Fuse Magazine Index of Names
17:3— "Spontaneous Combustion" (610 - 1 Queen St E, Toronto). Review by Jennifer Rudder, pp. 39-41.
20:1— Fresh Blood: b.h. Yael's "A Consideration of Belonging" (V Tape, Toronto). Review by Sandra Haar, pp. 37-38. (available online)
25:4— No Where Near the End, or, Notes Towards Trading the Future. Column by b.h. Yael, pp. 49-50. (available online)
27:1— "Traces of India": photography, architecture, and the politics of representation (CCA, Montreal and Yale Centre for British Art). Review by Rahat Kurd, pp. 38-40. (available online)
17:3— "In the Seam/En couture" (Access Art Now, Toronto). Review by Laura U Marks, pp. 42-43.
20:4— City on the Verge of Nervous Breakdown -- "Cities at the End of Time: Hong Kong 1997" (Pomelo Project). Review by Kuan Foo, pp. 36-38. (available online)
19:3— Flagging Cultures in Motion: Japanese Contemporary Art in the New World Order. Feature by Kyo Maclear, pp. 20-30.
23:2— Asian Invasion vs. The Pristine Nation: Migrants Entering The Canadian Imagery. Feature by Larissa Lai, pp. 30-40. (available online)
19:5— Entrancing Doors: "Doors: Minquon Panchayat" (Latitude 53, Edmonton). Review by David Garneau, pp. 45-46.
20:4— Interview with Kobena Mercer. Interview by Daniel Yon, pp. 26-31. (available online)
22:3— Dire Straits: The situation of contemporary visual arts funding in Korea. Column by Joan Kee, pp. 19-23. (available online)
29:1— resistance Practices after Identity Politics: La Pocha Nostra's "The Other Coalition Forces". Review by Irmgard Emmelhainz, pp. 45-48. (available online)
23:1— Renegotiating The Terms Of Inclusion, Institutional Space, (Dis)Location, and A Group Of Sixty Seven. Column by Adrienne Lai, pp. 15-20.
28:2— Leaving it be: what we talk about when we alk about political shifts (Powell Street Festival). Column by Ashok Mathur, pp. 09-14. (available online)
17:3— "They Write Their Dreams on the Rock Forever" (Talonbooks) and "Bowl of Bone/Tale of the Syuwe" (NFB). Book Review by Gordon Brent Ingram, pp. 37-39.
18:5— Among Ourselves, With Others (The Toronto Jewish Film Festival). Review by Sandra Haar, pp. 32-34.
22:3— "Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness" by Kyo Maclear (Albany: SUNY Press, 1999). Review by Lang Baker, pp. 53-55. (available online)
17:3— Fear and Loathing on the Prairie. News by Brett Josef Grubisic, pp. 09-10.
18:1— Rites of Privacy: A Christopher Lefler Update. Column by Bryan Young and Brent Grubusic, pp. 07-10.
29:1— Transgression, Branding and National Identity. Feature by Kirsten Forkert, pp. 16-23. (available online)
19:5— Much Muzak: "Frieso Boning's 'Greatest Hits'" (St. Norbert Arts and Cultural Centre, Winnipeg). Review by Nora Young, pp. 40-41.
20:4— City on the Verge of Nervous Breakdown -- "Cities at the End of Time: Hong Kong 1997" (Pomelo Project). Review by Kuan Foo, pp. 36-38. (available online)
20:4— "(Be)Longing, Ellen Pau, Laiwan, Xui Li Young, Yau Ching" (Galerie Optica). Review by Alice Ming Wai Jim, pp. 39-40. (available online)
24:4— Venice Bienniale 2001. Review by Corinna Ghaznavi, pp. 40-41. (available online)
16:3— Memoryworks. News by Andrea Fatona, pp. 08-09.
16:4— No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference. News by Kaushalya Bannerji, pp. 06-07.
16:4— Colette Urban's "Tracings" (YYZ artist outlet). Review by Laura U Marks, pp. 39-40.
16:4— Clamorous Intentions. Review by Andrew J Paterson, pp. 46-47.
16:4— Film and Video News. News by Susan Kealey, pp. 09.
17:4— "Auto Biography" (YYZ, Toronto). Review by Earl Miller, pp. 43.
18:1— Brenda Joy Lem, Kyo Maclear, Shani Mootoo: "For Our Own Pleasure" (YYZ, Toronto). Review by Bryce Kanbara, pp. 44-45.
18:3— "Mexarcane International" (YYZ at Dufferin Mall, Toronto). Review by Gabrielle Hezekia, pp. 37-39.
18:4— "Steve Reinke: The Hundred Videos" (YYZ, Toronto). Review by Tom Folland, pp. 34.
18:5— Re-Orienting Asian: "Millie Chen: Cook and Crave" (YYZ). Review by Jamelie Hassan, pp. 30-31.
20:4— Coco Fusco's "Better Yet When Dead" (YYZ). Review by Alberto Gomez, pp. 33-35. (available online)
21:4— Su Rynard: "Life Tests" (YYZ). Review by Earl Miller, pp. 59-60. (available online)
22:2— Pop Off: The Regular 8 Faction (YYZ, Toronto). Review by John McCullough, pp. 47-49. (available online)
24:2— Vice Squad (YYZ, Toronto). Review by Kelly McCray, pp. 34-36. (available online)
16:4— Shuttling Subjects through Space Histories: 4 books on artist-run history. Book Review by Clive Robertson, pp. 31-34.
18:5— "Mirror Machine: Video and Identity" (YYZ Books). Review by Steve Reinke, pp. 38.
23:1— "Material Matters: The Art And Culture of Contemporary Textiles" (YYZ Books, Toronto). Book Review by Janice Andreae, pp. 51-53.
23:2— Breaking Bread Over "Foodculture" (YYZ Books, Toronto). Book Review by Renuka Sooknanan, pp. 48-53. (available online)
24:1— "Practice, Practise, Praxis: Serial Reception, Organizational Behaviour, and Strategic Action in Architecture" (YYZ books). Review by Emily Andreae and Janice Andreae, pp. 40-43.
24:4— "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books). Review by Emily Andreae, pp. 42-45. (available online)
28:2— The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books). Book Review by Lis van Berkel, pp. 45-47. (available online)
28:3— Letter to the Editor. Letter by Jim Drobnick, pp. 07-08. (available online)
29:2— Read Handed: "Caught in the Act: an anthology of performance art by Canadian Women". Book Review by Leah Sandals, pp. 39-41. (available online)
