Volume Number 23

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Volume 23, Issue 4 (April 2001)

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EDITORIAL

Fuse critically engages a dialogue of the political by FUSE, pp. 06.  

COLUMNS

Of Moose And Mel: Recent Disasters In Toronto's Public Art by Kate Stevens, pp. 12-17.  

FEATURES

Drag Racing: Dressing Up (And Messing Up) White In Contemporary First Nations Art by Richard William Hill, pp. 18-27.   Talking Visions, Talking Art, Talking Politics: Ella Shohat On Her Latest Book by Meera Sethi, pp. 28-37.  

ARTIST PROJECTS

Is Activism Sexy? by Patti Kim, pp. 54.  

REVIEWS

Carnegie International (2000) by Sylvie Fortin, pp. 38-39.   An Inuit Perspective: "Itsarnittakarvik" (Inuit Heritage Centre, Baker Lake) by Sheila Butler, pp. 41-42.   "Private Thoughts/Public Moments" (AGO, Toronto) by Germaine Koh, pp. 43-44.   The Shit I Ain't Got -- "Hip Hop Nation: Roots, Rhymes and Rage" (Brooklyn Museum, NYC) and "Street Market" (Deitch Projects, NYC) by Peter Hudson, pp. 45-47.   Richard Fung's "Sea in the Blood" Visualising Memory, Complicity, and Love by Margot Francis, pp. 48-49.   "Glitter Stucco and Dumpster Diving: Reflections on Building Production in the Vernacular City" (Verso Books) by John McCullough, pp. 50-51.   Towards a New Feminist Politic In The Age Of The Transnational: "Talking Visions" (New Museum, NY) by Rinaldo Walcott, pp. 52-53.  

OTHER STUFF

Going Postal by Alex St.Marc, pp. 56.  

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Volume 23, Issue 3 (February 2001)

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EDITORIAL

let the fireworks begin ... by FUSE, pp. 06.  

FEATURES

A Way Of Imagining Film: In Conversation With Loretta Todd by Richard William Hill, pp. 14-20.   All The World's A Stage: Theatre As A Political Tool by Carlyn Zwarenstein, pp. 21-27.  

ARTIST PROJECTS

Barbara Ramos, Patient Care Assistant (SEIU, 1199 Upstate) by Karl Beveridge and Carole Conde, pp. 28-29.  

REVIEWS

"e/rector/scape" (Harcourt House, Edmonton) by Kerri Mogg, pp. 30-31.   Compulsive Consumption: The "Possession" of Anne Ramsden (Catriona Jeffries Gallery) by Johanna Mizgala, pp. 32-34.   "alt.shift.control" (Art Gallery of Hamilton and NIIPA, Hamilton) by Sherri Telenko, pp. 35-36.   "Fresh Paint" (Meg Gallery, Toronto) by Anne Kim, pp. 37-38.   "Wink and Banter" (Allegy Gallery, Vancouver) by Annthea Whittaker, pp. 39-41.   "Corpus Delecti: Performance Art Of The Americas" (Routledge) by Meera Sethi, pp. 42-43.   "Constructing Female Identities: Meaning making in An Upper Middle Class Youth Culture" (SUNY Press) by Rebecca Raby, pp. 44-46.  

OTHER STUFF

Letter to editor by Nik Sheehan, pp. 09.   Letter to editor by Rene Price, pp. 09.   More! More More! How do you like it? How do I like it. A Word Performance by Christopher Smith, pp. 46-47.  

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Volume 23, Issue 2 (September 2000)

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EDITORIAL

Continuous attention to issues that get short shrift elsewhere ... by FUSE, pp. 11.  

COLUMNS

Art and Scandal: Public Controversy In Contemporary Art by Kevin Dowler, pp. 14-15.  

FEATURES

Jenni's Web: Jennicam, Techno-Filters, And The Boys' Club by Earl Miller, pp. 22-29.   Asian Invasion vs. The Pristine Nation: Migrants Entering The Canadian Imagery by Larissa Lai, pp. 30-40.  

ARTIST PROJECTS

Menbtioning Gidone Busch by Ruth Libermann, pp. 20-21.  

REVIEWS

Money Lures The Mock: Richard Mock ('The Works' Arts Festival, Edmonton) by Allan Antliff, pp. 41-42.   "Shadow States: Carol Laing" (Red Head Gallery, Toronto) by Janice Andreae, pp. 43-45.   "Container: Paul Perchal" (Video In) by Jose Francisco Ibanez-Carrasco, pp. 46-47.   Breaking Bread Over "Foodculture" (YYZ Books, Toronto) by Renuka Sooknanan, pp. 48-53.   "Multicultural States: Rethinking Difference And Identity" (Routledge) by Carmela Murdocca, pp. 54-55.  

OTHER STUFF

In Memoriam: Susan Kealey 1959-2000 by Tom Folland, pp. 10.   Indian Givers: The McMichaels' Revenge On Contemporary Art by Richard William Hill, pp. 56-55.  

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Volume 23, Issue 1 (April 2000)

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EDITORIAL

Borders of Collective Identity by FUSE, pp. 06.  

COLUMNS

Renegotiating The Terms Of Inclusion, Institutional Space, (Dis)Location, and A Group Of Sixty Seven by Adrienne Lai, pp. 15-20.   ZKM: The Smell Of Elephant Shit/The Digitally Contrived by Oliver Hockenhull, pp. 35-39.  

FEATURES

The Concrete Ceiling: Class, Culture & Toronto's Portuguese by Anna Camara, pp. 22-30.   From Dada To Data: A Brief Survey Of Online Performance by Kathy Kennedy, pp. 31-34.  

ARTIST PROJECTS

They Let Me Use Their Roads (Excerpt) by Jesse Bochner, pp. 40-41.  

REVIEWS

"A Persistent Seam In The Loop": Stan Douglas (The Power Plant, Toronto) by Ruth Kerkham, pp. 42-44.   Trespassers & Captives: Jamelie Hassan Artist-In-Residence Projects At The Eldon House (London Regional Art & Historical Museums) by David Merritt, pp. 44-46.   "Stamina" (Red Head Gallery, Toronto) by Darien Taylor, pp. 47-48.   "Odili Donald Odita: The Invisible Empire" (Gallery 101 Galerie, Ottawa) by Sylvie Fortin, pp. 49-50.   "Material Matters: The Art And Culture of Contemporary Textiles" (YYZ Books, Toronto) by Janice Andreae, pp. 51-53.  

OTHER STUFF

Miscognitions, Or, Why I Can't Seem To Get Along With White Boys by Rinaldo Walcott, pp. 56.