Fuse Magazine Index of Names
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
17:2— "Sounding Differences" (UTP) and "Writers and Company" (Knopf). Book Review by Diana Bryden, pp. 36-37.
20:5— A Small Protest. Artist project by Deborah Waddington, pp. 30-33. (available online)
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
16:5&6— M. Nourbese Philip's anthology "Frontiers" (Mercury Press). Review by Rinaldo Walcott, pp. 55-56. (available online)
19:4— Lament for a Nation: The Racial Geography of the The OH! Canada Project. Feature by Rinaldo Walcott, pp. 15-23.
20:4— Poetry's Posse: Honor Ford-Smith's "My Mother's Last Dance" (Sister Vision Press). Review by Rinaldo Walcott, pp. 45-46. (available online)
22:2— De-celebrating Black Expressive Culture: A Polemic. Column by Rinaldo Walcott, pp. 11-16. (available online)
23:1— Miscognitions, Or, Why I Can't Seem To Get Along With White Boys. ShortFuse by Rinaldo Walcott, pp. 56.
23:3— Letter to editor. Letter by Nik Sheehan, pp. 09. (available online)
23:4— Towards a New Feminist Politic In The Age Of The Transnational: "Talking Visions" (New Museum, NY). Book Review by Rinaldo Walcott, pp. 52-53. (available online)
24:2— Issac Julien's Children: Black Queer Cinema After Looking For Langston. Feature by Rinaldo Walcott, pp. 10-17. (available online)
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
25:4— FUSE was the Future. Column by Rinaldo Walcott, pp. 39-40. (available online)
26:3— After the Pedagogical Turn: An Online Roundtable on Film and Video Programming and Curating. Roundtable by Rinaldo Walcott, Richard Fung, Roger Simon, Tracey Bowen, Ellen Flanders, and Kim Simon, pp. 36-44. (available online)
27:2— The Revolution Will Be Televised: Stan Douglas' "Hors-champs" (AGO, Toronto). Review by Andrew James Paterson, pp. 47-49. (available online)
29:1— The [New] Politics of Identity: A checklist and invitation. Review by Gita Hashemi, Jessica Wyman, and Izida Zorde, pp. 52. (available online)
29:2— Representin': Black Artists Tell the Truth in "I Represent". Review by Rinaldo Walcott, pp. 33-35. (available online)
16:5&6— Voices and Stories. Feature by Ardith Walkem, pp. 31-38. (available online)
24:1— "Magnetic North: Experimental Canadian Video" (University of Minnesota Press). Review by John McCullough, pp. 44-45.
25:3— Culture Crash. ShortFuse by Kathy Walker, pp. 52. (available online)
25:4— The Fast-line Forward. Column by Kathy Walker, pp. 43-44. (available online)
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
29:1— The Gentrification of Gentrification and other strategies of Toronto's creative class. Artist project by Adrian Blackwell, pp. 28-37. (available online)
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
28:4— Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ). Book Review by Sally McKay, pp. 40-42. (available online)
16:4— "Black Popular Culture" A project by Michele Wallace, edited by Gina Dent (Bay Press). Review by karen augustine, pp. 29-30.
19:1— Kill, Kill, La, La, La: Pop, Punk and the Culture Industry. Feature by Chris Wodskou, pp. 24-31.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
22:1— "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998). Book Review by Peter Hudson, pp. 53-54. (available online)
19:1— A Sign of Vandalism?. Artist project by Eduardo Aquino and Kathryn Walter, pp. 22-23.
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
17:5&6— "Radio Rethink: art, sound and transmission" (Walter Phillips Gallery Press). Book Review by Ann Shin, pp. 47-48.
27:4— Sounding the Border/Echoes and Transmissions from the Morley Reserve: Cheryl L'Hirondelle and Candice Hopkins. Interview by Janna Graham, pp. 27-35. (available online)
27:4— Nostalgic Landscapes -- Andrew Hunter's "Giddy-Up! or a Darn Good Hat Act" (Walter Phillips Gallery, Banff). Review by Ayesha Hameed, pp. 36-39. (available online)
16:1— "The Black Line" and "Ethos" (Harbourfront Centre, Toronto). Review by Dennis Lewis, pp. 36-37.
16:1— "Moving the Image: Independent Asian Pacific American Media Arts" ed. Russell Leong (LA: Visual Communications and UCLA Asian American Studies Center). Book Review by Helen Lee, pp. 26-27.
17:3— Twenty Bold, Brash and Beautiful Years: "Video In's Twentieth Anniversary" (Vancouver). Review by Lynne Wanyeki, pp. 32-33.
25:2— WARSTORIES: Working with Youth and Hip Hop. Column by Paula Gonzales, pp. 15-17. (available online)
16:3— "Maternal Instincts" (Mount Saint Vincent Art Gallery). Review by Andrea Ward, pp. 42-43.
16:4— Diana Thompson and Andrea Ward's "Correspondences" (A Space) . Review by Nancy Goldhar, pp. 41-43.
24:1— "Practice, Practise, Praxis: Serial Reception, Organizational Behaviour, and Strategic Action in Architecture" (YYZ books). Review by Emily Andreae and Janice Andreae, pp. 40-43.
18:3— Faithful Even In Adversity. Artist project by Nina Levitt, pp. 15-17.
29:2— Representin': Black Artists Tell the Truth in "I Represent". Review by Rinaldo Walcott, pp. 33-35. (available online)
21:4— The Magnifying Eye of Andy Warhol (AGO, Toronto). Review by Rosa Berland, pp. 56-58. (available online)
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
29:1— Unravelling the Image: "Glenn Ligon -- Some Changes". Review by Victoria Lynn, pp. 41-44. (available online)
28:2— The Temple and the Forum Together: Re-configuring Community Arts. Feature by Declan McGonagle, pp. 19-27. (available online)
16:5&6— Dance Me Inside: Pow Wow and Being "Indian". Feature by Gail Guthrie Valaskakis, pp. 39-44. (available online)
19:1— Not Just a Pretty Face: "Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82" (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
16:1— "Fluid Exchanges: Artists and Critics in the Aids Crisis" ed. James Miller (University of Toronto Press). Book Review by Fadi Abou-Rihan, pp. 28-29.
16:2— "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions). Book Review by Paul Della Penna, pp. 36-37. (available online)
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
26:4— "Art of the Great Proletarian Cultural Revolution, 1966-1976" (Plug-in). Review by Amy Karlinsky, pp. 45-47. (available online)
29:1— Building on Running Water: Rebecca Belmore's "Fountain". Review by Richard William Hill, pp. 49-51. (available online)
21:3— "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto). Book Review by Andy Fabo, pp. 54-55.
26:3— IndianActs: Highlights, or how art history spanked me straight. Column by Donna Wawzonek, pp. 13-17. (available online)
21:1— I Am the Unicorn. Column by Tobaron Waxman, pp. 50-52.
27:1— The Moorings of Art and Activism: An Australian Example. Column by Florencia Berinstein, pp. 06-9. (available online)
21:4— From Silent Comedy to Delirium in the Landscape: A Partial View of Current British Video. Column by Catherine Elwes, pp. 24-26. (available online)
26:1— How to look out the window. Gillian Wearing & Paul Wong at the Vancouver Art Gallery. Review by Terence Dick, pp. 42-44. (available online)
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
28:3— A Failure of Ideas: "Communism" in Dublin . Review by Gemma Tippin, pp. 49-51. (available online)
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
23:3— "Wink and Banter" (Allegy Gallery, Vancouver). Review by Annthea Whittaker, pp. 39-41. (available online)
20:3— PSI Kit: "Passport Sized Interference" by Kit collective (Manchester Museum of Science and Industry, Ottawa International Airport). Review by Kandis Weiner, pp. 39-40. (available online)
28:2— A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press). Book Review by Sally McKay, pp. 38-40. (available online)
18:5— "Beyond Recognition: Representation, Power, and Culture" (University of California Press) and "On the Museum's Ruins" (MIT Press). Review by Gordon Brent Ingram, pp. 43-44.
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
16:3— No Single Gun Theory: Toronto Festival of Festivals 1992. Review by Kathleen Pirrie Adams, pp. 32-34.
16:3— Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)). Review by Barbara Lattanzi, pp. 35-7.
18:4— "Hands of History" (Director: Loretta Todd) and "Keepers of the Fire" (Director: Christine Welsh). Review by Suzanne Methot, pp. 37-39.
20:1— Can I Have MSG, An Egg Roll To Suck On And Asian American Media On The Side?. Feature by Yau Ching, pp. 27-34. (available online)
17:4— Ineluctable Studies: Collective Autobiographies of the Knowledge Class (five cultural studies anthologies). Book Review by Clive Robertson, pp. 34-36.
19:3— Analyzing the Groove: "Black Noise: Rap Music and Black Culture in Contemporary America" (Wesleyan University Press). Review by Chris Wodskou, pp. 46-47.
23:1— "Material Matters: The Art And Culture of Contemporary Textiles" (YYZ Books, Toronto). Book Review by Janice Andreae, pp. 51-53.
16:3— Some of these are not like the others (Kodak Lecture Series 1992-3). Review by Paula Gignac, pp. 37-39.
24:2— Mixed Identities And Other Fictions: M. Ondaatje's "Anil's Ghost" (McLelland and Stewart) and Grant Farrad's "Midfielder's Moment" (Westview Press). Review by Tess Chakkalakal, pp. 39-41. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
17:1— Youth Cruci-fiction at L'Ascension: "Kaiashits/Boneman" (Innuinuit Theatre Company). Review by Clive Robertson, pp. 37-39.
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
28:4— Owning Something: "The Interventionists" (MassMOCA). Review by Marc Herbst, pp. 43-45. (available online)
17:2— givin' props 2 da boyz: a black review of the Festival of Festivals (1993). Review by karen/miranda augustine, pp. 41-42.
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
17:2— "A Cup for a Cup" (Forest City Gallery, London ON). Review by Cyril Reade, pp. 33-34.
22:4— Memory Loss: The Fear of Replicated Intelligence. Feature by Earl Miller, pp. 18-25. (available online)
16:1— "Inside/Out: Lesbian Theories, Gay Theories" ed. Diana Fuss (Routledge Press). Book Review by Tom Folland, pp. 32-33.
19:3— "Ron Benner: All That Has Value" (Edmonton Art Gallery, Edmonton and Presentation House Gallery, Vancouver). Review by Joan Richardson, pp. 41-42.
25:3— Flatland Funding: The Saskatchewan Arts Board. Column by Peter White, pp. 08-11. (available online)
27:1— The Dunlop Art Gallery: It was fun while it lasted ..... Feature by Peter White, pp. 25-27. (available online)
18:3— "Guy To Goddess: An Intimate Look at Drag Queens" (Whitecap press) and "Ladies, Please!" (Exile Editions). Book Review by Brian John Busby, pp. 35-36.
26:3— Maria-Anna Parolin's "Parolin Products for Busy People" (Harcourt House, edmonton). Review by Anne Whitelaw, pp. 47-48. (available online)
22:3— On the feasibility of becoming a household name. Column by Catherine Osbourne, pp. 15-17. (available online)
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
28:3— From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge. Interview by Craig Leonard, pp. 33-40. (available online)
29:2— Aesthetics and Ethnics: Contemporary US curatorial strategies and the "post-ehtnic". Feature by Viet Le, pp. 18-28. (available online)
18:4— "Hockey Night in Canada: Sport, Identities, and Cultural Politics" (Garamond Press). Review by Gary Genosko, pp. 46-47.
23:3— "Wink and Banter" (Allegy Gallery, Vancouver). Review by Annthea Whittaker, pp. 39-41. (available online)
22:2— Pop Off: The Regular 8 Faction (YYZ, Toronto). Review by John McCullough, pp. 47-49. (available online)
28:3— Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques). Review by Ellen Moffat, pp. 46-48. (available online)
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
22:2— "James Williams: shift, change 1988-1998" (AGH, Hamilton). Review by Sherri Telenko, pp. 43-44. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
22:2— The Sense in "Yawning" (At Home Gallery, Slovakia). Review by Jo Williams, pp. 45-46. (available online)
16:4— Biennial Bliss: The 1993 Whitney Biennial. Review by Robert F. Reid-Pharr, pp. 35-38.
22:3— Custody Battles: Changing the rules at the Canada Council. Column by Clive Robertson, pp. 36-45. (available online)
18:1— Toronto International Film Festival. Review by Vance Chapman, pp. 37-40.
16:4— "Black Popular Culture" A project by Michele Wallace, edited by Gina Dent (Bay Press). Review by karen augustine, pp. 29-30.
17:1— Black is Back! Toronto Festival of Festivals (1993). Review by Glace W Lawrence, pp. 33-36.
17:2— givin' props 2 da boyz: a black review of the Festival of Festivals (1993). Review by karen/miranda augustine, pp. 41-42.
17:1— "Telling Relations": Sexuality and the Family (Grunt Gallery, Vancouver). Review by Lorraine Chan, pp. 26-28.
17:2— "Sounding Differences" (UTP) and "Writers and Company" (Knopf). Book Review by Diana Bryden, pp. 36-37.
24:4— High Tech Storyteller: A Conversation with Performance Artist Lori Blondeau. Interview by Lynne Bel and Janice Williamson, pp. 27-34. (available online)
17:2— Alexander Wilson, obituary. Obituary by Andy Fabo, pp. 01.
18:3— "Black Male: Representations of Masculinity in Contemporary Art" (Whitney Museum, New York). Review by Nicholas Boston, pp. 40-42.
26:1— Baltic Interventions. Review by Bill Leeming, pp. 45-48. (available online)
22:1— "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998). Book Review by Peter Hudson, pp. 53-54. (available online)
19:1— Not Just a Pretty Face: "Corpus Loquendi: Body for Speaking-Body-Centred Video in Halifax 1972-82" (Oakville Galleries). Review by Steve Reinke, pp. 37-38.
16:2— "Straight White Males Rule ...". Artist project by Robert Windrum, pp. 29-31. (available online)
16:3— "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA). Review by Susan Kealey, pp. 44-45.
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
28:3— On the Subject of Counting as an Advanced Skill. ShortFuse by FUSE, pp. 48. (available online)
16:3— Review of the NFB's "Radical Reels". Review by Susan Lord, pp. 29-31.
24:2— Writing To Legacy: Rachel Manley's "Slipstream" And Ken Wiwa's "In The Shadow Of A Saint" (Knopf). Review by Gamal Abdel-Shehid, pp. 44-46. (available online)
19:1— Kill, Kill, La, La, La: Pop, Punk and the Culture Industry. Feature by Chris Wodskou, pp. 24-31.
19:3— Analyzing the Groove: "Black Noise: Rap Music and Black Culture in Contemporary America" (Wesleyan University Press). Review by Chris Wodskou, pp. 46-47.
28:1— "Massive Change" or More of the Same? (VAG, Vancouver). Review by Ian Wojitowicz, pp. 46-48. (available online)
18:2— Embodying Shame and Fear: The Effects of Misogyny and Homophobia on Gay Men's Bodies. Column by John L Miller, pp. 13-19.
20:3— New Cartographies, New Ways of Seeing: Mapping with Global Positioning Systems. Column by Andrea Wollensak, pp. 15-17. (available online)
18:5— "But is it Art? The spirit of Art as Activism" (Bay Press) and "Sightlines: Reading Contemporary Canadian Art" (Artexte). Review by Clive Robertson, pp. 38-40.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
16:1— Shelley Niro's "Mohawks in Beehives" (Mercer Union). Review by Lloyd Wong, pp. 38.
16:2— Chaotic Kinds of Dreams: Profile of Rungh Cultural Society. Review by Lloyd Wong, pp. 46-47. (available online)
16:2— Red, Hot, Chill. News by Lloyd Wong, pp. 07-08. (available online)
17:3— "Queer Looks: Perspectives on Lesbian and Gay Film and Video" (Between the Lines Press, Toronto). Book Review by Lloyd Wong, pp. 34-35.
18:1— Lloyd Wong: Obituary. Obituary by Susan Kealey, pp. 01.
16:5&6— A Pedestrian affair ... "Mayworks 1993". Review by Gitanjali, pp. 67-70. (available online)
20:4— "(Be)Longing, Ellen Pau, Laiwan, Xui Li Young, Yau Ching" (Galerie Optica). Review by Alice Ming Wai Jim, pp. 39-40. (available online)
16:3— Memoryworks. News by Andrea Fatona, pp. 08-09.
16:4— Paul Wong's "Chinaman's Peak: Walking the Mountain" (Contemporary Art Gallery). Review by Robin Laurence, pp. 43-44.
20:1— Sex Migrants: Paul Wong's Video Geographies of Erotic and Cultural Displacement in Pacific Canada. Feature by Gordon Brent Ingram, pp. 17-26. (available online)
20:1— Blending Milk and Water: Sex in the New World. Feature by Paul Wong, pp. 19-21,23,25. (available online)
21:3— Misfits Together: Paul Wong on Art, Community and Vancouver in the 1970s and '80s. Interview by Richard Fung, pp. 41-46.
23:2— Art and Scandal: Public Controversy In Contemporary Art. Column by Kevin Dowler, pp. 14-15. (available online)
26:1— How to look out the window. Gillian Wearing & Paul Wong at the Vancouver Art Gallery. Review by Terence Dick, pp. 42-44. (available online)
17:1— Untitled. Artist project by Kelly Wood and Lisa Robertson, pp. 24-25.
22:4— "Waste Management" (AGO, Toronto). Review by Dana Samuel, pp. 49-50. (available online)
29:2— Representin': Black Artists Tell the Truth in "I Represent". Review by Rinaldo Walcott, pp. 33-35. (available online)
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
27:2— Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres. Feature by Clive Robertson, pp. 26-36. (available online)
20:3— "The Watering Hole: Lyle Ashton Harris" (Jack Tilton Gallery). Review by Reggie Woolery, pp. 37-38. (available online)
20:5— Gender In Transit: "Brandon" web-based multimedia project. Review by Cylena Simonds and Reggie Woolery, pp. 39-42. (available online)
18:1— "Anne-Marie Beneteau: Insomnia" (Workscene Gallery, Toronto). Review by Sandra Vida, pp. 41-42.
19:5— Life and life support systems: zines, nets and outlets by artists--the late '70s & some now. Feature by Judith Doyle, pp. 23-33.
28:1— "Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM). Review by Laura J Kuo, pp. 05. (available online)
17:4— Talking Cock: Lesbians and Aural Sex an interview with Shonagh Adelman. Interview by Cynthia Wright, pp. 44-48.
25:1— The Wars: Tariq Ali on building anti-war movements, debating the "civilization mongers" and narrating the history of Islam. Interview by Cynthia Wright, pp. 28-40. (available online)
19:1— We're Here, We're Queer . . . and We're Making Movies: Out on Screen Lesbian and Gay Film/Video Festival (Vancouver). Review by Karen X. Tulchinsky, pp. 41-43.
26:4— "Land without Soil, Art without Artwork" Interview with Ilana Salama Ortar and Stephen Wright. Interview by Sara Matthews and Hanadi Loubani, pp. 26-35. (available online)
26:4— "Will" (A Space). Review by Naomi Binder Wall, pp. 41-. (available online)
27:4— The Abolition of Copyright and other Daring Imaginations -- Joost Smiers "Arts Under Pressure: Promoting Cultural Diversity in the Age of Globalization" (Zed Books). Review by Meera Sethi, pp. 40-42. (available online)
17:3— "BookendS and Odd Books: Publications Refuting Conventional Forms" (Walter Phillips Gallery, Banff). Review by Jeff Derksen, pp. 31-32.
25:4— Presentism now!. Column by Jessica Wyman, pp. 62-63. (available online)
29:1— Negotiating Positionality: The Insides, Outsides, and In-Betweens. Column by Jessica Wyman, pp. 13-15. (available online)
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
29:1— The [New] Politics of Identity: A checklist and invitation. Review by Gita Hashemi, Jessica Wyman, and Izida Zorde, pp. 52. (available online)
16:3— Memoryworks. News by Andrea Fatona, pp. 08-09.
16:5&6— Cornelia Wyngaarden's "The Dead Man was a Woman" (Video Out distribution) and "Forged Subjectivity" (Presentation House Gallery). Review by Nancy Shaw, pp. 53-54. (available online)
18:4— Scattered at the Margins: "Out in Context: Work by Queer Students of the Emily Carr Institute of Art and Design". Review by Andrea Fatona and Gordon Brent Ingram, pp. 30-31.
