Fuse Magazine Index of Names
18:4— "Black On White" (Director: Peter Karuna). Review by Lesley Douglass, pp. 35-36.
20:1— Fresh Blood: b.h. Yael's "A Consideration of Belonging" (V Tape, Toronto). Review by Sandra Haar, pp. 37-38. (available online)
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
19:2— Fantasies of Conquest: "If Only I Were An Indian" (Zemma Pictures/NFB) and "Indian Princesses and Cowgirls: Stereotypes from the Frontier" (Oboro, Montreal). Review by Deborah Root, pp. 46-47.
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
25:2— Intervention: The National Day of Action for tuition freeze rally. Review by Jason van Horne, pp. 49-51. (available online)
18:5— Pornutopian Premises, Positive Practices: Michael Balser's Video Art and Activism. Feature by David McIntosh, pp. 21-27.
28:4— Sonic Warfare: Tactical Soundsystems and the Post-World of Grey Filastine. Column by tobias c. van Veen, pp. 11-17. (available online)
24:4— The Politics of Curating. The Trouble with Normal: Queering Our Identities. Column by Elleni Centime Zeleki, pp. 16-18. (available online)
16:3— Refusing Censorship. News by Kika Thorne, pp. 07-08.
16:2— Chaotic Kinds of Dreams: Profile of Rungh Cultural Society. Review by Lloyd Wong, pp. 46-47. (available online)
19:4— Art for a Nation?. Column by Lynda Jessup, pp. 11-14.
20:1— Topographies: Aspects of Recent BC Art, Reflections of Diversity and Institutional Reality. Column by Kuan Foo, pp. 07-9. (available online)
23:2— Art and Scandal: Public Controversy In Contemporary Art. Column by Kevin Dowler, pp. 14-15. (available online)
26:1— How to look out the window. Gillian Wearing & Paul Wong at the Vancouver Art Gallery. Review by Terence Dick, pp. 42-44. (available online)
27:1— Internationalism Begins at Home: Revisiting Modernism on the West Coast. Column by Adrienne Lai, pp. 10-15. (available online)
28:1— "Massive Change" or More of the Same? (VAG, Vancouver). Review by Ian Wojitowicz, pp. 46-48. (available online)
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
16:4— Tie an Orange Ribbon: Artists' Rally in Vancouver. News by Andrea Fatona, pp. 03.
16:3— Kiss and Tell's "True Inversions" (Vancouver East Cultural Centre). Review by Andrea Fatona, pp. 46-47.
25:2— "Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto). Review by Daniel Baird, pp. 45-48. (available online)
25:3— Selling Out? Who's Buying It? A FUSE roundtable on funding the arts. Roundtable by Kim Simon, Richard William Hill, and others, pp. 32-41. (available online)
22:2— Shani Mootoo: Shifting Perceptions, Changing Practices. Interview by Sarindar Dhaliwal, pp. 18-25. (available online)
26:2— "Active Practices Symposium" (Agnes Etherington Art Centre): Impressions and Responses. Review by Yvonne Singer, pp. 41-44. (available online)
28:3— Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions. Interview by the Cache Collective, pp. 15-19. (available online)
24:4— The Stores of Venice. Column by Sarindar Dhaliwal, pp. 08-10. (available online)
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
24:4— Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale). Review by Veronika Klaptocz, pp. 37-39. (available online)
29:1— Building on Running Water: Rebecca Belmore's "Fountain". Review by Richard William Hill, pp. 49-51. (available online)
27:3— Ellipsis and Insurrection: Argentina, Media, Experiment and Liberation. Feature by David McIntosh, pp. 18-29. (available online)
18:4— "Steve Reinke: The Hundred Videos" (YYZ, Toronto). Review by Tom Folland, pp. 34.
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
23:4— "Glitter Stucco and Dumpster Diving: Reflections on Building Production in the Vernacular City" (Verso Books). Book Review by John McCullough, pp. 50-51. (available online)
25:1— "Close Up: Iranian Cinema, Past, Present and Future" (Verso Books). Book Review by Sarah Sharkey-Pearce, pp. 43-44. (available online)
26:3— Source: An Exhibition of Media Art Installations (Images Festival). Review by Daniel Baird, pp. 49-51. (available online)
19:5— Intersexions: "Issues of Race and Gender in Canadian Women's Writing" (Creative Books, New Delhi). Review by Katarzyna Rukszto and Mary-Jo Nadeau, pp. 47-48.
21:1— Daddy, you fucked up again. Artist project by Emily Vey Duke, pp. 53-55.
25:2— Three Short Essays on Growning Up. Feature by Terence Dick, pp. 28-37. (available online)
27:4— Race-ing Halifax: How to Avoid Being "Big C" Colonial. ShortFuse by Michelle Jacques, pp. 47-48. (available online)
18:1— "Anne-Marie Beneteau: Insomnia" (Workscene Gallery, Toronto). Review by Sandra Vida, pp. 41-42.
16:3— Memoryworks. News by Andrea Fatona, pp. 08-09.
17:3— Twenty Bold, Brash and Beautiful Years: "Video In's Twentieth Anniversary" (Vancouver). Review by Lynne Wanyeki, pp. 32-33.
23:2— "Container: Paul Perchal" (Video In). Review by Jose Francisco Ibanez-Carrasco, pp. 46-47. (available online)
16:5&6— Cornelia Wyngaarden's "The Dead Man was a Woman" (Video Out distribution) and "Forged Subjectivity" (Presentation House Gallery). Review by Nancy Shaw, pp. 53-54. (available online)
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
18:3— "Karla's Web: A Cultural Investigation of the Mahaffy-French Murders" (Viking). Review by Diana Fitzgerald Bryden, pp. 32-34.
28:4— Cri de Coeur: The 59th Avignon Theatre Festival. Review by Barry Edwards, pp. 46-48. (available online)
26:2— Listening material: "Democracy When?" and an art practice of organizing. Column by Ultra-red, pp. 26-31. (available online)
28:4— Owning Something: "The Interventionists" (MassMOCA). Review by Marc Herbst, pp. 43-45. (available online)
18:2— "Culture and Imperialism" (Vintage). Review by Yashar Essop, pp. 38-39.
18:4— "Land of Desire: Merchants, Power and the Rise of a New American Culture" (Vintage). Review by Yashar Essop, pp. 44-45.
22:2— "The Electric Field" by Kerri Sakamoto (Vintage Canada, 1998). Review by Renuka Sooknanan, pp. 50-51. (available online)
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
17:2— givin' props 2 da boyz: a black review of the Festival of Festivals (1993). Review by karen/miranda augustine, pp. 41-42.
22:2— De-celebrating Black Expressive Culture: A Polemic. Column by Rinaldo Walcott, pp. 11-16. (available online)
24:1— "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver). Review by Johanna Householder, pp. 38-39.
16:1— "Moving the Image: Independent Asian Pacific American Media Arts" ed. Russell Leong (LA: Visual Communications and UCLA Asian American Studies Center). Book Review by Helen Lee, pp. 26-27.
21:2— To Knit the Country with Iron Bars: Art and Politics in Contemporary Turkey. Column by Deborah Root, pp. 20-27.
16:5&6— Film and Video News. News by Susan Kealey, pp. 05-06. (available online)
22:2— The Sense in "Yawning" (At Home Gallery, Slovakia). Review by Jo Williams, pp. 45-46. (available online)
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
19:4— Berlinale 1996. Review by Robin Curtiss, pp. 35-37.
20:5— Pop Goes the Breast Surgery: "Breat Wishes" (Vu). Review by Anne Golden, pp. 46-48. (available online)
