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 Volume Number 25



Volume 25, Issue 4 (November 2002)

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EDITORIAL

Addressing the great unknown space of contested hopes and fears by FUSE, pp. 04.  

COLUMNS

The FUTURE is ALL RIGHT by Karma Clarke-Davis, pp. 05-6.   Art for Glob by Richard Fung, pp. 07-8.   The Four-dimensional Monument: Public Art Futures on the World Wide Web by Annie Gerin, pp. 09-10.   futuresong by Dave Dyment and Alex Snukal, pp. 11.   The Legend of Penn Power (how the popular press learned to love art) by Michelle Jacques, pp. 12-13.   The Political Economy - or is that the Psychopathology? - of Hope by Robin C. Pacific, pp. 14-15.   From the Conceptual to the Political: The Art of Poltical Protest in Argentina by Dot Tuer, pp. 16-18.   The future by Dave Dyment, pp. 19.   Always Nice to be Recognized by Tom Sherman, pp. 20-21.   thief in the night by Rob Kovitz, pp. 22-23.   Articulating the Vanishing Indian by Jeffrey Thomas, pp. 24-27.   Simple pasts and future perfects? by Clive Robertson, pp. 28-34.   control by Michael Fernandes, pp. 33.   Untitled by Janis Demkiw, pp. 35-6.   Ohmygod! The Bad Guy is Native?? by Skawennati Tricia Fragnito, pp. 37-38.   FUSE was the Future by Rinaldo Walcott, pp. 39-40.   Old is the New by Roula Partheniou and Dave Dyment, pp. 41.   The Fast-line Forward by Kathy Walker, pp. 43-44.   What is to be done? Questions for the 21st Century by Stephen Morton and Susan Kelly, pp. 45-46.   Uaajeerneq-A belly Laugh in the Face of Fear by Sarah Laakkuluk Williamson, pp. 47-48.   No Where Near the End, or, Notes Towards Trading the Future by b.h. Yael, pp. 49-50.   Untitled by Kent Monkman, pp. 51.   freedom by Michael Fernandes, pp. 53.   FUSE at the Institute: A cherished resource by Vera Frenkel, pp. 54-57.   21st Century ARCs by Andrew James Paterson, pp. 58-59.   The Future Demands by Anthony Kiendl, pp. 60-61.   Presentism now! by Jessica Wyman, pp. 62-63.  



Volume 25, Issue 3 (August 2002)

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EDITORIAL

The Present of Funding(?) by FUSE, pp. 06.  

COLUMNS

Flatland Funding: The Saskatchewan Arts Board by Peter White, pp. 08-11.   Upping the Anti: Of poetic ironies, propaganda machines and the claims for public sponsorship of culture by Barbara Godard, pp. 12-21.  

FEATURES

A Principle in Exile: The Elimination of the Nova Scotia Arts Council by Ken Schwartz, pp. 22-31.   Selling Out? Who's Buying It? A FUSE roundtable on funding the arts by Kim Simon, Richard William Hill, and others, pp. 32-41.  

ARTIST PROJECTS

Untitled by Chris Lloyd, pp. 20-21.  

REVIEWS

"Thelma Rosner: STILL LIFE" (Glendon Gallery, Toronto) by Patrick Mahon, pp. 42-44.   "Kelly Mark: Obvious" (Stride, Calgary) by Shelley Ouellet, pp. 45-47.   Returning to Unfinished Business: "Like Mangoes in July: The Work of Richard Fung" (Insomniac Press and Images Festival) by Claudia McKoy, pp. 48-50.   "Bollywood Cinema: Temples of Desire" by Vijay Mishra (Routledge) by Gurbir Singh Jolly, pp. 50-51.  

OTHER STUFF

Culture Crash by Kathy Walker, pp. 52.  



Volume 25, Issue 2 (May 2002)

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EDITORIAL

Youth and ... whatever by FUSE, pp. 06.  

COLUMNS

Difficult Knowledge and Contemporary Art: Pedagogies for Adolescent Learning in the Art Gallery and Museum by Warren Crichlow, pp. 09-10.   Superheroics and Sire Made Fresh: What do Girls ( and Women) Want? by Kat Dodds, pp. 11-14.   WARSTORIES: Working with Youth and Hip Hop by Paula Gonzales, pp. 15-17.  

FEATURES

Roundtable: The Fountain of Youth. A discussion about cash, culture and the currency of being young by Danielle Allan, Roxanne Elder, Nico Dann, and Kitty Mak, pp. 20-25.   Three Short Essays on Growning Up by Terence Dick, pp. 28-37.   Brutally Honest: Spencer Nakasako by Kelly O'Brien, pp. 38-44.  

ARTIST PROJECTS

Untitled by Alex Snukal, pp. 08, 19.   Untitled by Field and Streaming II, pp. 26-27.  

REVIEWS

"Ultra Baroque: Aspects of Post Latin American Art" (AGO, Toronto) by Daniel Baird, pp. 45-48.   Intervention: The National Day of Action for tuition freeze rally by Jason van Horne, pp. 49-51.  

OTHER STUFF

ART VS. ADS by Domenic Tomas, pp. 52.  



Volume 25, Issue 1 (February 2002)

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EDITORIAL

September 11th and perspectives on its aftermath by FUSE, pp. 06.  

COLUMNS

Yes, my name is Ibrahim and I am an atheist! Confessing Asrar: Art, Answerability and the Death of the Author by Awad Ibrahim, pp. 10-13.   Initial impact ... an immediate response by Shani Mootoo, pp. 14-16.   21st Ramadhan, 1422 - 8th December, 2001 by Nuzhat Abbas, pp. 17-21.   Of Arabs, Museums and Civilizations by Rawi Hage, pp. 24-27.  

FEATURES

The Wars: Tariq Ali on building anti-war movements, debating the "civilization mongers" and narrating the history of Islam by Cynthia Wright, pp. 28-40.  

ARTIST PROJECTS

All In A Day, Oct 13th, 2001 by Shani Mootoo, pp. 22-23.  

REVIEWS

"Canvas of War" (AGO, Toronto) by Kirsty Robertson, pp. 41-42.   "Close Up: Iranian Cinema, Past, Present and Future" (Verso Books) by Sarah Sharkey-Pearce, pp. 43-44.   "Digital Dissent and States of Emergency" Patricia Zimmermann Speaks at the University of Toronto by Patricia Molloy, pp. 45-47.   Johanna Householder's "The Neutron Hazer and the Mystic Gulf: Remembering Remembrance Day" (Dovercourt House) by Robin C. Pacific, pp. 48-49.  

OTHER STUFF

9/11: Diary of a Suspected Hijacker by Gamal Abdel-Shehid, pp. 51-52.  

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