Fuse Magazine Index of Names
19:1— AIDS Boogie Woogie: General Idea's "Infe©tions" (SL Simpson, Toronto). Review by Robert W.G. Lee, pp. 32-33.
17:4— Presidents Choice Through the Looking Class: Loblaws, Nichol and Specular Consumption. Feature by Clara Sacchetti and Todd Dufresne, pp. 22-31.
23:3— All The World's A Stage: Theatre As A Political Tool. Feature by Carlyn Zwarenstein, pp. 21-27. (available online)
19:3— Art of Recall: "From Memory to Transformation: Jewish Women's Voices" (179 John Street, Toronto). Review by Catherine Osborne, pp. 43-45.
19:4— Erratum. Erratum by FUSE, pp. 06.
16:5&6— Dis-Orient-ation. Feature by Kyo Maclear, pp. 25-27. (available online)
18:2— "Culture and Imperialism" (Vintage). Review by Yashar Essop, pp. 38-39.
20:4— The Only Good One is a Dead One: The Art of Willie Doherty. Feature by Aoife Mac Namara, pp. 13-23. (available online)
21:4— Digital Imperialism. Feature by Maria Fernandez, pp. 37-45. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
28:1— Is Another World Possible: European Social Forum. Review by Susan Kelly, pp. 49-51. (available online)
22:2— "The Electric Field" by Kerri Sakamoto (Vintage Canada, 1998). Review by Renuka Sooknanan, pp. 50-51. (available online)
25:3— Returning to Unfinished Business: "Like Mangoes in July: The Work of Richard Fung" (Insomniac Press and Images Festival). Book Review by Claudia McKoy, pp. 48-50. (available online)
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
28:1— In Contact with Iraq. Artist project by Babak Salari, Daniel Ellis, and Gita Hashemi, pp. 21-24. (available online)
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
28:4— Cri de Coeur: The 59th Avignon Theatre Festival. Review by Barry Edwards, pp. 46-48. (available online)
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
24:4— "everything and nothing," or, art and the politics of "war". ShortFuse by Jayce Salloum, pp. 47-48. (available online)
25:1— Of Arabs, Museums and Civilizations. Column by Rawi Hage, pp. 24-27. (available online)
26:3— Citizen Salloum. Column by Laura U Marks, pp. 18-20. (available online)
28:1— Building an Inventory. Column by Jamelie Hassan, pp. 34-40. (available online)
24:3— Take good care of it, it is my whole life: Encounters with Charlotte Salomon's address to the living. Feature by Sharon Rosenberg, pp. 20-29. (available online)
24:1— You Say You Want To Fund The Revolution? Oh Well.... Column by Robin C. Pacific, pp. 13-16.
22:4— "Waste Management" (AGO, Toronto). Review by Dana Samuel, pp. 49-50. (available online)
16:5&6— Images 1993. Review by Laura McGough, pp. 62-64. (available online)
20:3— Ignoring the Role of Violence in Fanon, Playing with the Bones of an Exumed Hero. "The Fact of Blackness" (ICA, Bay Press). Book Review by Julian J Samuel, pp. 44-46. (available online)
29:2— Read Handed: "Caught in the Act: an anthology of performance art by Canadian Women". Book Review by Leah Sandals, pp. 39-41. (available online)
16:3— No Single Gun Theory: Toronto Festival of Festivals 1992. Review by Kathleen Pirrie Adams, pp. 32-34.
17:3— letter to the editor. Letter by Haar Sandra, pp. 05.
19:2— Where's the Fruit? "Juicy Fruit" (Koffler Gallery, Toronto). Review by Andrew Harwood, pp. 44-45.
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
21:1— Undoing Diasporic Dyke(otomies): An interview with De Poonani Posse. Interview by Shanikwa Sapphire, pp. 40-42.
16:3— Memoryworks. News by Andrea Fatona, pp. 08-09.
16:4— Joe Sarahan's " 'Curse' of the 'Homo' " (Pitt Gallery). Review by Glenn Alteen, pp. 45-46.
25:3— Flatland Funding: The Saskatchewan Arts Board. Column by Peter White, pp. 08-11. (available online)
21:1— The Deli. Artist project by Satellite Deli, pp. 39.
22:3— "Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness" by Kyo Maclear (Albany: SUNY Press, 1999). Review by Lang Baker, pp. 53-55. (available online)
26:4— The Seeds of Disruption. Column by Mark Jones, pp. 20-23. (available online)
27:4— Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art. Column by Leah Lakshmi Piepznsa-Samarasinha, pp. 11. (available online)
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
27:4— Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art. Column by Leah Lakshmi Piepznsa-Samarasinha, pp. 11. (available online)
27:2— Letters to the editor. Letter by various writers, pp. 08-9. (available online)
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
26:2— Power Shift: "Power to the People" (Contemporary Art Forum: Kitchener and Area). Review by Mark Schilling, pp. 45-47. (available online)
22:4— "Touch: Touche" (Oboro, Montreal, and MacKenzie Art Gallery, Regina). Review by Marcus Miller, pp. 46. (available online)
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
26:3— The Public Space of Memory: Opening to the Future of Justice. Feature by Joseph Rosen, pp. 28-35. (available online)
27:2— Reviving the Dead: Art and the Twentieth-century Hospital. Feature by Annmarie Adams, pp. 16-23. (available online)
23:3— All The World's A Stage: Theatre As A Political Tool. Feature by Carlyn Zwarenstein, pp. 21-27. (available online)
25:3— A Principle in Exile: The Elimination of the Nova Scotia Arts Council. Feature by Ken Schwartz, pp. 22-31. (available online)
28:3— Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques). Review by Ellen Moffat, pp. 46-48. (available online)
18:1— "Rosalie Favell: Living Evidence" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 46-47.
27:2— A Bad Review for Gary Michael Dault. ShortFuse by Richard William Hill, pp. 52. (available online)
21:2— Ceci n'est pas une archive: "Browser" (Artropolis '97, Vancouver). Review by Caterina Pizanias, pp. 38-40.
21:3— Letter to the editor: Artropolis. Letter by Clive Robertson, pp. 06.
24:4— Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale). Review by Veronika Klaptocz, pp. 37-39. (available online)
16:4— Hybrids and Hyphens: Black Writers' Panel Discussion in Toronto. News by Dennis Lewis, pp. 03-05.
24:4— Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale). Review by Veronika Klaptocz, pp. 37-39. (available online)
21:2— Untitled. Artist project by Paul Seesequasis, pp. 28-29.
20:5— Technology [not equal to] Art. Review by Nancy Paterson, pp. 43-45. (available online)
16:2— Turn of the Screw: review of Steven Seidman's "Embattled eros: Sexula Politics and Ethics in Contemporary America" (Routledge). Book Review by Shawn Syms, pp. 32-34. (available online)
22:2— Shani Mootoo: Shifting Perceptions, Changing Practices. Interview by Sarindar Dhaliwal, pp. 18-25. (available online)
22:3— "Broken Entries: Race, Subjectivity, Writing" (Mercury Press). Review by Richard Almonte, pp. 51-52. (available online)
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
22:2— Shani Mootoo: Shifting Perceptions, Changing Practices. Interview by Sarindar Dhaliwal, pp. 18-25. (available online)
19:1— Negotiating The Zig Zag Divide: "Discerner of Hearts and Other Stories" (McClelland and Stewart). Review by Honor Ford-Smith, pp. 44-45.
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
23:3— "Corpus Delecti: Performance Art Of The Americas" (Routledge). Book Review by Meera Sethi, pp. 42-43. (available online)
23:4— Talking Visions, Talking Art, Talking Politics: Ella Shohat On Her Latest Book. Interview by Meera Sethi, pp. 28-37. (available online)
23:4— "Private Thoughts/Public Moments" (AGO, Toronto). Review by Germaine Koh, pp. 43-44. (available online)
24:2— Richard Fung & Jamelie Hassan Speak. Interview by Meera Sethi, pp. 29-33. (available online)
24:3— "Other Conundrums: Race, Culture, and Canadian Art" (Arsenal Pulp Press). Review by Meera Sethi, pp. 38-39. (available online)
24:4— Working between Memory and Imagination: The Visual Art of Sarindar Dhaliwal. Feature by Meera Sethi, pp. 19-26. (available online)
27:4— The Abolition of Copyright and other Daring Imaginations -- Joost Smiers "Arts Under Pressure: Promoting Cultural Diversity in the Age of Globalization" (Zed Books). Review by Meera Sethi, pp. 40-42. (available online)
21:2— 7A*11D Performance Festival. Review by Paul Couillard, pp. 45-47.
28:1— Is Another World Possible: European Social Forum. Review by Susan Kelly, pp. 49-51. (available online)
21:2— To Knit the Country with Iron Bars: Art and Politics in Contemporary Turkey. Column by Deborah Root, pp. 20-27.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
26:3— The Public Space of Memory: Opening to the Future of Justice. Feature by Joseph Rosen, pp. 28-35. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
26:2— Toronto Urban Handbook. Artist project by Adrian Blackwell and Kika Thorne, pp. 14-25. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
26:2— Community Media and The Church of Stop Shopping: An Interview with Dee Dee Halleck. Interview by Sarah Sharkey Pearce and Sarah Zammit, pp. 32-40. (available online)
25:1— "Close Up: Iranian Cinema, Past, Present and Future" (Verso Books). Book Review by Sarah Sharkey-Pearce, pp. 43-44. (available online)
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
24:3— "a better place" (MacKenzie Art Gallery, Regina). Review by Christine Shaw, pp. 32-34. (available online)
29:1— Negotiating Positionality: The Insides, Outsides, and In-Betweens. Column by Jessica Wyman, pp. 13-15. (available online)
16:5&6— Cornelia Wyngaarden's "The Dead Man was a Woman" (Video Out distribution) and "Forged Subjectivity" (Presentation House Gallery). Review by Nancy Shaw, pp. 53-54. (available online)
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
25:2— Three Short Essays on Growning Up. Feature by Terence Dick, pp. 28-37. (available online)
19:1— What's Love Got to Do With It?. Review by Randi Spires, pp. 39-40.
23:3— Letter to editor. Letter by Nik Sheehan, pp. 09. (available online)
29:2— On the horizon (casting shadows): Vancouver art, economies and hte pitfalls of success. Review by Vanessa Kwan, pp. 45-47. (available online)
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
25:4— Always Nice to be Recognized. Column by Tom Sherman, pp. 20-21. (available online)
23:1— "Material Matters: The Art And Culture of Contemporary Textiles" (YYZ Books, Toronto). Book Review by Janice Andreae, pp. 51-53.
21:4— Re: Artist-Run Centres. Column by Reid Shier, pp. 21-23. (available online)
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
17:5&6— "Radio Rethink: art, sound and transmission" (Walter Phillips Gallery Press). Book Review by Ann Shin, pp. 47-48.
18:5— I Want More Kitschy Fish, profile of Lee Bul. Review by Ann Shin, pp. 35-37.
23:4— Talking Visions, Talking Art, Talking Politics: Ella Shohat On Her Latest Book. Interview by Meera Sethi, pp. 28-37. (available online)
23:4— Towards a New Feminist Politic In The Age Of The Transnational: "Talking Visions" (New Museum, NY). Book Review by Rinaldo Walcott, pp. 52-53. (available online)
19:5— Pop Goes the Grrrl: Japanese Bands Go Global. Column by Kyo Maclear, pp. 09-13.
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
24:4— Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale). Review by Veronika Klaptocz, pp. 37-39. (available online)
17:2— Rocking the Show Boat. Feature by Sharon Lewis, pp. 26-27.
17:2— Sinking: $6 Million and still counting. Feature by M. NourbeSe Philip, pp. 14-25.
23:3— "Fresh Paint" (Meg Gallery, Toronto). Review by Anne Kim, pp. 37-38. (available online)
16:1— About Face, about frame. News by Mina Shum, pp. 10-11.
16:5&6— Voices and Stories. Feature by Ardith Walkem, pp. 31-38. (available online)
17:1— "Returning the Gaze" (Sister Vision Press). Book Review by Hazelle Palmer, pp. 39-40.
18:3— The Haunt of Race: Canada's Multiculturalism Act, the Politics of Incorporation, and Writing Thru Race. Feature by Scott McFarlane, pp. 18-31.
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
27:4— Raising the Platform: Goll & Nielsen on Site-specificity, Interrogation and the Social Consequences of the Encounter. Interview by Janna Graham and Kim Simon, pp. 18-26. (available online)
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
20:5— Gender In Transit: "Brandon" web-based multimedia project. Review by Cylena Simonds and Reggie Woolery, pp. 39-42. (available online)
29:2— Representin': Black Artists Tell the Truth in "I Represent". Review by Rinaldo Walcott, pp. 33-35. (available online)
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
21:3— Diary of a Queen Street Negro. Column by Peter Hudson, pp. 13-16.
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
22:4— "Ohm: Dance Through an Electric Eye" (Bravo! TV). Review by Michael Balser, pp. 47-48. (available online)
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
19:1— The Connective Tissue of Asianess: Asian Heritage Month (Toronto). Review by Indu Singh, pp. 36.
25:3— "Bollywood Cinema: Temples of Desire" by Vijay Mishra (Routledge). Book Review by Gurbir Singh Jolly, pp. 50-51. (available online)
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
22:1— "In Lieu": Installations in Public Washrooms (Public Access, Toronto). Review by Lee Rodney, pp. 47-48. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
29:2— The Excursive Province of Macromedia Flash: internet art and industry. Column by Taryn Sirove, pp. 13-17. (available online)
17:1— "Island of the Damned" (Dunlop Art Gallery, Regina). Review by Greg Beatty, pp. 29.
19:4— Cathy Sisler's Spin Cycles: "La Femme Ecran/The Reflexive Woman" (Oboro). Review by Anne Golden, pp. 38-40.
21:3— Cigarettes, Coffee and Dep Wine: Luc Bourdon, Anne Golden, Robert Morin, and Cathy Sisler chat about video in Montreal. Interview by Nelson Hendricks, pp. 17-23.
22:2— Bored Bedmates: Art Criticism, Political vs. Critical. Feature by Gary Kibbins, pp. 35-42. (available online)
16:4— Hybrids and Hyphens: Black Writers' Panel Discussion in Toronto. News by Dennis Lewis, pp. 03-05.
17:1— "Returning the Gaze" (Sister Vision Press). Book Review by Hazelle Palmer, pp. 39-40.
18:1— "Miscegenation Blues: Voices of Mixed Race Women" (Sister Vision Press). Review by Honor Ford-Smith, pp. 30-31.
20:4— Poetry's Posse: Honor Ford-Smith's "My Mother's Last Dance" (Sister Vision Press). Review by Rinaldo Walcott, pp. 45-46. (available online)
27:4— Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art. Column by Leah Lakshmi Piepznsa-Samarasinha, pp. 11. (available online)
26:4— Beautiful Dreamers: "Unsettled returns: A Screening and Dialogue with Michel Kheilfi and Eyal Sivan". Review by Richard Fung, pp. 36-38. (available online)
28:4— Owning Something: "The Interventionists" (MassMOCA). Review by Marc Herbst, pp. 43-45. (available online)
26:2— 16 Beaver Street. Roundtable by FUSE and 16 Beaver Street, pp. 12-13 and insert. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
21:3— Diary of a Queen Street Negro. Column by Peter Hudson, pp. 13-16.
27:3— This Is Not an Exhibition: "The Future of the Reciprocal Readymade (the use-value of art)" (Apexart, New York). Review by Carl Skelton, pp. 49-50. (available online)
19:1— Not Just a Pretty Face: "Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82" (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
22:1— Representing Rights: The Symposium on the Artist and Human Rights, Ottawa. Review by Janet Creery, pp. 51-52. (available online)
27:4— The Abolition of Copyright and other Daring Imaginations -- Joost Smiers "Arts Under Pressure: Promoting Cultural Diversity in the Age of Globalization" (Zed Books). Review by Meera Sethi, pp. 40-42. (available online)
17:4— "Ben Smit" (Cold City Gallery, Toronto). Review by Christopher Eamon, pp. 39.
23:3— More! More More! How do you like it? How do I like it. A Word Performance. ShortFuse by Christopher Smith, pp. 46-47. (available online)
24:2— Movement By DJs. Column by Christopher Smith, pp. 07-9. (available online)
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
22:3— When Public Became Private. Column by Andrew James Paterson, pp. 09-12. (available online)
24:2— "Freestyle" ((The Studio Museum in Harlem, New York)). Review by Michelle Jacques, pp. 37-38. (available online)
27:1— Internationalism Begins at Home: Revisiting Modernism on the West Coast. Column by Adrienne Lai, pp. 10-15. (available online)
28:1— On the Fightin' Side of Me: an interview with Rebecca Belmore. Interview by Lori Blondeau and Lynne Bell, pp. 25-33. (available online)
16:1— "Exquisite Corpse" (Pleasure Dome, Toronto). Review by Andrew James Paterson, pp. 30-31.
17:5&6— "Music/Sound 1948-1993: The Michael Snow Project" (Alfred A Knopf). Book Review by Steve Reinke, pp. 50-51.
25:2— Untitled. Artist project by Alex Snukal, pp. 08, 19. (available online)
25:4— futuresong. Column by Dave Dyment and Alex Snukal, pp. 11. (available online)
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
28:3— Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques). Review by Ellen Moffat, pp. 46-48. (available online)
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
28:4— Securing the Nation Post-9/11: the case against Stephen Kurtz. Interview by Gita Hashemi and Janna Graham, pp. 18-25. (available online)
22:1— "In Lieu": Installations in Public Washrooms (Public Access, Toronto). Review by Lee Rodney, pp. 47-48. (available online)
23:4— Drag Racing: Dressing Up (And Messing Up) White In Contemporary First Nations Art. Feature by Richard William Hill, pp. 18-27. (available online)
21:2— Representing Dissent: Talking About "Politically Speaking" (Douglas and McIntyre). Book Review by Mary-Jo Nadeau and Renuka Sooknanan, pp. 48-52.
22:1— Cultural Markings, Cultural Appropriation: The Art of Mehndi. Column by Renuka Sooknanan, pp. 13-17. (available online)
22:2— "The Electric Field" by Kerri Sakamoto (Vintage Canada, 1998). Review by Renuka Sooknanan, pp. 50-51. (available online)
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
24:2— Kathak, The Classic Indian Art Form: Renuka Sooknanan Speaks with Joanna Das. Interview by Renuka Sooknanan, pp. 20-28. (available online)
16:5&6— Working through Cultural Appropriation. Feature by Richard Fung, pp. 16-24. (available online)
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
24:1— "Practice, Practise, Praxis: Serial Reception, Organizational Behaviour, and Strategic Action in Architecture" (YYZ books). Review by Emily Andreae and Janice Andreae, pp. 40-43.
24:3— Study Skins: "The Final SleepÉLe Dernier Sommeil" (ROM, Toronto). Review by Scott Sorli, pp. 30-31. (available online)
28:2— Leaving it be: what we talk about when we alk about political shifts (Powell Street Festival). Column by Ashok Mathur, pp. 09-14. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
22:4— Memory Loss: The Fear of Replicated Intelligence. Feature by Earl Miller, pp. 18-25. (available online)
28:4— All the makings of a Stereotype: Bollywood Cowboy . ShortFuse by Nadia Kurd, . (available online)
18:1— "The State of Asian America" (South End Press). Book Review by Xiaoping Li, pp. 28-29.
18:1— Hair of the Dog? Perspectives on Artists of South Asian Descent in Britain. Feature by Sonali Fernando, pp. 16-25.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
26:3— Light of return. Column by Amish Morrell, pp. 21-23. (available online)
22:3— "Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness" by Kyo Maclear (Albany: SUNY Press, 1999). Review by Lang Baker, pp. 53-55. (available online)
25:3— "Thelma Rosner: STILL LIFE" (Glendon Gallery, Toronto). Review by Patrick Mahon, pp. 42-44. (available online)
18:5— Sorry, Wrong Number: "Press Enter: Between Seduction and Disbelief" (The Power Plant, Toronto). Review by Clint Burnham, pp. 28-29.
16:5&6— Inside Out Film and Video Festival 1993 (part 2). Review by Randi Spires, pp. 60-62. (available online)
16:5&6— Tim Miller and Marlon Riggs at Images 1993. Review by Randi Spires, pp. 65-66. (available online)
19:1— What's Love Got to Do With It?. Review by Randi Spires, pp. 39-40.
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
24:4— Obituary: Colin Campbell (1942-2001). Obituary by Lori Spring and Lisa Steele, pp. 46. (available online)
19:3— Birds of a Feather: Canada, Mexico, NAFTA and Culture. Feature by Jose Springer, pp. 31-38.
23:4— Of Moose And Mel: Recent Disasters In Toronto's Public Art. Column by Kate Stevens, pp. 12-17. (available online)
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
17:5&6— Notes on Bhangra. Column by Vinita Srivastava, pp. 18-20.
16:3— Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System. Feature by Clive Robertson, pp. 12-22.
16:4— Ottawa Schmottawa. News by Greg Graham, pp. 08.
26:1— It's not a rave, officer. Feature by tobias c. van Veen, pp. 30-39. (available online)
23:4— Going Postal. ShortFuse by Alex St.Marc, pp. 56. (available online)
17:5&6— "Rotten: No Irish, No Blacks, No Dogs" (St Martins Press). Book Review by Marc Dacey, pp. 49.
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
19:5— Much Muzak: "Frieso Boning's 'Greatest Hits'" (St. Norbert Arts and Cultural Centre, Winnipeg). Review by Nora Young, pp. 40-41.
16:5&6— Skennakowah Ð is it Great peace with you?. Artist project by Greg Staats, pp. 36-38. (available online)
19:1— Not Holding Still: "AlterNative (McMichael Canadian Art Collection). Review by Caroline Stevens, pp. 34-35.
24:4— Memorandum. Artist project by Greg Staats, pp. 11-15. (available online)
21:2— "Big-Box Knockout: Community vs. Consumerism" (Ed Video). Review by Sherri Telenko, pp. 41-42.
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
29:1— Pimping out the 'hood. Editorial by FUSE, pp. 06-07. (available online)
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
21:1— Stick It Where the Sun Don't Shine. Column by Allyson Mitchell, pp. 17-18.
21:1— AR&T. Artist project by Carly Statsko and Anna Melnikoff, pp. 28-29.
23:4— The Shit I Ain't Got -- "Hip Hop Nation: Roots, Rhymes and Rage" (Brooklyn Museum, NYC) and "Street Market" (Deitch Projects, NYC). Review by Peter Hudson, pp. 45-47. (available online)
16:2— Obscenity Chill: Artists in a Post-Bulter Era. Feature by Claire Barclay and Elaine Carol, pp. 18-28. (available online)
16:2— Historical Revisions: Sex, Gender and the Past (Toronto Festival of Festivals 1992). Review by Richard Fung, pp. 38-39. (available online)
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
16:3— Refusing Censorship. News by Kika Thorne, pp. 07-08.
16:4— Film and Video News. News by Susan Kealey, pp. 09.
20:3— Commentaries on the McMichael Canadian Art Collection: On the Subject of Justice, Natural or Otherwise. Feature by Lisa Steele, pp. 30. (available online)
21:3— Tim Guest (obituary): 1956-1998. Obituary by Lisa Steele, pp. 11.
24:4— Obituary: Colin Campbell (1942-2001). Obituary by Lori Spring and Lisa Steele, pp. 46. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
29:1— Unravelling the Image: "Glenn Ligon -- Some Changes". Review by Victoria Lynn, pp. 41-44. (available online)
29:2— On the horizon (casting shadows): Vancouver art, economies and hte pitfalls of success. Review by Vanessa Kwan, pp. 45-47. (available online)
18:2— "We're Rooted Here and They Can't Pull Us Up: Essays in African Canadian Women's History" (University of Toronto Press). Review by Dionne Stephens, pp. 40-41.
22:1— "Crossings" (National Gallery of Canada, Ottawa). Review by Laura U Marks, pp. 44-46. (available online)
22:3— Privatizing the Public: Notes from the Ontario culture wars. Column by Barbara Godard, pp. 27-33. (available online)
19:1— Not Holding Still: "AlterNative (McMichael Canadian Art Collection). Review by Caroline Stevens, pp. 34-35.
23:4— Of Moose And Mel: Recent Disasters In Toronto's Public Art. Column by Kate Stevens, pp. 12-17. (available online)
22:1— "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa). Review by Marilyn Burgess, pp. 49-51. (available online)
26:2— Democracy and Citizenship at 3AM. Column by Mark Jones, pp.08-11. (available online)
16:3— Kiss and Tell's "True Inversions" (Vancouver East Cultural Centre). Review by Andrea Fatona, pp. 46-47.
23:4— Drag Racing: Dressing Up (And Messing Up) White In Contemporary First Nations Art. Feature by Richard William Hill, pp. 18-27. (available online)
26:3— The Public Space of Memory: Opening to the Future of Justice. Feature by Joseph Rosen, pp. 28-35. (available online)
20:3— Rencontre Performance: "International Performance Festival" presented by Le Lieu (Cinecycle). Review by Johanna Householder, pp. 41. (available online)
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
26:1— on Bruce Barber's Diddley Squat. ShortFuse by Tamara Stone, pp. 52. (available online)
26:2— A Diddly Squat Response from Bruce Barber. ShortFuse by Bruce Barber, pp. 48. (available online)
28:2— Where is the "Flipside" (Artist Space, NY). Review by Mira Friedlaender, pp. 41-44. (available online)
28:3— A Failure of Ideas: "Communism" in Dublin . Review by Gemma Tippin, pp. 49-51. (available online)
17:5&6— Organized Disorder: The Changing Space of the Record Shop. Feature by Will Straw, pp. 27-31.
26:4— Fuck Art, Let's Dance. Column by tobias c. van Veen, pp. 12-19. (available online)
25:3— "Kelly Mark: Obvious" (Stride, Calgary). Review by Shelley Ouellet, pp. 45-47. (available online)
18:4— Scattered at the Margins: "Out in Context: Work by Queer Students of the Emily Carr Institute of Art and Design". Review by Andrea Fatona and Gordon Brent Ingram, pp. 30-31.
22:1— "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998). Book Review by Peter Hudson, pp. 53-54. (available online)
24:2— "Freestyle" ((The Studio Museum in Harlem, New York)). Review by Michelle Jacques, pp. 37-38. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
28:1— In Contact with Iraq. Artist project by Babak Salari, Daniel Ellis, and Gita Hashemi, pp. 21-24. (available online)
16:2— Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival. Review by Robert F Reid-Pharr, pp. 40-41. (available online)
16:2— Chaotic Kinds of Dreams: Profile of Rungh Cultural Society. Review by Lloyd Wong, pp. 46-47. (available online)
17:3— "Dismantling Invisibility." Asian Artists Responding to the AIDS Crisis (A Space, Toronto). Review by Xiaoping Li, pp. 35-36.
23:3— "Fresh Paint" (Meg Gallery, Toronto). Review by Anne Kim, pp. 37-38. (available online)
22:3— "Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness" by Kyo Maclear (Albany: SUNY Press, 1999). Review by Lang Baker, pp. 53-55. (available online)
23:3— "Constructing Female Identities: Meaning making in An Upper Middle Class Youth Culture" (SUNY Press). Book Review by Rebecca Raby, pp. 44-46. (available online)
25:3— Culture Crash. ShortFuse by Kathy Walker, pp. 52. (available online)
27:4— Calling all Co-conspirators -- Julie Andreyev's "Greenroom" (Surrey Art Gallery, ECIAD). Review by Penny Leong Browne, pp. 43-46. (available online)
28:4— Cancer: A Metaphoric re/Vision: Aiko Suzuki's "Bombard/Invade/Radiate" (A Space Gallery). Review by Pam Patterson, pp. 49-51. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
21:3— "Out of the Frame" -- a collective show of new lesbian photography. Review by Michael Balser, pp. 51-53.
24:3— breathtaking: Sue Lloyd's "searchworks" (TPW) and "chest cavity" (Red Head Gallery). Review by Janice Andreae, pp. 35-37. (available online)
26:1— Michael Balser (August 14th, 1952 - October 4th, 2003). Obituary by Sharon Switzer, pp. 40-41. (available online)
16:4— Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video. Column by Ian Rashid, pp. 15-18.
26:4— The Seeds of Disruption. Column by Mark Jones, pp. 20-23. (available online)
18:1— Ian Rashid: Beyond Destination, Beyond Identity. Interview by Atif Ghani, pp. 11-15.
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
16:1— A Gender of Self-Determination: Kate Bornstein's "The Opposite Sex ... is Neither". Review by Shawn Syms, pp. 29-41.
16:2— Turn of the Screw: review of Steven Seidman's "Embattled eros: Sexula Politics and Ethics in Contemporary America" (Routledge). Book Review by Shawn Syms, pp. 32-34. (available online)
16:2— Letter to the editor. Letter by ki namaste, pp. 03. (available online)
18:4— "Contested Spaces" (Union Station, Toronto). Review by Earl Miller, pp. 32-33.
23:4— Carnegie International (2000). Review by Sylvie Fortin, pp. 38-39. (available online)
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
