Volume 16, Issue 5&6 (Summer 1993)
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FEATURES
Re-appropriating Cultural Appropriation pp. 07-15. Working through Cultural Appropriation pp. 16-24. Dis-Orient-ation pp. 25-27. wordS and sWord: An anagram of appropriation pp. 28-30. Voices and Stories pp. 31-38. Dance Me Inside: Pow Wow and Being "Indian" pp. 39-44. Cultural Appropriation: Historicizing Individuality, Conscioousness and Actions pp. 45-50. Taking Dictation pp. 51-52.
ARTIST PROJECTS
Skennakowah Ð is it Great peace with you? pp. 36-38.
REVIEWS
Cornelia Wyngaarden's "The Dead Man was a Woman" (Video Out distribution) and "Forged Subjectivity" (Presentation House Gallery) pp. 53-54. M. Nourbese Philip's anthology "Frontiers" (Mercury Press) pp. 55-56. Inside Out Film and Video Festival 1993 (part 1) pp. 57-59. Inside Out Film and Video Festival 1993 (part 2) pp. 60-62. Images 1993 pp. 62-64. Tim Miller and Marlon Riggs at Images 1993 pp. 65-66. A Pedestrian affair ... "Mayworks 1993" pp. 67-70.
OTHER STUFF
Film and Video News pp. 05-06.
Volume 16, Issue 4 (May 1993)
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COLUMNS
Censorshipping and Receiving pp. 10-14. Blasted Categories: Observations on desh Pardesh and Recent South asian Film and Video pp. 15-18.
FEATURES
Like Apples and Oranges: Lesbian Feminist Responses to the Politics of "The Body Politic" pp. 19-28.
ARTIST PROJECTS
Cryptic pp. 24-25.
REVIEWS
"Black Popular Culture" A project by Michele Wallace, edited by Gina Dent (Bay Press) pp. 29-30. Shuttling Subjects through Space Histories: 4 books on artist-run history pp. 31-34. Biennial Bliss: The 1993 Whitney Biennial pp. 35-38. Colette Urban's "Tracings" (YYZ artist outlet) pp. 39-40. Diana Thompson and Andrea Ward's "Correspondences" (A Space) pp. 41-43. Paul Wong's "Chinaman's Peak: Walking the Mountain" (Contemporary Art Gallery) pp. 43-44. Joe Sarahan's " 'Curse' of the 'Homo' " (Pitt Gallery) pp. 45-46. Clamorous Intentions pp. 46-47.
OTHER STUFF
Tie an Orange Ribbon: Artists' Rally in Vancouver pp. 03. Hybrids and Hyphens: Black Writers' Panel Discussion in Toronto pp. 03-05. No More Multivulturalism: Desh Pardesh Third Intra-national Festival and COnference pp. 06-07. Ottawa Schmottawa pp. 08. Film and Video News pp. 09.
Volume 16, Issue 3 (Spring 1993)
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COLUMNS
Probing Pagliaganda pp. 10-11.
FEATURES
Invested Interests: Competitive and Dysfunctional Autonomies within the Canadian Art System pp. 12-22.
ARTIST PROJECTS
These differences, if must be noted, are geographical .... pp. 23-24.
REVIEWS
bell hooks' "Black Looks: Race and Representation" (Between the Lines Press) pp. 25-26. Joyce Nelson's "Sign Crimes/Road Kill: From Mediascape to Landscape" (Between the Lines Press) pp. 27-28. Review of the NFB's "Radical Reels" pp. 29-31. No Single Gun Theory: Toronto Festival of Festivals 1992 pp. 32-34. Manifest Diversity: Toward a Video Literature of Community Activism ("Video Witnesses" (Hallwalls)) pp. 35-7. Some of these are not like the others (Kodak Lecture Series 1992-3) pp. 37-39. Gathering: The Memorial Project (A Space) pp. 40-41. "Maternal Instincts" (Mount Saint Vincent Art Gallery) pp. 42-43. "Calisthenics," curated by Leo Beaulieu (Metro Central YMCA) pp. 44-45. Kiss and Tell's "True Inversions" (Vancouver East Cultural Centre) pp. 46-47. Profile of Desh Pardesh pp. 47.
OTHER STUFF
Letter to the editor pp. 03. Letter to the Editor pp. 03-04. Refusing Censorship pp. 07-08. Memoryworks pp. 08-09. Academics and Activists: acknowledging institutional complicity pp. 09-10.
Volume 16, Issue 2 (Winter 1992/93)
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COLUMNS
Taking Liberties pp. 10-12. Censorship and the Mainstream Media pp. 13-15. The Rhetoric of Degradation: How the anti-porn lobby sold us out pp. 16-17.
FEATURES
Obscenity Chill: Artists in a Post-Bulter Era pp. 18-28.
ARTIST PROJECTS
"Straight White Males Rule ..." pp. 29-31.
REVIEWS
Turn of the Screw: review of Steven Seidman's "Embattled eros: Sexula Politics and Ethics in Contemporary America" (Routledge) pp. 32-34. "Twist and Shout: A Decade of Feminist Writing in This Magazine" ed. Susan Crean (Second Story Press) pp. 35. "A Leap in the Dark: AIDS, Art and Contemporary Culture" ed Allan Klusacek and Ken Morrison (Artexte editions) pp. 36-37. Historical Revisions: Sex, Gender and the Past (Toronto Festival of Festivals 1992) pp. 38-39. Fire: programme at the 6th New York Lesbian and Gay Experimental Film Festival pp. 40-41. Ellen Flander's "Looking Beyond Identity: Coalition Initiatives from the Left" (Tangle Gallery, Toronto) pp. 42-43. Diana Thorneycroft's "Touching the Self" (Folio gallery, Calgary) pp. 44-45. Chaotic Kinds of Dreams: Profile of Rungh Cultural Society pp. 46-47.
OTHER STUFF
Letter to the editor pp. 03. Dreamspeakers Showcases Aboriginal Talent pp. 06-07. Red, Hot, Chill pp. 07-08. Funding Watch pp. 08-09. Solidarity Mural pp. 09.
Volume 16, Issue 1 (Fall 1992)
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COLUMNS
The 'Post-colonial' Imagination pp. 12-15.
FEATURES
Lighten Up: Reflections on Everyday Racism pp. 16-22. White Skin, Black Makeup pp. 19-23.
ARTIST PROJECTS
It is a Crime ... pp. 24-25.
REVIEWS
"Moving the Image: Independent Asian Pacific American Media Arts" ed. Russell Leong (LA: Visual Communications and UCLA Asian American Studies Center) pp. 26-27. "Fluid Exchanges: Artists and Critics in the Aids Crisis" ed. James Miller (University of Toronto Press) pp. 28-29. A Gender of Self-Determination: Kate Bornstein's "The Opposite Sex ... is Neither" pp. 29-41. "Exquisite Corpse" (Pleasure Dome, Toronto) pp. 30-31. "Inside/Out: Lesbian Theories, Gay Theories" ed. Diana Fuss (Routledge Press) pp. 32-33. Peter Karuna's "My Father was an Englishman" (NIIPA, Hamilton) pp. 34-35. "The Black Line" and "Ethos" (Harbourfront Centre, Toronto) pp. 36-37. Shelley Niro's "Mohawks in Beehives" (Mercer Union) pp. 38.
OTHER STUFF
Letter to the editor pp. 05-06. Letter to the editor pp. 06. News and Events: Fighting back with Fashion pp. 07-09. About Face, about frame pp. 10-11. Index of volume 15 pp. 42-45.



