Volume Number 22

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Volume 22, Issue 4 (January 2000)

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COLUMNS

Sometimes in Anger: The Struggles of Inuit Video by Michael Robert Evans, pp. 13-17.  

FEATURES

Memory Loss: The Fear of Replicated Intelligence by Earl Miller, pp. 18-25.   Where the South and the North Meet: Latino identity and cultural hegemony by Alberto Gomez, pp. 26-32.   Auchwitz in the Age of Mass Tourism: An interview with Robert Jan van Pelt by Kenneth Hayes, pp. 34-38.  

ARTIST PROJECTS

Sudbury Postcards by Paul Lamothe, pp. 39-40.  

REVIEWS

"Wish You Were Here?" Paul Lamothe's Sudbury Postcards by Richard William Hill, pp. 39-40.   Unsettling Sights... "The Lesbian National Parks and Services" by Margot Francis, pp. 41-45.   "Touch: Touche" (Oboro, Montreal, and MacKenzie Art Gallery, Regina) by Marcus Miller, pp. 46.   "Ohm: Dance Through an Electric Eye" (Bravo! TV) by Michael Balser, pp. 47-48.   "Waste Management" (AGO, Toronto) by Dana Samuel, pp. 49-50.   "Moving and Storage" (in situ In Ottawa, Montreal and Toronto) by Stephen Horne, pp. 51-52.   When There Is No Limit To Spirit: "Tall Orders: On the Spiritual in Art" (Propeller, Toronto) by Rozena Maart, pp. 53-55.  

OTHER STUFF

'Political' & 'Critical' in Contemporary Art by Tom Folland, pp. 56.  

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Volume 22, Issue 3 (September 1999)

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COLUMNS

When Public Became Private by Andrew James Paterson, pp. 09-12.   On the feasibility of becoming a household name by Catherine Osbourne, pp. 15-17.   Dire Straits: The situation of contemporary visual arts funding in Korea by Joan Kee, pp. 19-23.   Almost a Union: CARFAC is certified under federal Status of the Artist legislation by Karl Beveridge, pp. 24-26.   Privatizing the Public: Notes from the Ontario culture wars by Barbara Godard, pp. 27-33.   Custody Battles: Changing the rules at the Canada Council by Clive Robertson, pp. 36-45.  

ARTIST PROJECTS

Untitled by Jim Miller, pp. 34-35.  

REVIEWS

"Memoire et Antimemoire" (Galerie de L'UQAM, Montreal) by Marilyn Burgess, pp. 46-48.   "Made in Mexico/Made in Venezuela" (Art Metropole, Toronto) by Allan Antliff, pp. 49-50.   "Broken Entries: Race, Subjectivity, Writing" (Mercury Press) by Richard Almonte, pp. 51-52.   "Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness" by Kyo Maclear (Albany: SUNY Press, 1999) by Lang Baker, pp. 53-55.  

OTHER STUFF

Beginning the Conversation (Ontario Arts Report) by Sandra Tulloch, pp. 56.  

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Volume 22, Issue 2 (Spring 1999)

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COLUMNS

De-celebrating Black Expressive Culture: A Polemic by Rinaldo Walcott, pp. 11-16.  

FEATURES

Shani Mootoo: Shifting Perceptions, Changing Practices by Sarindar Dhaliwal, pp. 18-25.   Some Keywords and Arguments in Cultural Politics by Sean Lokaisingh-Meighoo and Arif Noorani, pp. 28-34.   Bored Bedmates: Art Criticism, Political vs. Critical by Gary Kibbins, pp. 35-42.  

ARTIST PROJECTS

Vagina and Tenth Gate (Anterior Fontanelle) by Har Prakash Khalsa and Sat Dharam Kaur, pp. 26-27.  

REVIEWS

"James Williams: shift, change 1988-1998" (AGH, Hamilton) by Sherri Telenko, pp. 43-44.   The Sense in "Yawning" (At Home Gallery, Slovakia) by Jo Williams, pp. 45-46.   Pop Off: The Regular 8 Faction (YYZ, Toronto) by John McCullough, pp. 47-49.   "The Electric Field" by Kerri Sakamoto (Vintage Canada, 1998) by Renuka Sooknanan, pp. 50-51.   Maps of Sound: C. S. Giscombe's "Giscome Road" (Dalkey Archive Press) by Peter Hudson, pp. 52-53.  

OTHER STUFF

Party Politics: Visions and Versions of Caribana Panel Discussion by Niyabingy, pp. 56.  

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Volume 22, Issue 1 (Winter 1999)

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EDITORIAL

Tourism and immigration by FUSE, pp. 06.  

COLUMNS

Cultural Markings, Cultural Appropriation: The Art of Mehndi by Renuka Sooknanan, pp. 13-17.  

FEATURES

Caribana: A Diasporic Dub by Ramabai Espinet, pp. 18-25.   On the Outside Looking In? by Gabrielle Hezekia, pp. 28-35.   Sergio Giral: Filmmaking Within & Beyond Fidel's Cuba by David McIntosh, pp. 36-43.  

ARTIST PROJECTS

Untitled by Christopher Cozier, pp. 26-27.  

REVIEWS

"Crossings" (National Gallery of Canada, Ottawa) by Laura U Marks, pp. 44-46.   "In Lieu": Installations in Public Washrooms (Public Access, Toronto) by Lee Rodney, pp. 47-48.   "Reservation X" -- The Power of Place in Aboriginal Contemporary Art (Museum of Civilization, Ottawa) by Marilyn Burgess, pp. 49-51.   Representing Rights: The Symposium on the Artist and Human Rights, Ottawa by Janet Creery, pp. 51-52.   "Transforming the Crown" African, Asian, and Caribbean Artists in Britain, 1966-1996 (New York: Caribbean Cultural Centre/African Diaspora Institute, 1998) by Peter Hudson, pp. 53-54.  

OTHER STUFF

Deborah Doxtater, 1957-1998 (obituary) by Richard William Hill and Beverly Koski, pp. 07.   Letters to the Editor by various, pp. 10-11.