Fuse Magazine Index of Names
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
28:4— Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ). Book Review by Sally McKay, pp. 40-42. (available online)
19:5— Intersexions: "Issues of Race and Gender in Canadian Women's Writing" (Creative Books, New Delhi). Review by Katarzyna Rukszto and Mary-Jo Nadeau, pp. 47-48.
21:2— Representing Dissent: Talking About "Politically Speaking" (Douglas and McIntyre). Book Review by Mary-Jo Nadeau and Renuka Sooknanan, pp. 48-52.
19:3— Birds of a Feather: Canada, Mexico, NAFTA and Culture. Feature by Jose Springer, pp. 31-38.
24:4— "Tashme2: Early Works of Kazuo Nakamura" (Gendai Gallery, Toronto). Review by Richard William Hill, pp. 35-36. (available online)
25:1— "Canvas of War" (AGO, Toronto). Review by Kirsty Robertson, pp. 41-42. (available online)
25:2— Brutally Honest: Spencer Nakasako. Interview by Kelly O'Brien, pp. 38-44. (available online)
16:1— News and Events: Fighting back with Fashion. News by ki namaste, pp. 07-09.
16:2— Letter to the editor. Letter by ki namaste, pp. 03. (available online)
16:3— Academics and Activists: acknowledging institutional complicity. News by ki namaste, pp. 09-10.
18:4— Too Queer For Middle America? Reflection on InQueery, InTheory, InDeed: The Sixth North American Lesbian, Gay and Bisexual Studies Conference (Iowa City, Iowa). Column by ki namaste, pp. 26-29.
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
19:5— Braving the Storm: The Canada Council, the NEA and the Corporate Hurricane. Column by Heidi McKenzie, pp. 05-8.
22:3— Dire Straits: The situation of contemporary visual arts funding in Korea. Column by Joan Kee, pp. 19-23. (available online)
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
27:1— Setting the Table: Collective bargaining for the visual arts. ShortFuse by Carole Conde, pp. 44. (available online)
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
28:2— The Numbers Game: Evaluating Public Art Collections in Canada. Feature by Josephine Mills, pp. 28-37. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
29:1— Building on Running Water: Rebecca Belmore's "Fountain". Review by Richard William Hill, pp. 49-51. (available online)
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
18:5— Re-Orienting Asian: "Millie Chen: Cook and Crave" (YYZ). Review by Jamelie Hassan, pp. 30-31.
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
26:4— Negotiating Dissent?. Editorial by FUSE, pp. 05-06. (available online)
26:4— "Land without Soil, Art without Artwork" Interview with Ilana Salama Ortar and Stephen Wright. Interview by Sara Matthews and Hanadi Loubani, pp. 26-35. (available online)
26:4— Beautiful Dreamers: "Unsettled returns: A Screening and Dialogue with Michel Kheilfi and Eyal Sivan". Review by Richard Fung, pp. 36-38. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
26:4— Negotiations: A Post-ironic Memo with no Slogans. ShortFuse by Gita Hashemi, pp. 48. (available online)
27:3— "Black Hair/Her-Stories" and Joscelyn Gardner's Inverted Portraits (Barbados Museum and Historical Society, Barbados). Review by Charmaine Nelson, pp. 45-48. (available online)
16:3— Joyce Nelson's "Sign Crimes/Road Kill: From Mediascape to Landscape" (Between the Lines Press). Book Review by Laura U. Marks, pp. 27-28.
26:3— Subtitles: forever young. Artist project by Benny Nemerofsky Ramsay, pp. 24-27. (available online)
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
28:1— Patronage, Artistic License and Kissing the Rich Guy's Ass. Column by Marcus Miller, pp. 14-16. (available online)
28:1— Neshat, The Friendly Other. Column by Haleh Niazmand, pp. 17-20. (available online)
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
19:1— Towards an Arts Policy in New Brunswick. Column by Joe Blades, pp. 10-11.
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
23:4— Towards a New Feminist Politic In The Age Of The Transnational: "Talking Visions" (New Museum, NY). Book Review by Rinaldo Walcott, pp. 52-53. (available online)
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
19:3— The Lucite Box: Futurism, World's Fairs and the Phantom Teleceiver. Column by David McIntosh, pp. 06-11.
19:1— Film & Video News. News by Karen Tisch, pp. 08-9.
28:3— A Glowing Intervention: Kelly Mark's "Glow House" (The Power Plant). Review by Andrea Carson, pp. 44-45. (available online)
19:1— What's Love Got to Do With It?. Review by Randi Spires, pp. 39-40.
16:4— Film and Video News. News by Susan Kealey, pp. 09.
17:3— "They Write Their Dreams on the Rock Forever" (Talonbooks) and "Bowl of Bone/Tale of the Syuwe" (NFB). Book Review by Gordon Brent Ingram, pp. 37-39.
18:4— "Hands of History" (Director: Loretta Todd) and "Keepers of the Fire" (Director: Christine Welsh). Review by Suzanne Methot, pp. 37-39.
19:2— Fantasies of Conquest: "If Only I Were An Indian" (Zemma Pictures/NFB) and "Indian Princesses and Cowgirls: Stereotypes from the Frontier" (Oboro, Montreal). Review by Deborah Root, pp. 46-47.
16:5&6— Film and Video News. News by Susan Kealey, pp. 05-06. (available online)
17:1— "Returning the Gaze" (Sister Vision Press). Book Review by Hazelle Palmer, pp. 39-40.
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
28:1— Neshat, The Friendly Other. Column by Haleh Niazmand, pp. 17-20. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
22:3— "Broken Entries: Race, Subjectivity, Writing" (Mercury Press). Review by Richard Almonte, pp. 51-52. (available online)
17:4— Presidents Choice Through the Looking Class: Loblaws, Nichol and Specular Consumption. Feature by Clara Sacchetti and Todd Dufresne, pp. 22-31.
25:1— "Canvas of War" (AGO, Toronto). Review by Kirsty Robertson, pp. 41-42. (available online)
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
18:4— Queers in the Streets versus Queen's Park: "Gay Pride and Prejudice" (Director: Nancy Nicol). Review by Gary Kinsman, pp. 40-41.
19:1— Not Holding Still: "AlterNative (McMichael Canadian Art Collection). Review by Caroline Stevens, pp. 34-35.
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
27:4— Raising the Platform: Goll & Nielsen on Site-specificity, Interrogation and the Social Consequences of the Encounter. Interview by Janna Graham and Kim Simon, pp. 18-26. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
26:2— Listening material: "Democracy When?" and an art practice of organizing. Column by Ultra-red, pp. 26-31. (available online)
19:1— Film & Video News. News by Karen Tisch, pp. 08-9.
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
16:1— Peter Karuna's "My Father was an Englishman" (NIIPA, Hamilton). Review by Jane Gordon, pp. 34-35.
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
19:2— New World Landscape: Urban First Nations Photography (Interview with Jeffrey Thomas). Interview by Carol Podedworny, pp. 34-40.
23:3— "alt.shift.control" (Art Gallery of Hamilton and NIIPA, Hamilton). Review by Sherri Telenko, pp. 35-36. (available online)
16:1— Shelley Niro's "Mohawks in Beehives" (Mercer Union). Review by Lloyd Wong, pp. 38.
19:1— Not Holding Still: "AlterNative (McMichael Canadian Art Collection). Review by Caroline Stevens, pp. 34-35.
19:4— Native Love: Subverting the Boundaries of the Heart (curated and developed by Nation to Nation, Saskatoon, 1996). Feature by Ahasiw Maskegon-Iskwew, pp. 24-43.
20:3— Commentaries on the McMichael Canadian Art Collection: A Parable. Feature by Shelley Niro, pp. 31. (available online)
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
22:2— Party Politics: Visions and Versions of Caribana Panel Discussion. ShortFuse by Niyabingy, pp. 56. (available online)
28:2— Drawing Detention: A Conversation with No one is illegal. Column by No one is illegal, pp. 15-18. (available online)
28:3— Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah. Roundtable by Art and Cold Cash Collective, pp. 20-28. (available online)
27:1— Long Live Pussyboy!!! "Trans Mission -- Get Your Motor Runnin: Works by Alec Butler" (A Space, Toronto). Review by Bobby Noble, pp. 41-43. (available online)
16:5&6— Dis-Orient-ation. Feature by Kyo Maclear, pp. 25-27. (available online)
22:4— Where the South and the North Meet: Latino identity and cultural hegemony. Feature by Alberto Gomez, pp. 26-32. (available online)
16:5&6— Dis-Orient-ation. Feature by Kyo Maclear, pp. 25-27. (available online)
22:3— Privatizing the Public: Notes from the Ontario culture wars. Column by Barbara Godard, pp. 27-33. (available online)
19:4— The American Hangover: "The American Trip" (The Power Plant, Toronto). Review by Judith Doyle, pp. 45-47.
19:5— Pop Goes the Grrrl: Japanese Bands Go Global. Column by Kyo Maclear, pp. 09-13.
22:2— Some Keywords and Arguments in Cultural Politics. Feature by Sean Lokaisingh-Meighoo and Arif Noorani, pp. 28-34. (available online)
18:3— "Guy To Goddess: An Intimate Look at Drag Queens" (Whitecap press) and "Ladies, Please!" (Exile Editions). Book Review by Brian John Busby, pp. 35-36.
19:3— Art of Recall: "From Memory to Transformation: Jewish Women's Voices" (179 John Street, Toronto). Review by Catherine Osborne, pp. 43-45.
28:4— Cri de Coeur: The 59th Avignon Theatre Festival. Review by Barry Edwards, pp. 46-48. (available online)
25:3— The Present of Funding(?). Editorial by FUSE, pp. 06. (available online)
25:3— Upping the Anti: Of poetic ironies, propaganda machines and the claims for public sponsorship of culture. Column by Barbara Godard, pp. 12-21. (available online)
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
25:3— A Principle in Exile: The Elimination of the Nova Scotia Arts Council. Feature by Ken Schwartz, pp. 22-31. (available online)
25:3— Untitled. Artist project by Chris Lloyd, pp. 20-21. (available online)
27:1— The Dunlop Art Gallery Closes. Editorial by FUSE, pp. 05. (available online)
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
28:2— A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press). Book Review by Sally McKay, pp. 38-40. (available online)
23:4— An Inuit Perspective: "Itsarnittakarvik" (Inuit Heritage Centre, Baker Lake). Review by Sheila Butler, pp. 41-42. (available online)
26:1— Addressing Infrastructure: Portable initiatives, collapsible forms. Feature by Craig Buckley, pp. 20-29. (available online)
16:5&6— Inside Out Film and Video Festival 1993 (part 1). Review by Michelle Mohabeer, pp. 57-59. (available online)
