Volume Number 27

Volume 27, Issue 4 (December 2004)

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EDITORIAL

Free Market Fundamentalism ... by FUSE, pp. 06.  

COLUMNS

On the Misrecognition of Images by Amish Morrell, pp. 07-10.   Artists, Rebels, Warriors: Desh Pardesh's Legacy and the Future of Radical South Asian Art by Leah Lakshmi Piepznsa-Samarasinha, pp. 11.  

FEATURES

Raising the Platform: Goll & Nielsen on Site-specificity, Interrogation and the Social Consequences of the Encounter by Janna Graham and Kim Simon, pp. 18-26.   Sounding the Border/Echoes and Transmissions from the Morley Reserve: Cheryl L'Hirondelle and Candice Hopkins by Janna Graham, pp. 27-35.  

ARTIST PROJECTS

treatycard by Cheryl L'Hirondelle, pp. 16-17, insert.  

REVIEWS

Nostalgic Landscapes -- Andrew Hunter's "Giddy-Up! or a Darn Good Hat Act" (Walter Phillips Gallery, Banff) by Ayesha Hameed, pp. 36-39.   The Abolition of Copyright and other Daring Imaginations -- Joost Smiers "Arts Under Pressure: Promoting Cultural Diversity in the Age of Globalization" (Zed Books) by Meera Sethi, pp. 40-42.   Calling all Co-conspirators -- Julie Andreyev's "Greenroom" (Surrey Art Gallery, ECIAD) by Penny Leong Browne, pp. 43-46.  

OTHER STUFF

Race-ing Halifax: How to Avoid Being "Big C" Colonial by Michelle Jacques, pp. 47-48.  

Volume 27, Issue 3 (September 2004)

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EDITORIAL

Taking OVer by Screen by FUSE, pp. 07.  

COLUMNS

Archival Strategies at Work by Blake Fitzpatrick, pp. 09-13.   Like Che by Ingrid Mayrhofer and Nery Espinoza Quevedo, pp. 14-17.  

FEATURES

Ellipsis and Insurrection: Argentina, Media, Experiment and Liberation by David McIntosh, pp. 18-29.   Cynthia F. Interviews Peter K.: A fictionalized conversation between Cynthia Foo and Peter Kingstone by Cynthia Foo, pp. 30-34.   Fugitive II -- What Runs Underneath? In Conversation with Simon Penny by Natasha Dwyer, pp. 35-39.  

REVIEWS

Jeff Thomas: "A Study of Indian-ness" (Gallery 44, Toronto) by Margot Francis, pp. 40-44.   "Black Hair/Her-Stories" and Joscelyn Gardner's Inverted Portraits (Barbados Museum and Historical Society, Barbados) by Charmaine Nelson, pp. 45-48.   This Is Not an Exhibition: "The Future of the Reciprocal Readymade (the use-value of art)" (Apexart, New York) by Carl Skelton, pp. 49-50.  

OTHER STUFF

Art Or Social Work? A Handy Career Placement Quiz by Richard William Hill and Janna Graham, pp. 51-52.  

Volume 27, Issue 2 (June 2004)

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EDITORIAL

Insitutional Hauntings by FUSE, pp. 07.  

COLUMNS

On the Destruction of an Artwork (Ron Benner's Gardens) by Andy Patton, pp. 11-15.  

FEATURES

Reviving the Dead: Art and the Twentieth-century Hospital by Annmarie Adams, pp. 16-23.   Looking Back while Moving Forward: A response to InFest: Artist Run Culture and the formation of a new national association of artist-run centres by Clive Robertson, pp. 26-36.  

ARTIST PROJECTS

Art ahead by Arthur Renwick, pp. 24-25.  

REVIEWS

Guarded Views: Robin Pacific's "Uniform" (AGO, Toronto) by Vid Ingelevics, pp. 37-40.   Rob Kovitz's "Ice Fishing in Gimli": Winnipeg, where the moon is full every night (Gallery Oneoneone, Winnipeg) by Jeanne Randolph, pp. 41-46.   The Revolution Will Be Televised: Stan Douglas' "Hors-champs" (AGO, Toronto) by Andrew James Paterson, pp. 47-49.   Lucille Robichaud's "Dermis: Repertoire of Skins" (UNB Art Centre, Fredrickton) by Roslyn Rosenfeld, pp. 50-51.  

OTHER STUFF

Letters to the editor by various writers, pp. 08-9.   Letter about Bill C-12 by John Greyson, pp. 10.   A Bad Review for Gary Michael Dault by Richard William Hill, pp. 52.  

Volume 27, Issue 1 (February 2004)

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EDITORIAL

The Dunlop Art Gallery Closes by FUSE, pp. 05.  

COLUMNS

The Moorings of Art and Activism: An Australian Example by Florencia Berinstein, pp. 06-9.   Internationalism Begins at Home: Revisiting Modernism on the West Coast by Adrienne Lai, pp. 10-15.  

FEATURES

The Dunlop Art Gallery: Weird Economies by Helen Marzolf, pp. 16-19.   The Dunlop Art Gallery: Interview with Marjorie Dunlop by Helen Marzolf, pp. 20-24.   The Dunlop Art Gallery: It was fun while it lasted .... by Peter White, pp. 25-27.   The Dunlop Art Gallery: A Tale of Governance by Merrilee Rasmussen, pp. 28-30.   The Dunlop Art Gallery: The Gift of Visual Art by Sigrid Dahle, pp. 31-32.  

ARTIST PROJECTS

Cooking lessons by Yam Lau, centrefold.  

REVIEWS

"Art Action" (Editions Intervention, Montreal) by Paul Couillard, pp. 33-35.   "Ingrid Bachmann: Digital Crustaceans v.0.2 Homesteading on the Web" (Articule, Montreal) by Jessica Carpenter, pp. 36-37.   "Traces of India": photography, architecture, and the politics of representation (CCA, Montreal and Yale Centre for British Art) by Rahat Kurd, pp. 38-40.   Long Live Pussyboy!!! "Trans Mission -- Get Your Motor Runnin: Works by Alec Butler" (A Space, Toronto) by Bobby Noble, pp. 41-43.  

OTHER STUFF

Setting the Table: Collective bargaining for the visual arts by Carole Conde, pp. 44.