Fuse Magazine Index of Names
29:2— On the horizon (casting shadows): Vancouver art, economies and hte pitfalls of success. Review by Vanessa Kwan, pp. 45-47. (available online)
19:1— What's Love Got to Do With It?. Review by Randi Spires, pp. 39-40.
25:2— Brutally Honest: Spencer Nakasako. Interview by Kelly O'Brien, pp. 38-44. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
20:3— Ingrid Bachmann: A Portrait in Three Parts. Review by Lorraine Oades, pp. 20-27. (available online)
27:2— Reviving the Dead: Art and the Twentieth-century Hospital. Feature by Annmarie Adams, pp. 16-23. (available online)
19:1— Not Just a Pretty Face: "Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82" (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
20:1— Gifts and Cruelties of Displacement: "Nothing to be written here" (Wendy Oberlander). Review by Nancy Pollak, pp. 35-36. (available online)
19:2— Fantasies of Conquest: "If Only I Were An Indian" (Zemma Pictures/NFB) and "Indian Princesses and Cowgirls: Stereotypes from the Frontier" (Oboro, Montreal). Review by Deborah Root, pp. 46-47.
19:4— Cathy Sisler's Spin Cycles: "La Femme Ecran/The Reflexive Woman" (Oboro). Review by Anne Golden, pp. 38-40.
21:4— "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal). Review by Stephen Horne, pp. 61-63. (available online)
22:4— "Touch: Touche" (Oboro, Montreal, and MacKenzie Art Gallery, Regina). Review by Marcus Miller, pp. 46. (available online)
17:1— "Telematic Performance" Loops Toronto and Quebec (Interaccess and Obscure). Review by Mary Anne Farah, pp. 41-42.
26:2— Toronto Urban Handbook. Artist project by Adrian Blackwell and Kika Thorne, pp. 14-25. (available online)
23:1— "Odili Donald Odita: The Invisible Empire" (Gallery 101 Galerie, Ottawa). Review by Sylvie Fortin, pp. 49-50.
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
23:3— "Fresh Paint" (Meg Gallery, Toronto). Review by Anne Kim, pp. 37-38. (available online)
17:4— Public Art, Public Process: Vancouver Community Fence Project. Column by Charlene Mulin, pp. 09.
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
24:2— "Freestyle" ((The Studio Museum in Harlem, New York)). Review by Michelle Jacques, pp. 37-38. (available online)
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
19:5— Pedro Alderete's Altars & Autotopographies: "Call-777 Nganga (Oliver Bolton Studio). Review by David McIntosh, pp. 42-44.
22:4— "Waste Management" (AGO, Toronto). Review by Dana Samuel, pp. 49-50. (available online)
26:2— Power Shift: "Power to the People" (Contemporary Art Forum: Kitchener and Area). Review by Mark Schilling, pp. 45-47. (available online)
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
18:1— "The State of Asian America" (South End Press). Book Review by Xiaoping Li, pp. 28-29.
22:3— Almost a Union: CARFAC is certified under federal Status of the Artist legislation. Column by Karl Beveridge, pp. 24-26. (available online)
24:2— Mixed Identities And Other Fictions: M. Ondaatje's "Anil's Ghost" (McLelland and Stewart) and Grant Farrad's "Midfielder's Moment" (Westview Press). Review by Tess Chakkalakal, pp. 39-41. (available online)
19:1— The Connective Tissue of Asianess: Asian Heritage Month (Toronto). Review by Indu Singh, pp. 36.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
21:4— Elimination of multi-disciplinary magazines category at OAC. Editorial by FUSE, pp. 08. (available online)
22:3— Privatizing the Public: Notes from the Ontario culture wars. Column by Barbara Godard, pp. 27-33. (available online)
22:3— Beginning the Conversation (Ontario Arts Report). ShortFuse by Sandra Tulloch, pp. 56. (available online)
23:3— let the fireworks begin .... Editorial by FUSE, pp. 06. (available online)
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
27:1— Setting the Table: Collective bargaining for the visual arts. ShortFuse by Carole Conde, pp. 44. (available online)
28:3— Reflections of a Former Community Arts Officer. Column by Melanie Fernandez, pp. 09-14. (available online)
29:1— How to Survive as an Artist: at the CARFAC AGM. Column by Vera Frenkel, pp. 08-12. (available online)
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
19:1— Film & Video News. News by Karen Tisch, pp. 08-9.
16:2— Red, Hot, Chill. News by Lloyd Wong, pp. 07-08. (available online)
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
28:4— Acts of Being: kazemi vs. Libman. Artist project by Opinionware, (Daniel Ellis, design), pp. 26-29. (available online)
20:4— "(Be)Longing, Ellen Pau, Laiwan, Xui Li Young, Yau Ching" (Galerie Optica). Review by Alice Ming Wai Jim, pp. 39-40. (available online)
20:3— Rencontre Performance: "International Performance Festival" presented by Le Lieu (Cinecycle). Review by Johanna Householder, pp. 41. (available online)
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
23:3— All The World's A Stage: Theatre As A Political Tool. Feature by Carlyn Zwarenstein, pp. 21-27. (available online)
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
26:4— "Land without Soil, Art without Artwork" Interview with Ilana Salama Ortar and Stephen Wright. Interview by Sara Matthews and Hanadi Loubani, pp. 26-35. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
24:1— "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto). Review by Luis Jacob, pp. 36-37.
19:3— Art of Recall: "From Memory to Transformation: Jewish Women's Voices" (179 John Street, Toronto). Review by Catherine Osborne, pp. 43-45.
19:4— Erratum. Erratum by FUSE, pp. 06.
22:3— On the feasibility of becoming a household name. Column by Catherine Osbourne, pp. 15-17. (available online)
17:5&6— Reachin (a new refutation of space and time): interview with the Digable Planets. Interview by James Oscar, pp. 38-42.
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
25:2— ART VS. ADS. ShortFuse by Domenic Tomas, pp. 52. (available online)
19:2— The Art of Giving. Feature by Bruce Barber, pp. 21-28.
17:1— "Telematic Performance" Loops Toronto and Quebec (Interaccess and Obscure). Review by Mary Anne Farah, pp. 41-42.
26:1— LOOKOUT. Artist project by Kirsten Forkert and John Dummett (otiose), pp. 18-19, backcover. (available online)
26:2— Power Shift: "Power to the People" (Contemporary Art Forum: Kitchener and Area). Review by Mark Schilling, pp. 45-47. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
27:1— The Dunlop Art Gallery Closes. Editorial by FUSE, pp. 05. (available online)
25:3— "Kelly Mark: Obvious" (Stride, Calgary). Review by Shelley Ouellet, pp. 45-47. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
