Fuse Magazine Index of Names
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
17:2— Mix: The 7th New York Lesbian and Gay Experimental Film and Video Festival. Review by Robert F. Reid-Pharr, pp. 43-44.
24:1— You Say You Want To Fund The Revolution? Oh Well.... Column by Robin C. Pacific, pp. 13-16.
25:1— Johanna Householder's "The Neutron Hazer and the Mystic Gulf: Remembering Remembrance Day" (Dovercourt House). Review by Robin C. Pacific, pp. 48-49. (available online)
25:4— The Political Economy - or is that the Psychopathology? - of Hope. Column by Robin C. Pacific, pp. 14-15. (available online)
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
27:2— Guarded Views: Robin Pacific's "Uniform" (AGO, Toronto). Review by Vid Ingelevics, pp. 37-40. (available online)
28:2— Drawing Detention: A Conversation with No one is illegal. Column by No one is illegal, pp. 15-18. (available online)
16:3— Probing Pagliaganda. Column by Sheila Gostick, pp. 10-11.
28:3— A Glowing Intervention: Kelly Mark's "Glow House" (The Power Plant). Review by Andrea Carson, pp. 44-45. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
17:1— "Returning the Gaze" (Sister Vision Press). Book Review by Hazelle Palmer, pp. 39-40.
26:2— Community Media and The Church of Stop Shopping: An Interview with Dee Dee Halleck. Interview by Sarah Sharkey Pearce and Sarah Zammit, pp. 32-40. (available online)
28:4— Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ). Book Review by Sally McKay, pp. 40-42. (available online)
28:3— A Glowing Intervention: Kelly Mark's "Glow House" (The Power Plant). Review by Andrea Carson, pp. 44-45. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
17:3— "Queer Looks: Perspectives on Lesbian and Gay Film and Video" (Between the Lines Press, Toronto). Book Review by Lloyd Wong, pp. 34-35.
26:3— Maria-Anna Parolin's "Parolin Products for Busy People" (Harcourt House, edmonton). Review by Anne Whitelaw, pp. 47-48. (available online)
22:2— Pop Off: The Regular 8 Faction (YYZ, Toronto). Review by John McCullough, pp. 47-49. (available online)
25:4— Old is the New. Column by Roula Partheniou and Dave Dyment, pp. 41. (available online)
19:2— Fantasies of Conquest: "If Only I Were An Indian" (Zemma Pictures/NFB) and "Indian Princesses and Cowgirls: Stereotypes from the Frontier" (Oboro, Montreal). Review by Deborah Root, pp. 46-47.
18:2— Agitative Propaganda. Feature by Miriam Patel, pp. 25-33.
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
16:5&6— Inside Out Film and Video Festival 1993 (part 2). Review by Randi Spires, pp. 60-62. (available online)
16:1— "Exquisite Corpse" (Pleasure Dome, Toronto). Review by Andrew James Paterson, pp. 30-31.
21:2— Inside Out/Outside In?: Ruminations on Media Arts Festivals, Arts Funding, Video Art, AIDS, Queerness and Community. Column by Andrew James Paterson, pp. 11-16.
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
22:3— When Public Became Private. Column by Andrew James Paterson, pp. 09-12. (available online)
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
25:4— 21st Century ARCs. Column by Andrew James Paterson, pp. 58-59. (available online)
27:2— The Revolution Will Be Televised: Stan Douglas' "Hors-champs" (AGO, Toronto). Review by Andrew James Paterson, pp. 47-49. (available online)
20:5— Technology [not equal to] Art. Review by Nancy Paterson, pp. 43-45. (available online)
22:4— Memory Loss: The Fear of Replicated Intelligence. Feature by Earl Miller, pp. 18-25. (available online)
28:4— Cancer: A Metaphoric re/Vision: Aiko Suzuki's "Bombard/Invade/Radiate" (A Space Gallery). Review by Pam Patterson, pp. 49-51. (available online)
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
27:2— On the Destruction of an Artwork (Ron Benner's Gardens). Column by Andy Patton, pp. 11-15. (available online)
28:1— Launching a new ARTSWORLD: Trusted? Connected? Canadian?. Column by Clive Robertson, pp. 08-13. (available online)
16:2— "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
20:4— "(Be)Longing, Ellen Pau, Laiwan, Xui Li Young, Yau Ching" (Galerie Optica). Review by Alice Ming Wai Jim, pp. 39-40. (available online)
21:4— Inuit Auteurs and Arctic Airwaves: Questions of Southern Reception. Column by Laura U Marks, pp. 13-17. (available online)
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
18:4— "Contested Spaces" (Union Station, Toronto). Review by Earl Miller, pp. 32-33.
19:1— Not Just a Pretty Face: "Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82" (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
17:2— givin' props 2 da boyz: a black review of the Festival of Festivals (1993). Review by karen/miranda augustine, pp. 41-42.
16:1— News and Events: Fighting back with Fashion. News by ki namaste, pp. 07-09.
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
27:3— Fugitive II -- What Runs Underneath? In Conversation with Simon Penny. Interview by Natasha Dwyer, pp. 35-39. (available online)
28:4— Securing the Nation Post-9/11: the case against Stephen Kurtz. Interview by Gita Hashemi and Janna Graham, pp. 18-25. (available online)
23:2— "Container: Paul Perchal" (Video In). Review by Jose Francisco Ibanez-Carrasco, pp. 46-47. (available online)
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
16:3— Letter to the editor. Letter by M. Nourbese Philip, pp. 03.
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
16:5&6— Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions. Feature by Rozena Maart, pp. 45-50. (available online)
16:5&6— M. Nourbese Philip's anthology "Frontiers" (Mercury Press). Review by Rinaldo Walcott, pp. 55-56. (available online)
17:2— Sinking: $6 Million and still counting. Feature by M. NourbeSe Philip, pp. 14-25.
21:4— Black W/holes: A History of Brief Time. Feature by M. Nourbese Philip, pp. 27-36. (available online)
22:2— Party Politics: Visions and Versions of Caribana Panel Discussion. ShortFuse by Niyabingy, pp. 56. (available online)
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
21:3— Letter to the editor. Letter by Adella Pierre, pp. 06.
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
17:1— "Ghost" (Gallery 76, Toronto). Review by Jennifer Rudder, pp. 30-32.
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
16:3— No Single Gun Theory: Toronto Festival of Festivals 1992. Review by Kathleen Pirrie Adams, pp. 32-34.
17:4— ShortFuse. ShortFuse by Kathleen Adams Pirrie, pp. 07.
16:3— Memoryworks. News by Andrea Fatona, pp. 08-09.
16:4— Joe Sarahan's " 'Curse' of the 'Homo' " (Pitt Gallery). Review by Glenn Alteen, pp. 45-46.
19:4— "Passages: Paintings by J. J. Lee" (Pitt Gallery). Review by Kuan Foo, pp. 43-44.
21:2— Ceci n'est pas une archive: "Browser" (Artropolis '97, Vancouver). Review by Caterina Pizanias, pp. 38-40.
19:5— Pop Goes the Grrrl: Japanese Bands Go Global. Column by Kyo Maclear, pp. 09-13.
28:4— Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ). Book Review by Sally McKay, pp. 40-42. (available online)
16:1— "Exquisite Corpse" (Pleasure Dome, Toronto). Review by Andrew James Paterson, pp. 30-31.
17:4— "Pierre Moliner: The Precurser" (TPW and Plugin). Review by Elaine Carol, pp. 40.
26:4— "Art of the Great Proletarian Cultural Revolution, 1966-1976" (Plug-in). Review by Amy Karlinsky, pp. 45-47. (available online)
16:1— Shelley Niro's "Mohawks in Beehives" (Mercer Union). Review by Lloyd Wong, pp. 38.
19:2— New World Landscape: Urban First Nations Photography (Interview with Jeffrey Thomas). Interview by Carol Podedworny, pp. 34-40.
23:4— Drag Racing: Dressing Up (And Messing Up) White In Contemporary First Nations Art. Feature by Richard William Hill, pp. 18-27. (available online)
18:3— "Jane Ash Poitras: Heaven to Earth" (Leo Kamen Gallery, Toronto). Review by Marilyn Daniels, pp. 43-45.
24:2— The Boomerang Effect. ShortFuse by Jamelie Hassan, pp. 47-48. (available online)
20:1— Gifts and Cruelties of Displacement: "Nothing to be written here" (Wendy Oberlander). Review by Nancy Pollak, pp. 35-36. (available online)
16:5&6— Dis-Orient-ation. Feature by Kyo Maclear, pp. 25-27. (available online)
16:1— White Skin, Black Makeup. Feature by Kwame Dawes, pp. 19-23.
20:4— City on the Verge of Nervous Breakdown -- "Cities at the End of Time: Hong Kong 1997" (Pomelo Project). Review by Kuan Foo, pp. 36-38. (available online)
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
28:4— Owning Something: "The Interventionists" (MassMOCA). Review by Marc Herbst, pp. 43-45. (available online)
16:1— "Exquisite Corpse" (Pleasure Dome, Toronto). Review by Andrew James Paterson, pp. 30-31.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
26:1— Addressing Infrastructure: Portable initiatives, collapsible forms. Feature by Craig Buckley, pp. 20-29. (available online)
23:4— The Shit I Ain't Got -- "Hip Hop Nation: Roots, Rhymes and Rage" (Brooklyn Museum, NYC) and "Street Market" (Deitch Projects, NYC). Review by Peter Hudson, pp. 45-47. (available online)
28:2— Leaving it be: what we talk about when we alk about political shifts (Powell Street Festival). Column by Ashok Mathur, pp. 09-14. (available online)
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
19:4— The American Hangover: "The American Trip" (The Power Plant, Toronto). Review by Judith Doyle, pp. 45-47.
23:1— "A Persistent Seam In The Loop": Stan Douglas (The Power Plant, Toronto). Review by Ruth Kerkham, pp. 42-44.
25:2— Untitled. Artist project by Field and Streaming II, pp. 26-27. (available online)
28:3— A Glowing Intervention: Kelly Mark's "Glow House" (The Power Plant). Review by Andrea Carson, pp. 44-45. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
23:4— The Shit I Ain't Got -- "Hip Hop Nation: Roots, Rhymes and Rage" (Brooklyn Museum, NYC) and "Street Market" (Deitch Projects, NYC). Review by Peter Hudson, pp. 45-47. (available online)
21:3— Letter to the editor: Artropolis. Letter by Clive Robertson, pp. 06.
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
22:3— "Memoire et Antimemoire" (Galerie de L'UQAM, Montreal). Review by Marilyn Burgess, pp. 46-48. (available online)
16:5&6— Cornelia Wyngaarden's "The Dead Man was a Woman" (Video Out distribution) and "Forged Subjectivity" (Presentation House Gallery). Review by Nancy Shaw, pp. 53-54. (available online)
19:3— "Ron Benner: All That Has Value" (Edmonton Art Gallery, Edmonton and Presentation House Gallery, Vancouver). Review by Joan Richardson, pp. 41-42.
20:4— Desperation Disrupted: "Sunnybrook: A True Story with Lies" (Press Gang Publishers). Book Review by Ann Decter, pp. 43-44. (available online)
23:3— Letter to editor. Letter by Rene Price, pp. 09. (available online)
16:1— News and Events: Fighting back with Fashion. News by ki namaste, pp. 07-09.
24:2— Althea Prince's "Being Black" (Insomniac Press). Book Review by Jennifer Harris, pp. 42-43. (available online)
19:4— The American Hangover: "The American Trip" (The Power Plant, Toronto). Review by Judith Doyle, pp. 45-47.
28:3— A Failure of Ideas: "Communism" in Dublin . Review by Gemma Tippin, pp. 49-51. (available online)
25:2— Superheroics and Sire Made Fresh: What do Girls ( and Women) Want?. Column by Kat Dodds, pp. 11-14. (available online)
22:4— When There Is No Limit To Spirit: "Tall Orders: On the Spiritual in Art" (Propeller, Toronto). Review by Rozena Maart, pp. 53-55. (available online)
23:3— "Constructing Female Identities: Meaning making in An Upper Middle Class Youth Culture" (SUNY Press). Book Review by Rebecca Raby, pp. 44-46. (available online)
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
22:4— "Moving and Storage" (in situ In Ottawa, Montreal and Toronto). Review by Stephen Horne, pp. 51-52. (available online)
28:3— Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques). Review by Ellen Moffat, pp. 46-48. (available online)
