Volume 28, Issue 4 (November 2005)
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EDITORIAL
National Security pp. 06.
COLUMNS
Sonic Warfare: Tactical Soundsystems and the Post-World of Grey Filastine pp. 11-17.
FEATURES
Securing the Nation Post-9/11: the case against Stephen Kurtz pp. 18-25. Leaves of Ass: a conversation with Tim Miller pp. 30-39.
ARTIST PROJECTS
Acts of Being: kazemi vs. Libman pp. 26-29.
REVIEWS
Making Books the Hard Way: "Off Printing: Situating Publishing Practices in Artist-run Centres" (RCAAQ) pp. 40-42. Owning Something: "The Interventionists" (MassMOCA) pp. 43-45. Cri de Coeur: The 59th Avignon Theatre Festival pp. 46-48. Cancer: A Metaphoric re/Vision: Aiko Suzuki's "Bombard/Invade/Radiate" (A Space Gallery) pp. 49-51.
OTHER STUFF
All the makings of a Stereotype: Bollywood Cowboy . Carl Beam: 1943-2005 pp. 07.
Volume 28, Issue 3 (July 2005)
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EDITORIAL
Working across communities pp. 06.
COLUMNS
Reflections of a Former Community Arts Officer pp. 09-14.
FEATURES
Persevering Realpolitik: A Conversation with Marie-Helene Cousineau of Arnait Video Productions pp. 15-19. Art and Cold Cash: A conversation between Patrick Mahon, Ruby Arngna'naaq, Sheila Butler, Jack Butler, and William Noah pp. 20-28. From Conceptual to Community Art: A Conversation with Carole Conde and Karl Beveridge pp. 33-40.
ARTIST PROJECTS
I Know You, Louise Boothe pp. 29-32.
REVIEWS
Black Arts: An idea ahead of its time: "Shades of Black: Assembling Black Arts in 1980's Britain" (Duke University Press) pp. 41-43. A Glowing Intervention: Kelly Mark's "Glow House" (The Power Plant) pp. 44-45. Blur: Andrew Forster/PUSH-Montreal's "Cinema (O fim de Orfeu)" (Societe des arts technologiques) pp. 46-48. A Failure of Ideas: "Communism" in Dublin pp. 49-51.
OTHER STUFF
Letter to the Editor pp. 07-08. On the Subject of Counting as an Advanced Skill pp. 48.
Volume 28, Issue 2 (May 2005)
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EDITORIAL
A third reading based on participation pp. 06.
COLUMNS
Leaving it be: what we talk about when we alk about political shifts (Powell Street Festival) pp. 09-14. Drawing Detention: A Conversation with No one is illegal pp. 15-18.
FEATURES
The Temple and the Forum Together: Re-configuring Community Arts pp. 19-27. The Numbers Game: Evaluating Public Art Collections in Canada pp. 28-37.
REVIEWS
A Hotbed of Hotheads: Peggy Gale's "Artist Talk 1969-1977" (NSCAD Press) pp. 38-40. Where is the "Flipside" (Artist Space, NY) pp. 41-44. The Irony of "Aural Cultures": the Sound of Regular Art (YYZ Books) pp. 45-47.
OTHER STUFF
Letter to the Editor pp. 07. Letter to the Editor pp. 07-8. Of Virgins in Blenders and Rats that Sing pp. 52.
Volume 28, Issue 1 (February 2005)
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EDITORIAL
Reframing pp. 06.
COLUMNS
Launching a new ARTSWORLD: Trusted? Connected? Canadian? pp. 08-13. Patronage, Artistic License and Kissing the Rich Guy's Ass pp. 14-16. Neshat, The Friendly Other pp. 17-20. Building an Inventory pp. 34-40.
FEATURES
On the Fightin' Side of Me: an interview with Rebecca Belmore pp. 25-33.
ARTIST PROJECTS
In Contact with Iraq pp. 21-24.
REVIEWS
"Somewhere Elsewhere: Diasporic Visions of Space and Subject" (Worth Gallery, NM) pp. 05. "Massive Change" or More of the Same? (VAG, Vancouver) pp. 46-48. Is Another World Possible: European Social Forum pp. 49-51.
OTHER STUFF
letter to the editor pp. 07. Arts Council Reveals Wormhole in Peer Assessment pp. 52.



