Volume Number 24

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Volume 24, Issue 4 (December 2001)

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EDITORIAL

The world has changed - or so the claim goes - since 9.11 by FUSE, pp. 06.  

COLUMNS

The Stores of Venice by Sarindar Dhaliwal, pp. 08-10.   The Politics of Curating. The Trouble with Normal: Queering Our Identities by Elleni Centime Zeleki, pp. 16-18.  

FEATURES

Working between Memory and Imagination: The Visual Art of Sarindar Dhaliwal by Meera Sethi, pp. 19-26.   High Tech Storyteller: A Conversation with Performance Artist Lori Blondeau by Lynne Bel and Janice Williamson, pp. 27-34.  

ARTIST PROJECTS

Memorandum by Greg Staats, pp. 11-15.  

REVIEWS

"Tashme2: Early Works of Kazuo Nakamura" (Gendai Gallery, Toronto) by Richard William Hill, pp. 35-36.   Africa in or out? "Authentic/Ex-Centric" (49th Venice Biennale) by Veronika Klaptocz, pp. 37-39.   Venice Bienniale 2001 by Corinna Ghaznavi, pp. 40-41.   "Money Value Art: State Funding, Free Markets, Big Pictures" (YYZ Books) by Emily Andreae, pp. 42-45.  

OTHER STUFF

Obituary: Colin Campbell (1942-2001) by Lori Spring and Lisa Steele, pp. 46.   "everything and nothing," or, art and the politics of "war" by Jayce Salloum, pp. 47-48.  

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Volume 24, Issue 3 (September 2001)

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EDITORIAL

How do viewers respond to exhibition sights/sites? by FUSE, pp. 06.  

COLUMNS

What if daily life in Canada is boring?: Contextualizing Greg Curnoe's Regionalism by Dot Tuer, pp. 10-13.  

FEATURES

Rummana Hussain's "In Order To Join" by Jamelie Hassan, pp. 14-17.   Take good care of it, it is my whole life: Encounters with Charlotte Salomon's address to the living by Sharon Rosenberg, pp. 20-29.  

ARTIST PROJECTS

La Memoire Effacee by Jill Culiner, pp. 18-19.  

REVIEWS

Study Skins: "The Final SleepÉLe Dernier Sommeil" (ROM, Toronto) by Scott Sorli, pp. 30-31.   "a better place" (MacKenzie Art Gallery, Regina) by Christine Shaw, pp. 32-34.   breathtaking: Sue Lloyd's "searchworks" (TPW) and "chest cavity" (Red Head Gallery) by Janice Andreae, pp. 35-37.   "Other Conundrums: Race, Culture, and Canadian Art" (Arsenal Pulp Press) by Meera Sethi, pp. 38-39.  

OTHER STUFF

Persistent Misses by Jill Arie, pp. 40.  

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Volume 24, Issue 2 (July 2001)

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EDITORIAL

Money. Money. Money by FUSE, pp. 06.  

COLUMNS

Movement By DJs by Christopher Smith, pp. 07-9.  

FEATURES

Issac Julien's Children: Black Queer Cinema After Looking For Langston by Rinaldo Walcott, pp. 10-17.   Kathak, The Classic Indian Art Form: Renuka Sooknanan Speaks with Joanna Das by Renuka Sooknanan, pp. 20-28.   Richard Fung & Jamelie Hassan Speak by Meera Sethi, pp. 29-33.  

ARTIST PROJECTS

Miss Ruby Used To Work..... by June Clark, pp. 18-19.  

REVIEWS

Vice Squad (YYZ, Toronto) by Kelly McCray, pp. 34-36.   "Freestyle" ((The Studio Museum in Harlem, New York)) by Michelle Jacques, pp. 37-38.   Mixed Identities And Other Fictions: M. Ondaatje's "Anil's Ghost" (McLelland and Stewart) and Grant Farrad's "Midfielder's Moment" (Westview Press) by Tess Chakkalakal, pp. 39-41.   Althea Prince's "Being Black" (Insomniac Press) by Jennifer Harris, pp. 42-43.   Writing To Legacy: Rachel Manley's "Slipstream" And Ken Wiwa's "In The Shadow Of A Saint" (Knopf) by Gamal Abdel-Shehid, pp. 44-46.  

OTHER STUFF

The Boomerang Effect by Jamelie Hassan, pp. 47-48.  

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Volume 24, Issue 1 (June 2001)

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EDITORIAL

Covering Territory by FUSE, pp. 06.  

COLUMNS

You Say You Want To Fund The Revolution? Oh Well... by Robin C. Pacific, pp. 13-16.  

FEATURES

Banff: Utopian Memeplex Machine Making The Invisible Visible by Oliver Hockenhull, pp. 17-25.   It's Very Interesting If It Works: James Luna and Rebecca Belmore talk to Richard William Hill about the possibility of bringing it all back home by Richard William Hill, pp. 28-33.  

ARTIST PROJECTS

Soft Rock, 2001 by Will Munro, pp. 26-27.  

REVIEWS

"Sheila Butler: Sympathetic Magic" (Art Gallery of Mississauga and Mclaren Art Centre, Barrie) by Patrick Mahon, pp. 34-35.   "c/o La Ciudad: Working In Mexico City" (Blackwood Gallery, Toronto) by Luis Jacob, pp. 36-37.   "Live At The End Of The Century: Aspects Of Performance Art In Vancouver" (Visible Arts Society, Vancouver) by Johanna Householder, pp. 38-39.   "Practice, Practise, Praxis: Serial Reception, Organizational Behaviour, and Strategic Action in Architecture" (YYZ books) by Emily Andreae and Janice Andreae, pp. 40-43.   "Magnetic North: Experimental Canadian Video" (University of Minnesota Press) by John McCullough, pp. 44-45.  

OTHER STUFF

A Bum Deal, The Starving Artist Paradigm by Julie Falia, pp. 46-47.