Volume Number 21

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Volume 21, Issue 4 (Fall 1998)

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EDITORIAL

Elimination of multi-disciplinary magazines category at OAC by FUSE, pp. 08.  

COLUMNS

Inuit Auteurs and Arctic Airwaves: Questions of Southern Reception by Laura U Marks, pp. 13-17.   As Alternative as You Want Me To Be by Susan Kealey, pp. 18-20.   Re: Artist-Run Centres by Reid Shier, pp. 21-23.   From Silent Comedy to Delirium in the Landscape: A Partial View of Current British Video by Catherine Elwes, pp. 24-26.  

FEATURES

Black W/holes: A History of Brief Time by M. Nourbese Philip, pp. 27-36.   Digital Imperialism by Maria Fernandez, pp. 37-45.   Jimmie Durham: The Centre of the World is Several Places (Part II) by Richard William Hill and Beverly Koski, pp. 46-53.  

ARTIST PROJECTS

Untitled by Brent Cehan, pp. 09.   Error Code by Michelle Gay, pp. 54-55.  

REVIEWS

The Magnifying Eye of Andy Warhol (AGO, Toronto) by Rosa Berland, pp. 56-58.   Su Rynard: "Life Tests" (YYZ) by Earl Miller, pp. 59-60.   "CounterPoses: Re-concevoir le tableau vivant" (Oboro, Montreal) by Stephen Horne, pp. 61-63.  

OTHER STUFF

Jimmie Durham interview volume 21 number 3 Erratum by FUSE, pp. 08.  

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Volume 21, Issue 3 (Summer 1998)

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EDITORIAL

The Interview Issue by FUSE, pp. 04.  

COLUMNS

Diary of a Queen Street Negro by Peter Hudson, pp. 13-16.  

FEATURES

Cigarettes, Coffee and Dep Wine: Luc Bourdon, Anne Golden, Robert Morin, and Cathy Sisler chat about video in Montreal by Nelson Hendricks, pp. 17-23.   Jimmie Durham: The Centre of the World is Several Places (Part I) by Richard William Hill and Beverly Koski, pp. 24-33.   When You Loose That Person, Then Who Are You? Interview with Sheree Rose by Cathy Busby, pp. 36-40.   Misfits Together: Paul Wong on Art, Community and Vancouver in the 1970s and '80s by Richard Fung, pp. 41-46.  

ARTIST PROJECTS

Lesbian National Parks and Services Wants You by Shawna Dempsey and Lorri Millan, pp. 34-35.  

REVIEWS

Fun Critique in Ethnographic Fields: Half Nelson (Truck, Calgary) by Jeff Derksen, pp. 47-48.   Architectural Re-enactments -- "Barry Isenor: XXX Video" (Mercer Union) and "Steve McQueen: Deadpan" (A Space) by Kenneth Hayes, pp. 49-50.   "Out of the Frame" -- a collective show of new lesbian photography by Michael Balser, pp. 51-53.   "Suggestive Poses: Artists and Critics Respond to Censorship" (TPW and Riverbank Press, Toronto) by Andy Fabo, pp. 54-55.  

OTHER STUFF

Letter to the editor by Adella Pierre, pp. 06.   Letter to the editor: Artropolis by Clive Robertson, pp. 06.   Tim Guest (obituary): 1956-1998 by Lisa Steele, pp. 11.   Dennis Tourbin (obituary):1946-1998 by Clive Robertson, pp. 12.  

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Volume 21, Issue 2 (Spring 1998)

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EDITORIAL

Without Malice: little magazines by FUSE, pp. 04.  

COLUMNS

The Problem With Killing Columbus: Relativism, Ethnic Nationalism and Hybridity by Richard William Hill, pp. 07-10.   Inside Out/Outside In?: Ruminations on Media Arts Festivals, Arts Funding, Video Art, AIDS, Queerness and Community by Andrew James Paterson, pp. 11-16.   To Knit the Country with Iron Bars: Art and Politics in Contemporary Turkey by Deborah Root, pp. 20-27.  

FEATURES

Art and Community in Argentina by Karl Beveridge, pp. 30-37.  

ARTIST PROJECTS

Untitled by Philippe Maurais, pp. 18-19.   Untitled by Michael Belmore, pp. 28-29.   Untitled by Paul Seesequasis, pp. 28-29.   Galerie Largeness (reprinted from vol. 21, no. 1, without bitmapping) by Luis Jacob, pp. 55.  

REVIEWS

Ceci n'est pas une archive: "Browser" (Artropolis '97, Vancouver) by Caterina Pizanias, pp. 38-40.   "Big-Box Knockout: Community vs. Consumerism" (Ed Video) by Sherri Telenko, pp. 41-42.   "Miasma 2: clear and cold at the higher elevations" (Moabit Musik) by Steve Heimbecker, pp. 43-44.   7A*11D Performance Festival by Paul Couillard, pp. 45-47.   Representing Dissent: Talking About "Politically Speaking" (Douglas and McIntyre) by Mary-Jo Nadeau and Renuka Sooknanan, pp. 48-52.  

OTHER STUFF

Thanks for Fuse by Jane and Joseph Janson, pp. 04.  

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Volume 21, Issue 1 (Winter 1998)

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EDITORIAL

The Intimate Peculiarities of Communal Travel by Michael Barker, pp. 11-15.   I'll Show You Mine If You Show Me Yours: Hedonistic Wound Lickers by Simone Moir, pp. 11-15.  

COLUMNS

Legionellas Manifesto by Christy Cameron, pp. 08-09.   Stick It Where the Sun Don't Shine by Allyson Mitchell, pp. 17-18.   Of Chocolate Queens and Rice Queens by TJ Bryan, pp. 30-34.   Becuming Comics by Gabrielle Clarke, pp. 35-38.   The Source of Cults by Scott Treleaven, pp. 43-46.   MittelEuropa/DIY by Michelle Teran, pp. 47-49.   I Am the Unicorn by Tobaron Waxman, pp. 50-52.  

FEATURES

Mise-en-abime: Words Made Flesh by Elysa Crowther Martinez, pp. 19-22.   Lines of Desire (interview) by Wade Thomas and Hadley Howes, pp. 23-26.   Undoing Diasporic Dyke(otomies): An interview with De Poonani Posse by Shanikwa Sapphire, pp. 40-42.  

ARTIST PROJECTS

Untitled by Emma Brown, pp. 16.   Galerie Largeness (see also 21:2) by Luis Jacob, pp. 27.   AR&T by Carly Statsko and Anna Melnikoff, pp. 28-29.   The Deli by Satellite Deli, pp. 39.   Daddy, you fucked up again by Emily Vey Duke, pp. 53-55.