp. 50-51. (available online)
24:1— "Magnetic North: Experimental Canadian Video" (University of Minnesota Press). Review by John McCullough, pp. 44-45.
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
20:4— Up for Sale: The Commodification of Canadian Culture. Column by Katarzyna Rukszto, pp. 07-11. (available online)
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
26:1— Documenting a Documentary Documenta: Documenta11 through its repercussions in the North American Press. Column by Ines Katzenstein, pp. 14-17. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection: Introduction. Feature by FUSE, pp. 28. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection: A Rambling Fireside Commentary on the Seven Dukes of Kleinberg. Feature by Andy Fabo, pp. 29-30. (available online)
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
16:4— Cryptic. Artist project by Courtnay McFarlane, pp. 24-25.
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
17:2— The Rising Sun in the Media. Column by Scott McFarlane, pp. 12-13.
18:3— The Haunt of Race: Canada's Multiculturalism Act, the Politics of Incorporation, and Writing Thru Race. Feature by Scott McFarlane, pp. 18-31.
17:4— You're Beautiful Man, You're Beautiful: "Beauties and Monstrosities" (Damn Straight, Toronto). Review by Brent Cehan, pp. 41-42.
28:3— Reflections of a Former Community Arts Officer. Column by Melanie Fernandez, pp. 09-14. (available online)
23:4— The Shit I Ain't Got -- "Hip Hop Nation: Roots, Rhymes and Rage" (Brooklyn Museum, NYC) and "Street Market" (Deitch Projects, NYC). Review by Peter Hudson, pp. 45-47. (available online)
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
22:4— "Moving and Storage" (in situ In Ottawa, Montreal and Toronto). Review by Stephen Horne, pp. 51-52. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
19:2— 360 Degrees of Separation: Notes on Facts and Fictions of Self and Nation in the Recurring Quebec Referendum. Feature by David McIntosh, pp. 14-20.
19:3— The Lucite Box: Futurism, World's Fairs and the Phantom Teleceiver. Column by David McIntosh, pp. 06-11.
19:5— Pedro Alderete's Altars & Autotopographies: "Call-777 Nganga (Oliver Bolton Studio). Review by David McIntosh, pp. 42-44.
20:5— Driving Mauve Desert: Borrowing, Translation and Navigation in Hypertext. Feature by David McIntosh, pp. 34-38. (available online)
22:1— Sergio Giral: Filmmaking Within & Beyond Fidel's Cuba. Interview by David McIntosh, pp. 36-43. (available online)
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
27:3— Ellipsis and Insurrection: Argentina, Media, Experiment and Liberation. Feature by David McIntosh, pp. 18-29. (available online)
29:3— Kent Monkman's Postindian Diva Warrior: From Simulacral Historianb to Embodied Liberator. Feature by David McIntosh, pp. 12-23. (available online)
22:1— "In Lieu": Installations in Public Washrooms (Public Access, Toronto). Review by Lee Rodney, pp. 47-48. (available online)
22:3— When Public Became Private. Column by Andrew James Paterson, pp. 09-12. (available online)
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
28:2— A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press). Book Review by Sally McKay, pp. 38-40. (available online)
28:4— Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ). Book Review by Sally McKay, pp. 40-42. (available online)
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
19:5— Braving the Storm: The Canada Council, the NEA and the Corporate Hurricane. Column by Heidi McKenzie, pp. 05-8.
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
25:3— Returning to Unfinished Business: "Like Mangoes in July: The Work of Richard Fung" (Insomniac Press and Images Festival). Book Review by Claudia McKoy, pp. 48-50. (available online)
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
24:1— "Sheila Butler: Sympathetic Magic" (Art Gallery of Mississauga and Mclaren Art Centre, Barrie). Review by Patrick Mahon, pp. 34-35.
18:4— Scattered at the Margins: "Out in Context: Work by Queer Students of the Emily Carr Institute of Art and Design". Review by Andrea Fatona and Gordon Brent Ingram, pp. 30-31.
17:4— You're Beautiful Man, You're Beautiful: "Beauties and Monstrosities" (Damn Straight, Toronto). Review by Brent Cehan, pp. 41-42.
18:1— On ne peut pas voir l'image. Artist project by Shannon Bell, Scott Mcleod, and Kathy Daymond, pp. 26-27.
17:3— Cyborgs in Denial: Technology and Identity in the Net. Feature by David Mclntosh, pp. 14-22.
20:3— Commentaries on the McMichael Canadian Art Collection: The Subject of Displacement: A response to the judicial decision regarding what constitutes a work of art that is neither Canadian nor Indian enough to be part of the said collection. Feature by Gerald McMaster, pp. 34-36. (available online)
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
19:1— Not Holding Still: "AlterNative (McMichael Canadian Art Collection). Review by Caroline Stevens, pp. 34-35.
20:3— Commentaries on the McMichael Canadian Art Collection: Introduction. Feature by FUSE, pp. 28. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection: A Rambling Fireside Commentary on the Seven Dukes of Kleinberg. Feature by Andy Fabo, pp. 29-30. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection: The Subject of Displacement: A response to the judicial decision regarding what constitutes a work of art that is neither Canadian nor Indian enough to be part of the said collection. Feature by Gerald McMaster, pp. 34-36. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection: A Parable. Feature by Shelley Niro, pp. 31. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection: On the Subject of Justice, Natural or Otherwise. Feature by Lisa Steele, pp. 30. (available online)
20:3— Commentaries on the McMichael Canadian Art Collection. Artist project by Stephen Andrews, pp. 18-19. (available online)
23:2— Indian Givers: The McMichaels' Revenge On Contemporary Art. ShortFuse by Richard William Hill, pp. 56-55. (available online)
23:3— All The World's A Stage: Theatre As A Political Tool. Feature by Carlyn Zwarenstein, pp. 21-27. (available online)
23:3— "alt.shift.control" (Art Gallery of Hamilton and NIIPA, Hamilton). Review by Sherri Telenko, pp. 35-36. (available online)
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
16:3— Gathering: The Memorial Project (A Space). Review by Christopher Eamon, pp. 40-41.
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
21:3— Architectural Re-enactments -- "Barry Isenor: XXX Video" (Mercer Union) and "Steve McQueen: Deadpan" (A Space). Review by Kenneth Hayes, pp. 49-50.
23:4— Of Moose And Mel: Recent Disasters In Toronto's Public Art. Column by Kate Stevens, pp. 12-17. (available online)
16:1— News and Events: Fighting back with Fashion. News by ki namaste, pp. 07-09.
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
21:2— The Problem With Killing Columbus: Relativism, Ethnic Nationalism and Hybridity. Column by Richard William Hill, pp. 07-10.
18:5— A Newer Laocoon: Towards a Defense of Artists' Self-Determination Through Public Arts Funding. Feature by Robert Labossiere, pp. 14-19.
19:2— Leaky Boats, Battleships, Buddhism, Death Rays, Morphing, Eleanor of Aquitane and Camelot. Letter by Robert Mears and Scott Ellis, pp. 05.
19:2— Robert Labossi¸re Responds. Letter by Robert Labossi¸re, pp. 05.
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
23:3— "Fresh Paint" (Meg Gallery, Toronto). Review by Anne Kim, pp. 37-38. (available online)
17:1— "Telling Relations": Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
21:1— AR&T. Artist project by Carly Statsko and Anna Melnikoff, pp. 28-29.
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
28:1— On the Fightin' Side of Me: an interview with Rebecca Belmore. Interview by Lori Blondeau and Lynne Bell, pp. 25-33. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
21:2— The Problem With Killing Columbus: Relativism, Ethnic Nationalism and Hybridity. Column by Richard William Hill, pp. 07-10.
20:4— Interview with Kobena Mercer. Interview by Daniel Yon, pp. 26-31. (available online)
22:1— "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998). Book Review by Peter Hudson, pp. 53-54. (available online)
22:4— Unsettling Sights... "The Lesbian National Parks and Services". Review by Margot Francis, pp. 41-45. (available online)
26:1— Documenting a Documentary Documenta: Documenta11 through its repercussions in the North American Press. Column by Ines Katzenstein, pp. 14-17. (available online)
16:1— Shelley Niro's "Mohawks in Beehives" (Mercer Union). Review by Lloyd Wong, pp. 38.
17:3— BUST!. News by Carol Elaine, pp. 09.
18:2— "Feminist Home Invasion" (Mercer Union, Toronto). Review by Jane Farrow, pp. 44.
19:1— The Chill Continues: Artists after Bill C-128. Column by Elaine Carol, pp. 12-17.
20:1— Curtain Drawn On Rising Sun, "Yasufumi Takahashi: Red Reflection I". Review by Kyo Maclear, pp. 44-45. (available online)
21:3— Architectural Re-enactments -- "Barry Isenor: XXX Video" (Mercer Union) and "Steve McQueen: Deadpan" (A Space). Review by Kenneth Hayes, pp. 49-50.
27:4— Raising the Platform: Goll & Nielsen on Site-specificity, Interrogation and the Social Consequences of the Encounter. Interview by Janna Graham and Kim Simon, pp. 18-26. (available online)
29:1— Negotiating Positionality: The Insides, Outsides, and In-Betweens. Column by Jessica Wyman, pp. 13-15. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
16:5&6— M. Nourbese Philip's anthology "Frontiers" (Mercury Press). Review by Rinaldo Walcott, pp. 55-56. (available online)
22:3— "Broken Entries: Race, Subjectivity, Writing" (Mercury Press). Review by Richard Almonte, pp. 51-52. (available online)
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
23:1— Trespassers & Captives: Jamelie Hassan Artist-In-Residence Projects At The Eldon House (London Regional Art & Historical Museums). Review by David Merritt, pp. 44-46.
25:2— ART VS. ADS. ShortFuse by Domenic Tomas, pp. 52. (available online)
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
18:4— "Hands of History" (Director: Loretta Todd) and "Keepers of the Fire" (Director: Christine Welsh). Review by Suzanne Methot, pp. 37-39.
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
18:3— "Gary Hill: Encountering Bodies" (Museum of Contemporary Art of Chicago). Review by Todd Meyers, pp. 46-47.
28:1— Is Another World Possible: European Social Forum. Review by Susan Kelly, pp. 49-51. (available online)
22:3— "Broken Entries: Race, Subjectivity, Writing" (Mercury Press). Review by Richard Almonte, pp. 51-52. (available online)
21:4— Inuit Auteurs and Arctic Airwaves: Questions of Southern Reception. Column by Laura U Marks, pp. 13-17. (available online)
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
18:3— The Haunt of Race: Canada's Multiculturalism Act, the Politics of Incorporation, and Writing Thru Race. Feature by Scott McFarlane, pp. 18-31.
22:3— "Broken Entries: Race, Subjectivity, Writing" (Mercury Press). Review by Richard Almonte, pp. 51-52. (available online)
17:1— Profile: Shawna Dempsey and Lorri Millan. Column by Levi, pp. 43-44.
21:3— Lesbian National Parks and Services Wants You. Artist project by Shawna Dempsey and Lorri Millan, pp. 34-35.
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
22:4— Unsettling Sights... "The Lesbian National Parks and Services". Review by Margot Francis, pp. 41-45. (available online)
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
16:1— "Inside/Out: Lesbian Theories, Gay Theories" ed. Diana Fuss (Routledge Press). Book Review by Tom Folland, pp. 32-33.
22:2— The Sense in "Yawning" (At Home Gallery, Slovakia). Review by Jo Williams, pp. 45-46. (available online)
17:4— "Auto Biography" (YYZ, Toronto). Review by Earl Miller, pp. 43.
18:1— Barry Isenor and Ken Hayes: "Demo Homes" (Exchange Square, Toronto). Review by Earl Miller, pp. 42-43.
18:4— "Contested Spaces" (Union Station, Toronto). Review by Earl Miller, pp. 32-33.
21:4— Su Rynard: "Life Tests" (YYZ). Review by Earl Miller, pp. 59-60. (available online)
22:4— Memory Loss: The Fear of Replicated Intelligence. Feature by Earl Miller, pp. 18-25. (available online)
23:2— Jenni's Web: Jennicam, Techno-Filters, And The Boys' Club. Feature by Earl Miller, pp. 22-29. (available online)
29:3— On Gods, Grammar and Nonsense: Gary Kibbins' "Grammar and Not-Grammar". Review by Earl Miller, pp. 36-38. (available online)
16:1— "Fluid Exchanges: Artists and Critics in the Aids Crisis" ed. James Miller (University of Toronto Press). Book Review by Fadi Abou-Rihan, pp. 28-29.
18:5— Positive (Inter)Actions Responding to AIDS in Montreal. Column by Robert W.G. Lee, pp. 08-11.
22:3— Untitled. Artist project by Jim Miller, pp. 34-35. (available online)
28:1— Arts Council Reveals Wormhole in Peer Assessment. ShortFuse by Jim Miller, pp. 52. (available online)
18:2— Embodying Shame and Fear: The Effects of Misogyny and Homophobia on Gay Men's Bodies. Column by John L Miller, pp. 13-19.
21:2— "Big-Box Knockout: Community vs. Consumerism" (Ed Video). Review by Sherri Telenko, pp. 41-42.
22:4— "Touch: Touche" (Oboro, Montreal, and MacKenzie Art Gallery, Regina). Review by Marcus Miller, pp. 46. (available online)
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
29:1— Negotiating Positionality: The Insides, Outsides, and In-Betweens. Column by Jessica Wyman, pp. 13-15. (available online)
19:3— Art of Recall: "From Memory to Transformation: Jewish Women's Voices" (179 John Street, Toronto). Review by Catherine Osborne, pp. 43-45.
16:5&6— Tim Miller and Marlon Riggs at Images 1993. Review by Randi Spires, pp. 65-66. (available online)
18:4— Too Queer For Middle America? Reflection on InQueery, InTheory, InDeed: The Sixth North American Lesbian, Gay and Bisexual Studies Conference (Iowa City, Iowa). Column by ki namaste, pp. 26-29.
28:4— Leaves of Ass: a conversation with Tim Miller. Interview by John Greyson, pp. 30-39. (available online)
26:4— The Seeds of Disruption. Column by Mark Jones, pp. 20-23. (available online)
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
28:2— The Numbers Game: Evaluating Public Art Collections in Canada. Feature by Josephine Mills, pp. 28-37. (available online)
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
24:2— The Boomerang Effect. ShortFuse by Jamelie Hassan, pp. 47-48. (available online)
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
28:3— A Failure of Ideas: "Communism" in Dublin . Review by Gemma Tippin, pp. 49-51. (available online)
28:2— Drawing Detention: A Conversation with No one is illegal. Column by No one is illegal, pp. 15-18. (available online)
29:3— A New Approach to Immigration Enforcement?. ShortFuse by Krista Johnston, Faria Kamal, and Farrah Miranda, pp. 52. (available online)
18:1— India Now! (Toronto International Film Festival). Review by Raghu Krishnan, pp. 33-36.
25:3— "Bollywood Cinema: Temples of Desire" by Vijay Mishra (Routledge). Book Review by Gurbir Singh Jolly, pp. 50-51. (available online)
17:2— Call In the Tropes! Miss Saigon undergoes analysis. Column by Richard Fung, pp. 07-09.
17:2— "Rock my Religion: Writings and art projects 1965-90" (MIT Press). Book Review by Tom Folland, pp. 35.
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
20:3— Public Art and Homelessness/Behind the Space Industry:"Evictions" (MIT Press). Book Review by Gordon Brent Ingram, pp. 47-48. (available online)
19:4— "Straight Up" and the Politics of Boredom (Alliance Communications/Back Alley Film Production Ltd.). Review by Scott Treleaven, pp. 41-42.
21:1— Stick It Where the Sun Don't Shine. Column by Allyson Mitchell, pp. 17-18.
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
23:3— Compulsive Consumption: The "Possession" of Anne Ramsden (Catriona Jeffries Gallery). Review by Johanna Mizgala, pp. 32-34. (available online)
26:4— The Seeds of Disruption. Column by Mark Jones, pp. 20-23. (available online)
21:2— "Miasma 2: clear and cold at the higher elevations" (Moabit Musik). Review by Steve Heimbecker, pp. 43-44.
28:2— Leaving it be: what we talk about when we alk about political shifts (Powell Street Festival). Column by Ashok Mathur, pp. 09-14. (available online)
23:2— Money Lures The Mock: Richard Mock ('The Works' Arts Festival, Edmonton). Review by Allan Antliff, pp. 41-42. (available online)
28:3— Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques). Review by Ellen Moffat, pp. 46-48. (available online)
23:3— "e/rector/scape" (Harcourt House, Edmonton). Review by Kerri Mogg, pp. 30-31. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
21:1— I'll Show You Mine If You Show Me Yours: Hedonistic Wound Lickers. Editorial by Simone Moir, pp. 11-15.
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
17:4— "Pierre Moliner: The Precurser" (TPW and Plugin). Review by Elaine Carol, pp. 40.
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
17:4— They demanded a witness. I wanted not to see. Shidane Abukar Arone.. Artist project by Melinda Mollineaux, pp. 20-21.
25:1— "Digital Dissent and States of Emergency" Patricia Zimmermann Speaks at the University of Toronto. Review by Patricia Molloy, pp. 45-47. (available online)
21:2— The Problem With Killing Columbus: Relativism, Ethnic Nationalism and Hybridity. Column by Richard William Hill, pp. 07-10.
18:3— AIDS Testimonials: The Possibilities of Telling One's Own Story. Column by Jose Francisco Ibanez-Carrasco, pp. 07-10.
24:4— The Stores of Venice. Column by Sarindar Dhaliwal, pp. 08-10. (available online)
19:4— The American Hangover: "The American Trip" (The Power Plant, Toronto). Review by Judith Doyle, pp. 45-47.
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
23:4— Drag Racing: Dressing Up (And Messing Up) White In Contemporary First Nations Art. Feature by Richard William Hill, pp. 18-27. (available online)
25:4— Untitled. Column by Kent Monkman, pp. 51. (available online)
29:1— The [New] Politics of Identity: A checklist and invitation. Review by Gita Hashemi, Jessica Wyman, and Izida Zorde, pp. 52. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
22:2— De-celebrating Black Expressive Culture: A Polemic. Column by Rinaldo Walcott, pp. 11-16. (available online)
27:2— On the Destruction of an Artwork (Ron Benner's Gardens). Column by Andy Patton, pp. 11-15. (available online)
27:3— Like Che. Column by Ingrid Mayrhofer and Nery Espinoza Quevedo, pp. 14-17. (available online)
16:1— It is a Crime .... Artist project by Shani Mootoo, pp. 24-25.
16:3— These differences, if must be noted, are geographical ..... Artist project by Shani Mootoo, pp. 23-24.
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
17:1— "Telling Relations": Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
18:1— Ian Rashid: Beyond Destination, Beyond Identity. Interview by Atif Ghani, pp. 11-15.
18:1— Brenda Joy Lem, Kyo Maclear, Shani Mootoo: "For Our Own Pleasure" (YYZ, Toronto). Review by Bryce Kanbara, pp. 44-45.
22:2— Shani Mootoo: Shifting Perceptions, Changing Practices. Interview by Sarindar Dhaliwal, pp. 18-25. (available online)
25:1— Initial impact ... an immediate response. Column by Shani Mootoo, pp. 14-16. (available online)
25:1— All In A Day, Oct 13th, 2001. Artist project by Shani Mootoo, pp. 22-23. (available online)
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
19:4— Berlinale 1996. Review by Robin Curtiss, pp. 35-37.
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
19:2— 360 Degrees of Separation: Notes on Facts and Fictions of Self and Nation in the Recurring Quebec Referendum. Feature by David McIntosh, pp. 14-20.
21:3— Cigarettes, Coffee and Dep Wine: Luc Bourdon, Anne Golden, Robert Morin, and Cathy Sisler chat about video in Montreal. Interview by Nelson Hendricks, pp. 17-23.
26:3— Light of return. Column by Amish Morrell, pp. 21-23. (available online)
27:4— On the Misrecognition of Images. Column by Amish Morrell, pp. 07-10. (available online)
18:3— AIDS Testimonials: The Possibilities of Telling One's Own Story. Column by Jose Francisco Ibanez-Carrasco, pp. 07-10.
16:3— Gathering: The Memorial Project (A Space). Review by Christopher Eamon, pp. 40-41.
16:2— "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
18:5— Positive (Inter)Actions Responding to AIDS in Montreal. Column by Robert W.G. Lee, pp. 08-11.
23:4— Of Moose And Mel: Recent Disasters In Toronto's Public Art. Column by Kate Stevens, pp. 12-17. (available online)
21:2— The Problem With Killing Columbus: Relativism, Ethnic Nationalism and Hybridity. Column by Richard William Hill, pp. 07-10.
18:4— Interview with Isaac Julian. Interview by Bruce Morrow, pp. 15-23.
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
25:4— What is to be done? Questions for the 21st Century. Column by Stephen Morton and Susan Kelly, pp. 45-46. (available online)
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
28:2— Of Virgins in Blenders and Rats that Sing. ShortFuse by Dot Tuer and Alberto Gomez, pp. 52. (available online)
26:3— Self-preservation? A missed encounter between populist politics and cultural practitioners. Column by Ava Bromberg, pp. 10-12. (available online)
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
20:4— Notes on "Scoping Boys and Scoping Girls" (Gallery TPW). Review by Robert W.G. Lee and Lee Rodney, pp. 41-42. (available online)
16:2— The Rhetoric of Degradation: How the anti-porn lobby sold us out. Column by Christopher Eamon, pp. 16-17. (available online)
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
17:4— Public Art, Public Process: Vancouver Community Fence Project. Column by Charlene Mulin, pp. 09.
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
27:1— "Art Action" (Editions Intervention, Montreal). Book Review by Paul Couillard, pp. 33-35. (available online)
26:4— Cultural Looting and Ethical Consistency. Column by Daniel Munro, pp. 07-11. (available online)
24:1— Soft Rock, 2001. Artist project by Will Munro, pp. 26-27.
24:1— Soft Rock, 2001. Artist project by Will Munro, pp. 26-27.
18:2— Agitative Propaganda. Feature by Miriam Patel, pp. 25-33.
23:2— "Multicultural States: Rethinking Difference And Identity" (Routledge). Review by Carmela Murdocca, pp. 54-55. (available online)
25:2— Three Short Essays on Growning Up. Feature by Terence Dick, pp. 28-37. (available online)
21:3— "Out of the Frame" -- a collective show of new lesbian photography. Review by Michael Balser, pp. 51-53.
19:1— Not Just a Pretty Face: "Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82" (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
21:2— To Knit the Country with Iron Bars: Art and Politics in Contemporary Turkey. Column by Deborah Root, pp. 20-27.
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
24:4— "everything and nothing," or, art and the politics of "war". ShortFuse by Jayce Salloum, pp. 47-48. (available online)
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
18:3— "Gary Hill: Encountering Bodies" (Museum of Contemporary Art of Chicago). Review by Todd Meyers, pp. 46-47.
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
26:4— Fuck Art, Let's Dance. Column by tobias c. van Veen, pp. 12-19. (available online)
26:3— Light of return. Column by Amish Morrell, pp. 21-23. (available online)
29:1— True North, Brave and Free: Isaac Julien's "True North". Review by Warren Crichlow, pp. 38-40. (available online)
