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 Volume Number 28



Volume 28, Issue 4 (November 2005)

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EDITORIAL

National Security by FUSE, pp. 06.  

COLUMNS

Sonic Warfare: Tactical Soundsystems and the Post-World of Grey Filastine by tobias c. van Veen, pp. 11-17.  

FEATURES

Securing the Nation Post-9/11: the case against Stephen Kurtz by Gita Hashemi and Janna Graham, pp. 18-25.   Leaves of Ass: a conversation with Tim Miller by John Greyson, pp. 30-39.  

ARTIST PROJECTS

Acts of Being: kazemi vs. Libman by Opinionware, (Daniel Ellis, design), pp. 26-29.  

REVIEWS

Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ) by Sally McKay, pp. 40-42.   Owning Something: "The Interventionists" (MassMOCA) by Marc Herbst, pp. 43-45.   Cri de Coeur: The 59th Avignon Theatre Festival by Barry Edwards, pp. 46-48.   Cancer: A Metaphoric re/Vision: Aiko Suzuki's "Bombard/Invade/Radiate" (A Space Gallery) by Pam Patterson, pp. 49-51.  

OTHER STUFF

All the makings of a Stereotype: Bollywood Cowboy by Nadia Kurd, .   Carl Beam: 1943-2005 by Richard William Hill, pp. 07.  



Volume 28, Issue 3 (July 2005)

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EDITORIAL

Working across communities by FUSE, pp. 06.  

COLUMNS

Reflections of a Former Community Arts Officer by Melanie Fernandez, pp. 09-14.  

FEATURES

Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions by the Cache Collective, pp. 15-19.   Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah by Art and Cold Cash Collective, pp. 20-28.   From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge by Craig Leonard, pp. 33-40.  

ARTIST PROJECTS

I Know You, Louise Boothe by Rachel Kalpana James, pp. 29-32.  

REVIEWS

Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press) by Sunil Gupta, pp. 41-43.   A Glowing Intervention: Kelly Mark's "Glow House" (The Power Plant) by Andrea Carson, pp. 44-45.   Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques) by Ellen Moffat, pp. 46-48.   A Failure of Ideas: "Communism" in Dublin by Gemma Tippin, pp. 49-51.  

OTHER STUFF

Letter to the Editor by Jim Drobnick, pp. 07-08.   On the Subject of Counting as an Advanced Skill by FUSE, pp. 48.  



Volume 28, Issue 2 (May 2005)

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EDITORIAL

A third reading based on participation by FUSE, pp. 06.  

COLUMNS

Leaving it be: what we talk about when we alk about political shifts (Powell Street Festival) by Ashok Mathur, pp. 09-14.   Drawing Detention: A Conversation with No one is illegal by No one is illegal, pp. 15-18.  

FEATURES

The Temple and the Forum Together: Re-configuring Community Arts by Declan McGonagle, pp. 19-27.   The Numbers Game: Evaluating Public Art Collections in Canada by Josephine Mills, pp. 28-37.  

REVIEWS

A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press) by Sally McKay, pp. 38-40.   Where is the "Flipside" (Artist Space, NY) by Mira Friedlaender, pp. 41-44.   The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books) by Lis van Berkel, pp. 45-47.  

OTHER STUFF

Letter to the Editor by Timothy Comeau, pp. 07.   Letter to the Editor by Francois Lachapelle, pp. 07-8.   Of Virgins in Blenders and Rats that Sing by Dot Tuer and Alberto Gomez, pp. 52.  



Volume 28, Issue 1 (February 2005)

This Back Issue will soon be available as a digital PDF
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EDITORIAL

Reframing by FUSE, pp. 06.  

COLUMNS

Launching a new ARTSWORLD: Trusted? Connected? Canadian? by Clive Robertson, pp. 08-13.   Patronage, Artistic License and Kissing the Rich Guy's Ass by Marcus Miller, pp. 14-16.   Neshat, The Friendly Other by Haleh Niazmand, pp. 17-20.   Building an Inventory by Jamelie Hassan, pp. 34-40.  

FEATURES

On the Fightin' Side of Me: an interview with Rebecca Belmore by Lori Blondeau and Lynne Bell, pp. 25-33.  

ARTIST PROJECTS

In Contact with Iraq by Babak Salari, Daniel Ellis, and Gita Hashemi, pp. 21-24.  

REVIEWS

"Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM) by Laura J Kuo, pp. 05.   "Massive Change" or More of the Same? (VAG, Vancouver) by Ian Wojitowicz, pp. 46-48.   Is Another World Possible: European Social Forum by Susan Kelly, pp. 49-51.  

OTHER STUFF

letter to the editor by Andrew Hunter, pp. 07.   Arts Council Reveals Wormhole in Peer Assessment by Jim Miller, pp. 52.  

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