Fuse Magazine Index of Names
16:1— "Moving the Image: Independent Asian Pacific American Media Arts" ed. Russell Leong (LA: Visual Communications and UCLA Asian American Studies Center). Book Review by Helen Lee, pp. 26-27.
19:2— Public Art and Its Discontents: Urban Design and "Public" Art on the Margins. Column by Gordon Brent Ingram, pp. 11-13.
18:5— Among Ourselves, With Others (The Toronto Jewish Film Festival). Review by Sandra Haar, pp. 32-34.
26:2— Listening material: "Democracy When?" and an art practice of organizing. Column by Ultra-red, pp. 26-31. (available online)
27:4— Raising the Platform: Goll & Nielsen on Site-specificity, Interrogation and the Social Consequences of the Encounter. Interview by Janna Graham and Kim Simon, pp. 18-26. (available online)
28:2— A third reading based on participation. Editorial by FUSE, pp. 06. (available online)
27:2— Lucille Robichaud's "Dermis: Repertoire of Skins" (UNB Art Centre, Fredrickton). Review by Roslyn Rosenfeld, pp. 50-51. (available online)
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
26:4— Cultural Looting and Ethical Consistency. Column by Daniel Munro, pp. 07-11. (available online)
19:2— Public Art and Its Discontents: Urban Design and "Public" Art on the Margins. Column by Gordon Brent Ingram, pp. 11-13.
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
22:1— "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998). Book Review by Peter Hudson, pp. 53-54. (available online)
28:2— The Numbers Game: Evaluating Public Art Collections in Canada. Feature by Josephine Mills, pp. 28-37. (available online)
24:1— "Magnetic North: Experimental Canadian Video" (University of Minnesota Press). Review by John McCullough, pp. 44-45.
16:1— "Fluid Exchanges: Artists and Critics in the Aids Crisis" ed. James Miller (University of Toronto Press). Book Review by Fadi Abou-Rihan, pp. 28-29.
17:2— "Sounding Differences" (UTP) and "Writers and Company" (Knopf). Book Review by Diana Bryden, pp. 36-37.
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
18:2— "We're Rooted Here and They Can't Pull Us Up: Essays in African Canadian Women's History" (University of Toronto Press). Review by Dionne Stephens, pp. 40-41.
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
16:3— Academics and Activists: acknowledging institutional complicity. News by ki namaste, pp. 09-10.
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
16:4— Colette Urban's "Tracings" (YYZ artist outlet). Review by Laura U Marks, pp. 39-40.
22:3— Almost a Union: CARFAC is certified under federal Status of the Artist legislation. Column by Karl Beveridge, pp. 24-26. (available online)
